In my diploma thesis I deal with the concept of "natural". I wonder what society considers natural and what it doesn't. For this "research", I borrowed the dance genre of Vogue, which was invented by the trans subculture, as a celebration of the otherness of sexual identities. I open questions of normality and nature through new entities, which I create from found synthetic materials and my body. At the same time, artificial materials illustrate the issue of nature not only in society but also in the environment. The final work is assemblage. But it is not just about connecting different materials, but also about connecting different media, feelings, themes and thoughts that culminate in one whole. However, with its creation, it slowly disappears again. As a result, it is an installation consisting of decomposing costumes, which I used in three already performed performances. The installation creates an environment for a new action. Specifically for the dance "battle", which will be based on the already mentioned "voguing". The performance lasts until one of the two performers is exhausted and is accompanied by music and authentic screams from real "battles".

The diploma thesis focuses on public relations in their various forms. It specifies relations with the public of company AB Control CZ, s.r.o. and it compares them with acquired theoretical knowledge. On these basis it proposes recommendations and appropriate changes to the problem.

The work focuses on the evaluation Rool mask and costume in human life and their influence on individuality, personality. The need for transformation of individuals with regard to public space in everyday life is reflective of his inner world and falls on his psyche and identity. In my project I looked at myself as an ordinary person with specific and feelings of my own destiny. So I chose a simple white background. I reflected experience in the theoretical part. I chose the photos for me something important. moments related to the momentary internal experience in my life. I focused exclusively on personal and internal experience.

National legitimacy played in the politics of post-war Communist Party of Czechoslovakia an important role. The addressees of communist policy should primarily be "members of the nation." The subject of my research work in this way was the formulation of national identity and its role in the Communist politics in the first postwar year, especially the cultural field. For the conceptualization of the concept of propaganda in the Communist Party, I was inspired discourse analytical approaches that have helped me in exploring answers to the question of the role of Czech national identity in the propaganda of the Communist Party of Czechoslovakia.

a abstrakt vAJ Burjanová, Z.: Portraits of Ancestors [Diploma Thesis] Praha 2013 - Charles University, Faculty of Education, Art Education Department, 94 p. This thesis deals with a portrait and its significance for a present human. It treats different conceptions of our ancestors. A research sample about the way how people handle family photographs and how they perceive the heritage of their ancestors is an integral part of the thesis. Some fine arts problems were proposed resulting in finding the way how pupils of primary schools and students of secondary schools were able to cope with a human face illustration. Key words: Identity, expression, appearance, rootage, family, genetics, heritage Burjanová, Z.: Portraits of Ancestors [Diploma Thesis] Praha 2013 - Charles University, Faculty of Education, Art Education Department, 94 p. This thesis deals with a portrait and its significance for a present human. It considers the relation between paintings and photographs. It treats similarities and differences within a family. One of the topics are family photographs and their form. It analyses differences between digital and physical sources. It treats different conceptions of our ancestors (family concept, historical-family, historical-cultural and biological concepts). A research sample about the way...

In the cities locality development tends to be the object of conflicts and negotiations of different actors with varied interests, e.g. investors, developers, municipal leaders and citizens' associations. It is possible to find among these participants a wide range of strategies and preferences, often including a visual presentation of the urban projects. This diploma thesis centers on the completion of the Victory Square, which according to the master plan of Prague should be a secondary center and it should be the main square of Prague 6. Currently completion projects for the Victory Square are discussed with a significant amount of opposing debate on their intended use, their purpose and also their design. The aim of this paper is to (1) analyze the present-day role of the unfinished Victory square in the center system in Prague, (2) ascertain who has an interest in the completion of the square and what methods are utilized to present their goals, with particularly emphasis on construction of a new identity of the space, and (3) discuss who has the ability to influence the final result considering the different roles of private investors, municipality and citizens. This thesis will try to identify the role of capital, residents, and discourse as influential actors in the reconstruction process...

Introduced Diploma thesis aims to analyze the schemes of online self-presented femininity on a social network site using depth analysis of chosen Profiles. The aim was to discover the concepts of online self-presentation using gender perspective. Facebook as a huge user based medium, which allows all its users to produce content, constitutes a potential to change stereotyped schemes in presenting femininity in media. In theroretical part I summarize the principles of Facebook functions, I engage in Goffman's (and his followers') dramaturgical metafor and I link it to the theories of Gender Advertisements, The Beauty myth and Male gaze. All of these theories I use in analytical part of the thesis.

The thesis dedicates to discourses of intersexuality in the novel Middlesex written by the American author Jeffrey Eugenides. For the analysis, the method of queer reading was deployed, within the broader perspective of cultural studies. After introducing the context of the novel, and the theoretical framework, three analytical chapters follow which seek queer moments on the background of critical reviews of the novel. First chapter focuses on heteronormativity, performativity, and identity politics. Second chapter is interested in the confession genre and subject in confession. Third, and last chapter closes the analysis with finding moments of queer pleasure.

The aim of the thesis was to find out what information of personal and impersonal nature users provide to Google in exchange for free use of its services and what image of digital identity can be compiled from this information. Since the concept of digital identity can be interpreted in different ways, its meaning is first determined for the purposes of this study. For a better understanding of the subject is further described a brief history and present of Google and the services it offers. Range of digital identity is influenced by the company's policy on the collection and storage of user data. For this reason, it is discussed in a separate chapter. The next part presents tools for managing digital identity available within the user account. In the practical part the real user data from all services associated with the user account were analyzed.

The thesis focuses on the subject of group identities of Tajik Pamirs. The ethnonym "Pamir" describes inhabitants of the mountainous region of Pamir, who differ by their religious confession, language affiliation, together with some other aspects of material culture from other groups living in the area of contemporary Tajik Republic. The official policy of the Tajik republic does not recognise Pamirs as an ethnic minority, legally they are all considered as being part of Tajik majority. However, neither Tajiks, nor Pamirs themselves identify with this version of ascribed nationality as interpreted by the State. Members of both groups highlight mutual cultural differences (mainly drawing on religious confession), through which they delimit from each other. The aim of this thesis is to analyze factors that influence forms and ways the identities of the mountain Pamirs manifest themselves. The text reflects the issue mainly on three basic levels: language affiliation, religious confession and kinship. Language affiliation and religious confession prese nt basic aspects of Pamirs' group identities. Through these aspects Pamirs define themselves against members of other (non-Pamirs) groups, specifically against majority Tajiks. The thesis also asks questions about the role of such concepts of Pamirs'...