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The purpose of this dissertation is to introduce Le Temps Déformé for solo flute, percussion, and strings, composed by Korean American composer Texu Kim (b. 1980) in 2017. The dissertation includes an analysis of the work and its background, to show that it represents a significant expansion of the concerto repertoire for solo flute and to help performers interpret it. This piece of writing should also contribute to the available sources about the composer Texu Kim, given that it is the first dissertation about him or his work. This piece should be appropriate for flutists who are seeking to perform a new piece with orchestra. Although hundreds of concertos have been written for solo flute and orchestra or string orchestra, Kim uses the unusual instrumentation of strings and percussion (drum and triangle) without woodwinds and brass. In a program note, the composer mentions that he made use of Korean traditional music, Sujecheon, which has similar instrumentation. The note also discusses he transformed and interpreted Korean traditional music to create a new interaction with Western music.

P’ansori is a unique form of Korean traditional music in the opera genre. It is known for its distinctive rhythm, vocal timbre, key, and texture. Musical pioneer Dongjin Kim (1913-2009) masterfully blended authentic Korean music with Western style music most notably in two operas that retained their p’ansori heritage while also appealing to wider audiences. Kim believed in the importance of accurately portraying Korean culture and history in his vocal music feeling that Korea’s “unique national music” had much to contribute to the rest of the world. Although traditional p’ansori operas are sung with a gritty and husky voice that lacks any sense of resonance, Kim adapted this harsh style for Western singers by introducing what he called “shin-ch’ang-ak” (New Singing Music). The purpose of shinch’ang-ak was to allow singers to retain their normal vocal technique while preserving key elements of traditional p’ansori. Previous studies of shin-ch’ang-ak have focused primarily on its history, purpose, and design and typically have been written in the Korean language. In this study I expound upon this work in English and I provide a vocal interpretation of Kim’s shin-ch’ang-ak as applied to excerpts taken from his two operas. I also offer my own suggestions for performing Kim’s shin-ch’ang-ak provided from the perspective of a performer who has practiced Western music. / Pansori -- Pansori performance issues -- Shin-chang-ak (new singing music) -- Performing shin-chang-ak -- Conclusion and suggestions for further study. / School of Music

The purpose of this thesis is to analyze the Democratic People's Republic of Korea regime in the period 1970 - 1994 and to apply the results of the analysis on the Linz typology of non- democratic regimes. The first part focuses on a detailed characterization of three chosen types, namely totalitarian, sultanistic and post-totalitarian, on the searching for parallels and their comparsions. In the other two parts, the thesis focuses on certain aspects of the DPRK development that were chosen as the most appropriate regarding the typology. First, the period that followed after the fall of the Japanese protectorate,1945 to 1969, is analysed. In this period the regime start to establish its own new institutions. The next part examines the already established institutions in the period 1970 - 1994. All the results are then applied on the Linz typology.

In several situations, and among various treatment effects, researchers might test for an umbrella alternative. The need for an umbrella alternative arises in the evaluation of the reaction to drug dosage. For instance, the reaction might increase as the level of drug dosage increases, where after exceeding the optimal dosage a downturn may occur. A test statistic used for the umbrella alternative was proposed by Mack and Wolfe (1981) using a completely randomized design. Moreover, an extension of the Mack-Wolfe test for the randomized complete block design was proposed by Kim and Kim (1992), where the blocking factor was introduced. This thesis proposes two nonparametric test statistics for mixed design data with k treatments when the peak is known and four statistics when the peak is unknown. The data are a mixture of a CRD and an RCBD. A Monte Carlo simulation is conducted to compare the power of the first two proposed tests when the peak is known, and each one of them has been compared to the tests that were proposed by Magel et al. (2010). Also, it is conducted to compare the power of the last four proposed tests when the peak is unknown. In this study, we consider the simulation from exponential, normal and t distributions with 3 degrees of freedom. For every distribution, equal sample sizes for the CRD portion are selected so that the sample size, n, is 6, 10, 16 and 20. The number of blocks for the RCBD are considered to be half, equal and twice the sample size for each treatment. Furthermore, a variety of location parameter configurations are considered for three, four and five populations. The powers were estimated for both cases, known and unknown peak. In both cases, the results of the simulation study show that the proposed tests, in which we use the method of standardized first, generally perform better than those with standardized second. This thesis also shows that adding the distance modification to the Mack-Wolfe and Kim- Kim statistics provides more power to the proposed test statistics more than those without the application of the distance modification.

The purpose of this project is to bring Kim’s caprices into the mainstream violin literature through a three-prong approach by examining each caprice via musical analysis, technical analysis, and by investigating its pedagogical merit. After inspecting each caprice through three different lenses mentioned above, the paper will organize the twelve caprices around a tripartite structure; serial, atonal, and free tonal. The work opens with a six-measure Motto. While the relationship between the Motto and the rest of the work is not immediately clear, thorough musical and formal analysis will provide insight into the work’s cohesion. This project will also examine pedagogically what specific technical challenges lay in selected caprices and how to solve thorny problems. The caprices are truly innovative in a sense that they present opportunities to understand non-tonal polyphonic writing on what is supposed to be a monophonic instrument while expanding the tradition of the Violin Caprice.

Wong, Wai Kin. / "November 2011." / Thesis (M.Phil.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references (p. 113-116). / Abstracts in English and Chinese. / Chapter Chapter 1: --- The problem of mental causation for physicalism --- p.7 / Chapter 1.1 --- Mental causation´ؤintroduction to the problem --- p.7 / Chapter 1.2 --- The problem of mental causation for physicalism --- p.8 / Chapter 1.2.1 --- "A brief introduction to physicalism´ؤlayered model, supervenience, and physical closure" --- p.8 / Chapter 1.2.2 --- What is the mind from a physicalist perspective? --- p.12 / Chapter 1.3 --- Non-reductive physicalism stated --- p.14 / Chapter 1.3.1 --- Commitments and generally accepted claim of physicalism --- p.14 / Chapter 1.3.2 --- Reductive physicalism and non-reductive physicalism --- p.15 / Chapter 1.3.3 --- The non-reductive physicalist's view on mental causation --- p.19 / Chapter 1.4. --- What is next? --- p.20 / Chapter Chapter 2: --- Kim's supervienience/exclusion argument against non-reductive physicalism --- p.21 / Chapter 2.1 --- Introduction --- p.21 / Chapter 2.2 --- Supervenience argument --- p.22 / Chapter 2.3 --- Exclusion argument --- p.25 / Chapter 2.4 --- Implications of the supervenierice/exclusion argument --- p.28 / Chapter 2.5 --- Objections to the supervenience/exclusion argument --- p.29 / Chapter Chapter 3: --- Kim on the principle of causal/explanatory exclusion --- p.33 / Chapter 3.1 --- Introduction --- p.33 / Chapter 3.2 --- Kim's realist commitment --- p.35 / Chapter 3.3 --- Kim's argument for explanatory exclusion --- p.36 / Chapter 3.4 --- From the principle of explanatory exclusion to the principle of causal exclusion --- p.38 / Chapter 3.5 --- Kim's view on non-standard overdetermination and how the gap between EEP and CEP is bridged --- p.39 / Chapter 3.6 --- Kim's view on causation --- p.43 / Chapter 3.7 --- Further implications of production causation for the exclusion argument --- p.47 / Chapter Chapter 4: --- Two concepts of causation and the supervenience/exclusion argument --- p.53 / Chapter 4.1 --- The counterfactual analyses of causation´ؤa general overview --- p.55 / Chapter 4.2 --- How the dependence conception of causation helps non-reductive physicalists to avoid the causal exclusion principle --- p.59 / Chapter 4.3 --- Production conception vs. dependence conception? The debate between Kim and Loewer (I) --- p.62 / Chapter 4.3.1 --- Loewer's objections to the use of production conception in the formulation of the supervenience/exclusion argument --- p.63 / Chapter 4.3.2 --- The first reason put forward by Loewer --- p.63 / Chapter 4.3.3 --- Loewer's argument for (2) --- p.68 / Chapter 4.4 --- Production conception vs. dependence conception? The debate between Kim and Loewer (II) --- p.73 / Chapter 4.4.1 --- Can a non-reductive physicalist distinguish epiphenomena from a genuine causal process by the dependence conception of causation? --- p.74 / Chapter 4.4.2 --- Does agency require production? --- p.78 / Chapter 4.4.3 --- Kim's third objection on omissions --- p.79 / Chapter 4.4.4 --- Loewer's responses to Kim's second and third objections --- p.82 / Chapter 4.4.5. --- Further discussion on Kim's second and third objections --- p.84 / Chapter 4.5 --- Conclusion --- p.87 / Chapter Chapter 5: --- Does Yablo's determination proposal help to solve the exclusion problem for non-reductive physicalism? --- p.88 / Chapter 5.1. --- Yablo's idea elaborated --- p.89 / Chapter 5.1.1 --- Yablo's argument for the determination proposal --- p.91 / Chapter 5.1.2 --- The primacy of the causal status of mental events --- p.94 / Chapter 5.2 --- Evaluating Yablo's idea --- p.96 / Chapter 5.2.1 --- Are mental properties determinables of physical properties? --- p.97 / Chapter 5.2.2 --- The story is not ended. The crux of the issue is not whether the determination proposal is literally true --- p.100 / Chapter 5.2.3 --- Why is proportionality constraint not the solution? --- p.102 / Chapter 5.3 --- What about the causal exclusion principle? --- p.107 / Chapter 5.4 --- Conclusion --- p.108 / Chapter Chapter 6: --- The final conclusion´ؤthe exclusion problem remains unsolved --- p.110 / Responses to the external review --- p.Error! Bookmark not defined. / Bibliography --- p.113

Mental causation between the material and the immaterial has been problematic for interactionist substance dualism ever since its first major proponent René Descartes. The contemporary philosopher Jaegwon Kim believes he has found an argument that shows exactly why an immaterial event cannot be said to cause a material event; he calls this the pairing problem argument. This thesis will argue that there is actually sufficient empirical evidence to suggest that Kim’s argument is unsuccessful due to one of its premises being false. Furthermore, this thesis will also argue that interactionist substance dualism is actually a philosophically viable alternative, and lastly ways are sketched of how one might go about constructing such a view responsibly.

Thesis (D. Miss.)--Western Seminary, Portland, OR, 1998. / Abstract. Includes bibliographical references (leaves 187-200).

Thesis (D. Mus. Arts)--University of Washington, 2003. / Vita. Includes bibliographical references (leaves 102-105).