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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 11 to 14 of 14 (0.066 seconds)Spelling suggestions: "subject:"john stewardship"" "subject:"join stewardship""
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Satiric infotainment TV showsAlonso, Paul, 1978- 13 November 2012 (has links)
This dissertation analyzes the discourse of three infotainment television shows built around their hosts – characters who have gained considerable importance and influence in their respective countries: American Jon Stewart (host of The Daily Show with Jon Stewart); British comedian Sacha Baron Cohen (the actor who incarnates the popular characters Borat, Bruno, and Ali G in the Da Ali G Show), and Peruvian Jaime Bayly (host of the Peruvian TV show El Francotirador/The Sniper). These three shows responded to their specific national, cultural, social, and political contexts, while simultaneously demonstrating important similarities: they parody journalistic genres while questioning traditional journalism authority and arbitrary media norms; they use humor to develop political, social, and cultural critiques; and they revolve around a talented character who is a media celebrity.
Drawing upon theory and literature related to media spectacle, infotainment, tabloidization, celebrity, and the carnivalesque, this research analyzes the three media characters’ discourse and critiques within their respective national and cultural contexts in order to understand their role in those societies and how they negotiate discursive power in the public sphere. This analysis also seeks to reveal how Stewart challenges the mainstream news media by exposing the difficulties of debate in the U.S.; how the subaltern voices of Ali G, Bruno, and Borat position Sacha Baron Cohen to confront hegemonic culture and identity; and how ambiguity and contradiction allow Bayly to be a transgressor in a society where entertainment has a particular political history. This research establishes commonalities and differences among these three representative cases in relation to the broader, global phenomenon of satiric infotainment, and introduces the notion of “critical infotainment” to characterize this satiric trend that combines entertainment, comedy, journalism, popular culture, and politics to develop social critique. Critical infotainment is interpreted as a result of and a transgressive reaction to the process of tabloidization and the cult of celebrity in the media spectacle era. Finally, this dissertation includes recommendations for future critical infotainment experiments to fill the gap left by the traditional press in today’s mediascape. / text
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In the Culture of Truthiness: Comic Criticism and the Performative Politics of Stephen ColbertHolcomb, Justine Schuchard 05 June 2009 (has links)
I analyze comedian Stephen Colbert's performances as the bloviating "fake" pundit, "Stephen Colbert." Colbert's work reflects the progression of personality-driven media and performance-driven society. His frequent shifts and blending of characters – from actor and entertainer to pundit and politician – call attention to the similarly character-driven nature of "real" figures in politics and media. Using Kenneth Burke's theory of tragic and comic frames of acceptance, I analyze three sets of Colbert's performances – hosting The Colbert Report, speaking at the White House Correspondents' Association dinner, and running for president – as well as the conventional situations and discourses he complicates. I argue that Colbert's comic critique provides perspective by incongruity about the processes of production, mediation, and persuasion in the business of news punditry – and the literal staging of politics performed as entertainment.
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The Logic of Ironic Appropriation: Constitutive Rhetoric in the Stewart/Colbert UniverseMedjesky, Christopher A. 19 July 2012 (has links)
No description available.
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Embracing LOLitics: Popular Culture, Online Political Humor, and PlayTay, Geniesa January 2012 (has links)
The Internet, and Web 2.0 tools can empower audiences to actively participate in media creation. This allows the production of large quantities of content, both amateur and professional. Online memes, which are extensions of usually citizen-created viral content, are a recent and popular example of this. This thesis examines the participation of ordinary individuals in political culture online through humor creation. It focuses on citizen-made political humor memes as an example of engaged citizen discourse. The memes comprise of photographs of political figures altered either by captions or image editing software, and can be compared to more traditional mediums such as political cartoons, and 'green screens' used in filmmaking. Popular culture is often used as a 'common language' to communicate meanings in these texts. This thesis thus examines the relationship between political and popular culture. It also discusses the value of 'affinity spaces', which actively encourage users to participate in creating and sharing the humorous political texts. Some examples of the political humor memes include: the subversion of Vladimir Putin's power by poking fun at his masculine characteristics through acts similar to fanfiction, celebrating Barack Obama’s love of Star Wars, comparing a candid photograph of John McCain to fictional nonhuman creatures such as zombies using photomanipulation, and the wide variety of immediate responses to Osama bin Laden's death. This thesis argues that much of the idiosyncratic nature of the political humor memes comes from a motivation that lies in non-serious play, though they can potentially offer legitimate political criticism through the myths 'poached' from popular culture.
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