The topic of this diploma thesis is the topic Management of education in non-school organizations. It deals with the internal employee education system at Coca-Cola Hellenic Czech Republic and Slovakia. The main aim of this diploma thesis is to analyze the existing system of training of employees in Coca - Cola Czechia and Slovakia and Austria, to compare the education system of selected countries and to propose the modification of this system in order to support the further successful development of the employees in the organization. The thesis is divided into two parts, theoretical and practical part. The theoretical part introduces the professional concepts that are necessary to understand the topic. The work deals with the management of education, the formation of strategy in the organization, the personnel strategy, the learning cycle in the organization (by analyzing the educational needs, the planning of education, realization) and its subsequent evaluation. The practical part will describe the current state of the corporate education cycle in the selected Coca-Cola Hellenic Czech Republic. On the basis of the facts found, modifications of this system will be proposed. Based on an analysis of the current state of education in both Coca-Cola Hellenic countries analyzed, Coca-Cola Hellenic...

This thesis work uses variety of methods from the Lean Toolbox. Thereby, one can examine how these lean principles can be meaningfully implemented in the production of Driver Assistance Systems. This is achieved through the analysis of individual principles and their practical implementation. The principles are examined in a chronological order over the complete project engineering process from Planning, Conceptualization till Implementation on the shop floor. This thesis shall serve as a guideline for the effective and economical installation and ramp up of new production lines.

The practical part of thesis follows up the art processing of Mark Epsteins' screenplay Vlci a psi. The script is set in times after WW2, describing historical situation of the evacuation of Sudetenland Germans from previous Czechoslovakia in 1945. The practical part itself shows visual concept and structure which is presented by drafts of decorations and scenes. The decorations are visualized by coloured perspective views, drafts of each building and schematic designs. The teoretical part of the thesis is about analysis and parametres of stated films works that are very closely related to this issue and shows historical situation in film language. The visual part and its structure are shown in individual analysis. Results of the teoretical part were one of the basis for definition and visualisation of the practical part of thesis. Last but not the least the study of historical links, documents and internet portals containing given topic were another important teoretical source. These results of my thesis can be used as a source of interesting informations for a public, as an inpiration for film productions or as a study material for film students.

Abstract The main content of my master degree work is the concept design for film based on unpublished screenplay by David Lynch. The master degree work consists of practical and theoretical part. The theoretical part, called Visual World of David Lynch's Films, points out the influence of cultural environment, inspirations and art on visual style of his films. It finds out elementary symbols from his cultural enviroment and demostrates the way, how David Lynch use these motifs in his films. In the film analyzes, there have been found some more visual elements, which became part of David Lynch's visual style. The practical part presents my own concept design for film based on the screenplay "RONNIE ROCKET OR The Absurd Mystery of the Strange Forces of Existence" by David Lynch. The practical part includes Screenplay synopsis, graphic part, breakdown nad visual reference.

My thesis is based on a reflection of Czech absurd theatre and my personal Turkish interpretation for the scenography of this genre. Specifically, this thesis deals with the play Leaving by Vaclav Havel I’m explaining and looking closely at selected elements of absurdist drama which inspired Havel and this play in particular, and has also determined my way of thinking. My goal is to find the inspiration and the processes that have influenced my studies at DAMU and culminated in my final diploma work. The aim is to understand the dramaturgic composition of the vısual elements that need to be present on stage through the proposed scenography and costume design.

This master thesis of scenography is a study on the play Woyzeck written in 1836 by the German author Georg Büchner. My intention is to examine how the engaging story of a drama written in the 19th century, set into a military background, can be reinterpreted today in our society. The aim of my researches is the elaboration of a contemporary mise en scène of the play set into an ideological factory as the ideal scenario for the developing of the dramatic situations of Woyzeck. My final scenography proposal for the drama is a site-specific project in the Prada Foundation of Milan; an ex-factory of an Italian distillery society, now turned in one of the main art centres of the city. I am starting the thesis with a research about the historical background of the play through a short biography of the author. In this part, I am aiming to explain how the social context, the relationship with his family and a few of actual events happened at the time of Büchner, have inspired him to write, perhaps, his greatest work. I continue by writing an analysis of the dramaturgical structure of the text, of the main themes and situations within the play and the characters. I am highlighting the themes of the play that in the 21th century are extremely contemporary. In parallel, I analyse how the characters behave in different dramatic situations and precisely I try to reveal their real way of being instead of what appear only on the surfaces. Moreover, I write about a few of the greatest reinterpretations of the play that supported my studies and researches. Here, I mainly focus on the directing and dramaturgical aspects of each production that enriched my vision of the play helping me to develop my final version. The last part of my thesis is about my own reinterpretation of Woyzeck. I am explaining which are the aspects and the themes of the play that I find still very connected with our society. I write about my creative process and about how exactly my research led to the final proposal of the comparison between the military system, of two centuries ago, and the factory system of today. Afterward, I take in exam a few of the artworks that encouraged over my personal reinterpretation of directing and dramaturgical aspects. I write about how elements from these artworks inspired me concretely for the realization of my final work. Finally, I explain in details the directing and dramaturgical choices for the disposition of the storyboard as the final result of my personal research.

The topic of this diploma thesis is the antiutopia and totalism in the Czech and world cinematography and it elaborates the proposal of an artistic approach to the film Nineteen Eighty-Four based on the novel by George Orwell. The theoretical part of this thesis deals with the definition of the relationship between antiutopia and totalitarianism, their characteristic features and how they manifest themselves in the cinema. This phenomenon is discussed in more detail in the folowing analysis of selected films in terms of their visual and production values. The second part of this thesis looks into the artistic approach to the film. The concept elaborates an urban design as well as individual exterior and interior sets and proposal of their designing.

The thesis deals with a visual concept for a feature film based on the novel „The Scarlet Plague“ by Jack London. It consists of two parts: a theoretical part and a practical part, which contains author’s own design for the film. The first, theoretical part describes the history of the genre, and analysis the visual concepts of a few post-apocalyptic films that are relevant to the concept chosen for „The Scarlet Plague“, particularly Rise of the Planet of the Apes (director Rupert Wyatt, 2011), Dawn of the Planet of the Apes (director Matt Reeves, 2014), Waterworld (director Kevin Reynolds, 1995), I am Legend (director Francis Lawrence, 2007), Mad Max: Fury Road (director Georges Miller, 2015). In the second, practical part, the approach to the concept of „The Scarlet Plague“ is described and accompanied with the visual execution of selected scenes.

VENCELIDESOVÁ, Petra: Master's thesis: Visual concept for the feature film "Puppet Syndrome", screenplay by Alena Alova, based on the novel "Petrushka syndrome" by Dina Rubina. Theatre and puppets in world cinematography. Academy of Performing Arts in Prague, Theatre Faculty, Departement of Stage Design. Advisor: Doc. Ing. Arch. MgA. Ondřej Nekvasil. Prague, 2013. The aim of the thesis is to get familiar with what brings the interconnection of theatre and film, and which art mediums can be used for this purpose. By analyzing several films from various cultural backgrounds and epochs, we can gain a more complete picture of how to work with this theme. Also, the thesis examines production design and its effect in the overall atmosphere and concept of the given film. The main part of the thesis is a visual concept of the film "Puppet Syndrome", in which occurs a significantly theatrical performance as one of the main factors in the development of the story.

The diploma thesis deals with an interpretation of a scenic movie environment in eighties of the twentieth century. In the beginning, I tried to recognize the cultural and historical context of the eighties that introduce us to the optical perception of this time. For a full picture serves listing movie frames with typical visual representation of these years. Particular attention is given to four feature films that could serve as a scenic genotype, which can be applied in the design of movie scenes of post normalization Prague environment. The greatest extent of the thesis is devoted to the performing processing of screenplay "Wenceslas Square" by Christopher Marcus and Stephen MrFreely, which was created by the story of Arthur Philipse. It is an unconventional love story, set in Prague in the eighties of the twentieth century and ending with "Velvet Revolution", over which no one of the protagonists is enthusiastic. Attached is a draft screenplay point of each scene, including indicative floor plans and reference photos. Keywords: film rendering, Prague in eighties of the twentieth century, processing stage design scenarios of "Wenceslas Square ". Keywords: film rendering, Prague in eighties of the twentieth century, processing stage design scenarios of "Wenceslas Square ".