This study investigates worldview and ideology during the late Terminal Formative period (A.D. 100 – 250) in the lower Río Verde Valley of Oaxaca, Mexico, through an analysis of iconography found on grayware ceramic serving vessels. The sample includes 457 vessels and sherds from 17 lower Verde sites obtained through excavations and surface collections between 1988 and 2009. Drawing upon theories of semiotics and style, this thesis identifies a suite of icons suggesting that ceramics were a medium for expressing regionally shared beliefs. Chatino potters carved common Formative period Mesoamerican themes into the walls of graywares, such as depictions of maize and climatic phenomena, which may have been part of a religious worldview rooted in the belief that humans and non-human deities shared a reciprocal relationship. People at Río Viejo, including elites, may have attempted to exploit this relationship, thought of as a ―sacred covenant‖ or agreement between humans and deities, to create a more centralized political entity during the late Terminal Formative Chacahua phase. By using iconographic graywares in socially and politically significant ritual activities such as feasting and caching events, elites imbued graywares with a powerful essence that would have facilitated the spread of the coded messages they carried. Based on statistical analyses of the diversity of iconographic assemblages from various sites, I argue that the assemblage of icons at Río Viejo, a late Terminal Formative political center in the lower Verde, indicates ideas likely originated at or flowed through this site.

There has been an increasing demand for commercial organisations to foster real-time interaction with customers, because harnessing customer competencies has been shown to be a major contributor towards various benefits, such as growth, innovation and competition. This may drive organisations to embrace the development of multimodal interaction and complement Electronic Customer Knowledge Management Systems (E-CKMS) with metaphors of audio-visual nature. Although the implementation of E-CKMS encounters several challenges, such as lack of trust and information overload, few empirical studies were devoted to assess the role of audio-visual metaphors, and investigate whether these technologies can be put into practice. Therefore, this thesis describes a comparative evaluation study carried out to examine the implication of incorporating multimodal metaphors into E-CKMS interfaces on not only usability of E-CKMS, but also the user's trust, knowledge and acceptance. An experimental E-CKMS platform was implemented with three different modes of interaction: Visual-only E-CKMS (VCKMS) with text and graphics, Multimodal E-CKMS (MCKMS) with speech, earcons and auditory icons and Avatar-enhanced multimodal E-CKMS (ACKMS). The three platforms were evaluated by three independent groups of twenty participants each (total=60) who carried out eight common tasks of increasing complexity and design based on three different styles. Another dependent group of forty-eight participants (n=48) was instructed to interact with the systems under similar usability conditions by performing six common tasks of two styles, and fill a questionnaire devised to measure the aspects of user acceptance. The results therein revealed that ACKMS was more usable and acceptable than both MCKMS and VCKMS, whereas MCKMS was more usable than VCKMS, but less acceptable. Inferential Statistics indicated that these results were statistically significant.

The focus of this study was analytical investigations of Egyptian paintings, mainly Coptic icons and Islamic wooden ceilings, dating from 1300-1900 using multi-instrumental techniques. Twenty three Coptic icons and three wooden ceilings dated from different periods and painted by different painters in case of icons were examined. The materials used including pigments, media, varnishes, ground layers and gold layers. The surface stratigraphy of paint samples, their layered structured and the composition of materials used in each layer were analysed. Variations in painting techniques, pigments palettes, paint media and varnishes applied in Egyptian paintings according to painters, time and type of paintings were revealed. A total of twenty-eight organic and inorganic pigments were identified in this study, of which nine have never been previously included as a part of the Egyptian pigment palettes, namely; smalt, lapis lazuli, indigo, pararealgar, Prussian blue, chrome yellow, barium yellow, barium white and hydromagnesite. The identification of hydromagnesite, which has never been to date considered as a pigment either in Egypt or elsewhere and the identification of smalt from the mid-14th century, whose reported earliest large scale use was in the 16th century. Two types of resins were identified as a constituent of the oil/resin varnish applied on Coptic icons of which Venice turpentine has been identified for the first time as an ingredient of Egyptian varnishes. The identification of mosaic gold in an 18th C. icon, a novel usage of dammar resin and the multilayered structure of the white ground layers were revealed.

Background: The Swedish fashion market today quickly becomes too small, even for the new companies, and they are quick to take the step abroad and launch their internationalisation process. With a focus on the four Swed-ish fashion companies Filippa K, Acne Jeans, Nudie Jeans and Whyred, we have analysed how these representatives of the industry have interna-tionalised themselves. The companies have chosen different ways to promote their brand and how to control the perceived image of the brand. As there is a lack of earlier in-depth studies into this particular question of the Swedish Fashion industry, we have set out to investigate how this is done. Purpose: The purpose of the thesis is to look at the internationalisation process of Swedish fashion companies, with a focus on the growth and the penetra-tion of the international markets in order to determine the key success factors for successful international expansion. We will also investigate to what extent branding, country of origin (COO) and psychic distance to geographical markets has an influence on the internationalisation process and its success. Method: We used a qualitative approach and conducted a case study consisting of four Swedish fashion companies. The data have been collected through interviews and secondary sources. The information has been put into dif-ferent models for internationalisation, branding and key success factors. Conclusion: We have interpreted the collected data together with the theories used, thereafter drawn the conclusions that the key Success factors that have taken these firms so far and have been important in the building of the successful brands/companies, are in fact to a large degree COO, rela-tions in the Swedish fashion Industry and the creation of superior prod-ucts. The companies have both similar and specific factors for their suc-cess on the international market.

<p>Background:</p><p>The Swedish fashion market today quickly becomes too small, even for the new companies, and they are quick to take the step abroad and launch their internationalisation process. With a focus on the four Swed-ish fashion companies Filippa K, Acne Jeans, Nudie Jeans and Whyred, we have analysed how these representatives of the industry have interna-tionalised themselves. The companies have chosen different ways to promote their brand and how to control the perceived image of the brand. As there is a lack of earlier in-depth studies into this particular question of the Swedish Fashion industry, we have set out to investigate how this is done.</p><p>Purpose:</p><p>The purpose of the thesis is to look at the internationalisation process of Swedish fashion companies, with a focus on the growth and the penetra-tion of the international markets in order to determine the key success factors for successful international expansion. We will also investigate to what extent branding, country of origin (COO) and psychic distance to geographical markets has an influence on the internationalisation process and its success.</p><p>Method:</p><p>We used a qualitative approach and conducted a case study consisting of four Swedish fashion companies. The data have been collected through interviews and secondary sources. The information has been put into dif-ferent models for internationalisation, branding and key success factors.</p><p>Conclusion:</p><p>We have interpreted the collected data together with the theories used, thereafter drawn the conclusions that the key Success factors that have taken these firms so far and have been important in the building of the successful brands/companies, are in fact to a large degree COO, rela-tions in the Swedish fashion Industry and the creation of superior prod-ucts. The companies have both similar and specific factors for their suc-cess on the international market.</p>

Thesis (M. Log.)--Universiteit van Pretoria, 2000. / Summary in English and Afrikaans. Includes bibliographical references.

Thesis (M.A.)--Florida State University, 2005. / Advisor: Dr. Cynthia Hahn, Florida State University, School of Visual Arts and Dance, Dept. of Art History. Title and description from dissertation home page (viewed June 8, 2005). Document formatted into pages; contains vii, 70 pages. Includes bibliographical references.

Made available in DSpace on 2014-12-17T15:10:39Z (GMT). No. of bitstreams: 1 EugenioRS_DISSERT.pdf: 4302323 bytes, checksum: 9a6264246b2d8316916522091fe70676 (MD5) Previous issue date: 2012-05-02 / The model of strategic city planning is applied to Latin American and Brazilian cities since the 1990s. Notwithstanding, in many cities, the production of space has not followed the international model stricto sensu, but a variation of the model, here called, strategic city planning without a plan or peripheral (or yet incomplete) urban entrepreneurialism . This seeks to build city attributes in order to qualify cities for the competitive international and/or regional markets. This includes the production of iconic buildings and structures, here called urban icons. They rapidly become symbols in the contemporary city landscape, facilitating the promotions of the city for tourism and business. This also helps produce charismatic leaderships. However, what it does best is to promote real estate development. This dissertation seeks to understand the role of iconic buildings in the promotion of real estate business in Natal, especially how it helps to fuel prices in the market. The research is done by use of interviews with civil servants and private entrepreneurs related to real estate business / O modelo de planejamento estrat?gico de cidades chegou ? Am?rica Latina e passou a ser adotado no Brasil com a formula??o de planos estrat?gicos desde a d?cada de 1990. Em muitas localidades, por?m, o padr?o de produ??o da cidade n?o se deu de acordo com o modelo adotado internacionalmente, mas foi desenvolvido uma esp?cie de planejamento estrat?gico sem plano ou empreendedorismo perif?rico , o qual buscam construir atributos para qualificarem sua inser??o no cen?rio competitivo internacional e regional. Dentre esses atributos, destaca-se a produ??o de ?cones urbanos destinados a variados usos. Antes de qualquer coisa, esses ?cones servem para a constru??o de uma imagem contempor?nea da cidade, para a promo??o da cidade para o turismo e os neg?cios, para a constru??o da imagem carism?tica de figuras pol?ticas, bem como para a dinamiza??o do mercado imobili?rio. O trabalho ora proposto objetiva compreender a import?ncia dos ?cones urbanos, sobretudo a valoriza??o imobili?ria das ?reas do entorno dos quais s?o constru?dos. Para isso, ser?o estudados ?cones urbanos da cidade de Natal e os seus rebatimentos na din?mica imobili?ria, por meio de entrevistas semiestruturadas com t?cnicos, gestores e agentes p?blicos e privados envolvidos na promo??o da cidade e/ou relacionados ao mercado imobili?rio

Electronic networks services have become essential tools for the academic community. One of the services provided has been academic electronic bulletin boards (EBBs), and the use of EBBs has increased dramatically during the last decade. One question concerns the possible application of EBBs as a means both for communication and for remote training. A series of experiments were conducted during 1991, 1992, and 1993 with the aim of examining the use of EBBs for these purposes. The first experiment was carried out to investigate whether users experience problems in using EBBs. The next extended this to see how students evaluated EBBs for communication and training purposes. The main focus of the work was BUBL. After this second experiment, modifications were made to the BUBL data and a further experiment was carried out. A different group of students looked at the modified material, and also compared it with US data using different software. The fourth experiment compared the usability of a menu-based interface (dBase III +) and a hypertext interface (HyperCard) from a student's viewpoint. It was followed by an investigation of icons to find out how well different icons could be recognised and the possibility of using them for language-independent instructions. Finally, the characteristics and problems of GULFNET users were examined. The evaluation has demonstrated the general acceptability of EBBs and their likely value for training purposes. This leads to a discussion of how an EBB might best be developed for use in communication and training on GULFNET.

There has been an increasing demand for commercial organisations to foster real-time interaction with customers, because harnessing customer competencies has been shown to be a major contributor towards various benefits, such as growth, innovation and competition. This may drive organisations to embrace the development of multimodal interaction and complement Electronic Customer Knowledge Management Systems (E-CKMS) with metaphors of audio-visual nature. Although the implementation of E-CKMS encounters several challenges, such as lack of trust and information overload, few empirical studies were devoted to assess the role of audio-visual metaphors, and investigate whether these technologies can be put into practice. Therefore, this thesis describes a comparative evaluation study carried out to examine the implication of incorporating multimodal metaphors into E-CKMS interfaces on not only usability of E-CKMS, but also the user¿s trust, knowledge and acceptance. An experimental E-CKMS platform was implemented with three different modes of interaction: Visual-only E-CKMS (VCKMS) with text and graphics, Multimodal E-CKMS (MCKMS) with speech, earcons and auditory icons and Avatar-enhanced multimodal E-CKMS (ACKMS). The three platforms were evaluated by three independent groups of twenty participants each (total=60) who carried out eight common tasks of increasing complexity and design based on three different styles. Another dependent group of forty-eight participants (n=48) was instructed to interact with the systems under similar usability conditions by performing six common tasks of two styles, and fill a questionnaire devised to measure the aspects of user acceptance. The results therein revealed that ACKMS was more usable and acceptable than both MCKMS and VCKMS, whereas MCKMS was more usable than VCKMS, but less acceptable. Inferential Statistics indicated that these results were statistically significant.