This text examines the ideological positions, as they appear in texts of central importance, of four Swedish protagonists – Antipiratbyrån, Konstnärliga och litterära yrkesutövares samarbetsnämnd, Creative Commons i Sverige and Piratbyrån – in copyright issues. The critical analysis is focusing on three themes – economy, culture and civic rights and responsibilities – and poses the questions of how the ideology of the protagonists relates to the changing processes between culture and economy in the society of today, and which interest of classes, understood in Marxist terms, they favour. Before defining the theory and method of the inquiry the authors give their understanding of the changing processes between economy and culture. The current situation is understood in the light of historical materialism and the authors assert that the society has entered the era that Karl Marx gave the name of the general intellect. The annexation of the culture by the capitalistic logic is nevertheless counterbalanced by a production of culture among peers in gifteconomies based on the human playdrive. Ideology is understood as the worldview of an individual or social group that relates to the interests that their social life generates. The ideology has a manifest and a latent part and you can discover these through textanalysis, reading between lines, and by examining the use of naturalisation and universalisation in the text. Finally, the ideologies of the protagonists are compared and put in relation to the contemporary era of the general intellect and the protagonists ideological positions are criticised by the authors. / Uppsatsnivå: D