<p>This paper combines two theoretical fields, the psychoanalytical and the political, with regards to the discussion on Herman Hesse’s Demian. Rather than to merely see Demian as a psychological study of one particular, singular person, I consider Demian to be an urgent request to people in general that they should follow their inner voice and develop themselves fully as individuals. Furthermore, the novel conveys the message that the individual should live in coexistence with the collective, i.e., social norms. In order to analyze how a psychoanalytical and a political approach complement each other and in turn create another, expanded view of Demian, I have worked with C.G. Jung’s ideas of the individuation process and the archetypes. I have also included articles that deal with the political aspects in Demian and that indirectly deal with Hesses political views.</p>

Although bilingualism is a common feature of clinical work with patients, the specific aspects of working with the dreams of the bilingual patient have not been much discussed. This qualitative study explored the discrepancies that arise in the linguistic expressions of the psychological complexes when dreams are worked simultaneously in the dreamer's native and second language. The aim was to learn more about the significance of including the bilingual patient's native tongue when working with dreams in a dreamer's second language. Key concepts on the study of language, dreams, psychological complexes, linguistics and psychoanalysis situated the research using various theoretical perspectives, such as Merleau-Ponty's and Ricoeur's understanding of language, Freudian and Lacanian psychoanalysis, as well as Jungian and post-Jungian's analytical psychology. The focal point was the important role of words, phonetics, and grammar in the unconscious association process, particularly as it was revealed in the presence of complexes in dreams. This literature review served as a framework for an empirical investigation in which bilingual participants' dream texts written down in both languages (i.e., Spanish and English) were compared to find linguistic discrepancies between them. The data was collected after the administration of the Spanish version of Jung's Word Association Experiment to five participants to obtain a map of their psychological complexes. The participants wrote down three personal dream narratives in both their native and second languages, and they included their associations to each dream. The results demonstrated that the mother tongue describes better the dream ego's experience and brings in childhood and family of origin life, while revealing complexes more straightforwardly. However, for a person who has a life in two languages, both tongues would potentially carry the emotional tone of complexes in dreams. Clinically, these results suggest an analytic attitude that is sensitive to the intrinsic and lively link between words and complexes, and is alert to the sound of words in their polysemy and metaphorical dimensions in bilingual patients. / McAnulty College and Graduate School of Liberal Arts / Clinical Psychology / PhD / Dissertation

Thesis (Ph. D.)--Ohio State University, 1981. / Includes bibliographical references (leaves 181-186). Available online via OhioLINK's ETD Center

This paper combines two theoretical fields, the psychoanalytical and the political, with regards to the discussion on Herman Hesse’s Demian. Rather than to merely see Demian as a psychological study of one particular, singular person, I consider Demian to be an urgent request to people in general that they should follow their inner voice and develop themselves fully as individuals. Furthermore, the novel conveys the message that the individual should live in coexistence with the collective, i.e., social norms. In order to analyze how a psychoanalytical and a political approach complement each other and in turn create another, expanded view of Demian, I have worked with C.G. Jung’s ideas of the individuation process and the archetypes. I have also included articles that deal with the political aspects in Demian and that indirectly deal with Hesses political views.

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The Book of Odes carries specific classical aesthetic, political, social and literature value. How it was reflected by traditional scholar Chŏng Yak-yong in monarch Chosŏn dynasty within the rhetoric end? Between the conflict within text knowledge of traditional classics and practical knowledge of western learning, how Chŏng Yak-yong balanced and combined them with rhetorical discourses of fengci(풍자,讽刺)? And what Chŏng Yak-yong understood the rhetoric of fengci offered the open end for the future development of understanding the tradition. Chŏng Yak-yong was one of Korean traditional scholars in late Chosŏn dynasty and through his commitments the fengci in the Book of Odes, I tried to dignify Chŏng Yak-yong’s assumption to image of Korean state confronting the influence of western practical learning and western Catholic religion. Chŏng Yak-yong through his commitments rhetoric of fengci in the Book of Odes rebirthed the traditional thoughts with new contents under the influence of western practical learning. His ideology of state of Korea was based on the traditional text knowledge, meanwhile combined western practical knowledge to build Korean new specific knowledge essence of morality, value and the emotion of public of Koreans, revealing and realizing the power of the state. Even more, his understanding of the fengci in the Book of Odes was based on fengci’s social critical function, associating with Korean traditional ethic value of humanism, rebuilding the essential nature of ruler and noble to the public, which was proper to the current political domination of monarch system. Additionally, the discourse of fengci contained in the Book of Odes would have its literature meaning as poems to the society and political domination. This thesis would find the way that fengci as the rhetoric that how its discourse related the society, politics and literature as an integrated system in monarch late Chosŏn period. / text

Thesis (Ed. D.)--Teachers College, Columbia University, 1960. / Sponsor: Arthur R. Young. Dissertation Committee: Mildred L. Fairchild, Paul E. Eiserer. Bibliography: leaves 169-175.

Thesis (M.A.)--Furen da xue, 1972. / Cover title. On double leaves. Includes bibliographical references (leaves 1-2 (last group)).

Thesis (Ph. D.)--University of Wisconsin, 1970. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references.

<p>This study examines L.P. Hartley's male protagonists who provide the focus for his major fiction. The male characters' difficulties in understanding themselves, and the world which confronts them, are issues discussed by the few serious critics of Hartley's work. The book-length criticism, however, has tended to rely heavily upon figures like Freud and Jung, and upon Romantic and Judaeo-Christian thinking and symbolism, in order to establish its views. My study constitutes an attempt to avoid the overt application of "schools" to Hartley's work, although like Hartley himself I cannot claim to have been completely untainted, for example, by our Freudian climate. Specifically, I am interested in demonstrating the complex processes by which Hartley's sensitive male protagonists near self-understanding, and how Hartley uses detailed, even intricate, symbolism to express those developments.</p> <p>Using the Eustace and Hilda trilogy, I thoroughly examine Eustace Cherrington's growth toward self-understanding in order to demonstrate the special problems confronted by a typical Hartleian male. Leo Colston, in The Go-Between, and Stephen Leadbitter, in The Hireling, are then included in the discussion, and the three males' associations with fantasy worlds, and with manipulative women, are seen to contribute to the difficulties faced by these protagonists. In a final chapter, by examining the earlier fiction in the light of some of Hartley's less symbolic later novels, in particular The Harness Room, I indicate how Hartley's symbolism has been used, in the past, to conceal his interest in male homosexual relationships.</p> <p>Hartley, in addressing the issue of self-knowledge in his fiction, also makes a statement concerning the difficulty faced by the individual who, after the Second World War, was especially confronted with the task of securing an identity for himself in an increasingly egalitarian, fast-paced "modern" world. Hartley's canon is a metaphoric expression of how what Hartley terms the "Great Man" of Victorian fiction becomes the weak, victimised, but in many ways "greater" twentieth century man; for all his insecurity and failure, the Hartleian male of the 1970's is one who has painfully explored both himself and his environment in an attempt to survive, and to establish for himself, however temporarily, a "unique personality" appropriate to his time.</p> / Thesis / Doctor of Philosophy (PhD)