Submitted by Morgana Silva (morgana_linhares@yahoo.com.br) on 2016-07-26T15:58:30Z No. of bitstreams: 1 arquivototal.pdf: 2132519 bytes, checksum: d50074664e317924117a1ff197bb5489 (MD5) / Made available in DSpace on 2016-07-26T15:58:30Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 2132519 bytes, checksum: d50074664e317924117a1ff197bb5489 (MD5) Previous issue date: 2015-03-31 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This thesis examines the reggae history in the region of three municipalities of the state of Paraiba, Brasil (João Pessoa, Cabedelo and Campina Grande), while also identifying and describing artists and bands of the present scene. The focus of this thesis is to analyse how the concept of metaphor influences the expression and (re)construction of identity in the reggae practiced in the surveyed area. The survey was conducted on three levels (ethnographical, musicological and technicallinguistic), using techniques of the fieldwork (interviews, observations and informal conversations), musicological analysis, and technical and linguistic analysis of four songs of bands from the surveyed area. The interconnectivity between the linguistic metaphors (analysed by King and Jensen, 1995) and the metaphorical nature of reggae (analysed by Rice, 2003) were observed in this study. The analysis showed that reggae of the great João Pessoa discusses social topics and the field of entertainment, trying to enter into a reality where other musical practices prevail. Since the metaphor affects our thoughts, experiences of reality and the ways in which we act, the importance of metaphorical language in reggae and reggae as a metaphor by itself play an important role in the process of expression and construction of identities in the context of reggae scene in the area of João Pessoa, Cabedelo and Campina Grande. / Este trabalho traz uma investigação da trajetória do reggae na região de três municípios do estado da Paraíba, Brasil (João Pessoa, Cabedelo e Campina Grande), identificando e descrevendo artistas e bandas do cenário atual. Além disso, o foco da presente dissertação é analisar como o conceito da metáfora influencia a expressão e a (re)construção da identidade no reggae na região pesquisada. A pesquisa foi realizada em três níveis (etnográfico, musicológico e técnico-linguístico), utilizando como técnicas de coleta a pesquisa do campo (entrevistas, observações e conversas informais), a análise musicológica e a análise técnico-linguística de quatro músicas de bandas da região pesquisada. A interconectividade entre as metáforas linguísticas (analisadas a partir de King e Jensen, 1995) e a natureza metafórica do reggae (analisada a partir de Rice, 2003) foi observada no presente trabalho. As análises demonstraram que o reggae da região pesquisada discute sobre temáticas nos âmbitos sociais e de entretenimento, tentando se inserir em uma realidade onde outras práticas musicais prevalecem. Considerando que a metáfora afeta os nossos pensamentos, as experiências da realidade e as formas como agimos, a importância da linguagem metafórica no reggae e, o reggae como metáfora em si, desempenham um papel importante no processo da expressão e construção das identidades no contexto do cenário reggae na região de João Pessoa, Cabedelo e Campina Grande.

Made available in DSpace on 2016-08-10T11:21:59Z (GMT). No. of bitstreams: 1 UBIRATAN DE SOUSA LEMOS.pdf: 3508630 bytes, checksum: c7e0d78f5c1cefe26d2b8df7e05aa6a4 (MD5) Previous issue date: 2016-03-22 / The purpose of this research is to comprehend food history, linkin it to the concepts of society, culture and identity. The goiana society from the 19th century to the first half of the 20th century known historically, as a subsistence economy and facing challenges to get needs supplies contributed to shaping a food culture with its own characteristics. The aim of this research is to gather data that makes possible to demonstrate these determining factors for the cultural formation also link to historical, social, economic and identity construction aspects of the goiana society. / Esta pesquisa teve o objetivo de compreender a alimentação, articulando-a aos conceitos de sociedade, cultura e identidade. A sociedade goiana do século XIX e primeira metade do século XX, compreendida, historicamente, como economia de subsistência e com dificuldades para suprir necessidades de abastecimento, colaborou para que se forjasse uma cultura alimentar com características próprias. O objetivo da pesquisa é levantar dados que possibilitem demonstrar que esses fatores determinantes para a formação cultural, também se ligam a aspectos históricos, sociais, econômicos e de construção da identidade goiana.

The diploma thesis focuses on the perception of family, upbringing and parenthood from the perspective of fathers. The theoretical part of the thesis introduces key definitions and theoretical conceptions related to family, childrearing, parenthood and fatherhood, including historical changes in the perception of these concepts. Furthermore, functions of the family, the diversity of family roles, and relationships between family members are discussed in the context of current knowledge about gender aspects of family systems. The empirical part of the thesis is based on qualitative research design. The aim of the empirical part is to explore via in-depth interviews with young fathers how these fathers perceive and experience their role as fathers, whether and how they perceive social changes of the father's role and how they relate to these changes.

The KONID Survey 2019 surveyed the significance of religion for social identities in a multi-thematic, country-comparative representative survey of the population in Germany and Switzerland aged 16 and older, paying particular attention to Muslim minorities. In both countries, more than 3,000 people were surveyed from spring to summer 2019. The KONID Survey 2019 surveyed no fewer than 21 possible social identities and placed them in their social and religious contexts.

Thesis Abstract The thesis aims to explore how Mark Ravenhill's plays engage with postmodern themes and techniques, while tracking the development of associated experimental tendencies. This development cannot be accurately perceived chronologically, therefore what the thesis does instead is to group connected phenomena thematically, while making sure to stress the gradation that is perceptible over the course of Ravenhill's career. To achieve such a goal, several plays have been selected and arranged based on their focus and the level of experimentation present within them. The plays of principal importance are: Shopping and Fucking (1996), Some Explicit Polaroids (1999), Faust (Faust Is Dead) (1997), Handbag (1998), Mother Clap's Molly House (2001), Product (2005), Pool (No Water) (2006) and The Experiment (2010). The first three listed plays are not formally experimental themselves, yet they instead provide a sound theoretical background for the close reading of the remaining plays. This includes especially Ravenhill's treatment of the concept of postmodernity and its social impact. The analysis of the other, generally younger plays pursues the practical application of the insight gained in the introductory plays. Hence, what is theoretically implied at first is applied not only thematically, but...

Submitted thesis deals with selected points from the development of the tribal society of the Polabian Slavs in the area called Slavic Polabia, i.e. the area between the Ore Mountains and the Lusatian Mountains in the south, rivers Elbe and Saale in the west, Baltic Sea in the north and river Oder in the east. The thesis is divided into the introduction and four longer chapters; together, they introduce the forms and manners of the medieval tribal society. The introduction defines the aims and methodology of the thesis, while also emphasizing the necessity to observe the diversity of each tribal societies, even in the context of the Slavic Polabia, which was supposed to be a home of the three big tribal societies or tribal confederations. Because of the differencies in the socio-political development of these three tribal confederations, the first chapter introduced its own proposition of periodization of the Polabian Slavs' history. This proposition is not based on the traditional criteria used by the older and contemporary medieval studies relying on the external factors, level of social differentiation or structural changes in the political system. The proposed periodization set a few development phases, which each of the tribal societies either passed or never reached. In its three parts (head,...