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This thesis documents the early history of the City of Sydney Eisteddfod from its beginning in 1933 until it recessed in 1941 for the duration of the Pacific War. Eisteddfods had long been commonplace in Australia, but this competition began for political rather than cultural reasons in 1932, when organisers of the Harbour Bridge celebrations decided that since the spectacular edifice had made Sydney an icon on the world map, the city needed to cultivate a more sophisticated image. In observing events that led to its establishment, the project looks at the technological revolution of the 1920s and the social upheaval of the jazz age. This thesis observes that Sydney competition was Welsh only in name and grew from the political roots of the high and lowbrow debates that had come to divide society. In examining these issues, this thesis focuses on the Sydney contest, the talent that rose from its stages and the cultural revival that exploded in its wake. Written as a narrative history, this thesis draws mostly from empirical sources. It includes a statistical analysis and a substantial amount of original material / Doctor of Philosophy (PhD)

The purpose of this study was to explore American and Chinese college student underlying cultural assumptions, which influence their perceptions and behaviors in various domains of life. The objectives of this study were to: (a) To generate timely knowledge of Chinese and American youth's cultural images, meanings, and frame of reference. (b) To evaluate the extent and nature of psycho-cultural difference between American and Chinese population samples. (c) To increase the cross-cultural awareness of both cultural groups and offer deeper insights of perceptions and belief system of their contemporaries. (d) To examine how the economic, social and political changes affect people's images and cultural frame of reference. (e) To provide a better tool to prepare future study abroad students. The methodology employed in this research includes Associate Group Analysis (AGA), focus groups, and participant observation. The data derived from 73 returned surveys on 25 stimulus words (42 from Chinese respondents and 31 from American respondents). These were analyzed using AGA. Focus groups and participant observation were used as follow-up research methods to clarify, extend, and qualify findings on the topics explored in the analysis. The findings revealed that American self-image and their attitudes towards family, education, values, conscience and other domains of life showed strong individualistic traits with an emphasis placed on self-reliance. Compared to American students, Chinese students' cultural assumptions are related to broad cultural factors derived from Chinese traditional beliefs about self-control and group harmony. Under the influence of western culture, Chinese youth have undergone certain changes in their perceptions and practices. They are experimenting with independent thinking and more concerned with developing their interests and potentials. They readily visualize their material goals and struggle for more personal freedom. However, in spite of the strong pull of western culture and materialism, Chinese students still hold the traditional aspirations of "group harmony," "reciprocity," "mutual obligation" and "self-cultivation," reflecting the stability of community norms over time. / Graduation date: 2003

Graduation date: 1956

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