The theme of the dissertation is design of new building of community center with a vicarage. The building is designed as a flat for a vicar, office of a vicar, new rooms for meeting of the churchgoers and new garden. The vicarage is designed near of church. The vicagareis designed in an area, which is prepare for building of cottages. The old vicacare is in old house in the other part of street Kostelní, than is the church. Existing flat for the vicar is unsuitable. Theobject is designed with one or two floors. The object is designed of tree parts: living part – a flat of the vicar and a flat for visitors, a community center – a parish hall and a hygienic rooms, an office part – an office of a the vicar and a clubroom. All parts of building are divide with fiction, design and used materials. The building is designed with a traditional materials as wood, concrete, masonry. The shape of building is designed from three diferent blocks. An parish hall i designed with rectangle layout, in the hall are designed two windows. The north-west corner of hal lis designed higher than other part sof room, because this corner is situated to church. This window is designed with frame in cross shape. The second window is connection between the garden and hall. The external fasade is designed from smooth concrete with links, that are designed in cross kapes. The links are designe as some crosses, that are designed in gold section. The office of vicar is designed with wood arc beams. The external fasade is designed from titanzinc sheets. The fasade is designed as wall and roof. The end fasades are designed from glass walls, because wood beams are a dominant of this part of building. The living part of building is designed with two floors. Th structure is designed with traditional technologies from masonry and concrete or wood slabs.

The assignment of this diploma thesis is design proposal of a new roman catholic church and parsonage with parish centre inside stabilised existing development of slab block housing estate in Nová Líšeň, Brno. The need for church has emerged shortly after completion of the housing development and intensified alongside the growth of believer community created around Salesian centre that has been active in the area since 90’s and focuses on upbringing of youngsters through Don Bosco’s educating methods. Masses have been held so far in the gym of the Salesian centre with about 250 Sunday visitors. The church ought to be designed near the centre and dedicated to Holy spirit so that it serves both community and wider range of believers at the housing estate. The thesis deals with church, parsonage with parish centre and housing development relationship. It’s attempting to answer the question how the church connects to the housing estate and communicates its mission to its surroundings. The design proposal is based on urban context analysis, analysis of Salesian congregation and conditions of the building plot. The composition consists of two functional parts that are connected. First part consists of the church building design with 300 seated and 100 standing visitors capacity per mass and technical support areas. Second functional part is made of the parish centre with community hall for 100 people, educational room, parish offices and accommodation for members of congregation. The design content is supplemented with design of semi-public space, solution to traffic service and parking and design of parish orchard.

The subject of this diploma thesis are medieval murals from the first half of the 14th century in Annin, Kasperske Hory and Strakonice. The thesis is focused primarily on detailed analysis of wall paintings, iconographic and stylistic evaluation in national context and context of neighboring countries. then the summary of the cultural and historical circumstances of origin of the paintings in a defined region together with a partial evaluation of period significance of the Prachen region. Cultural and historical circumstances are also put into context with regional patronage. Another objective of these thesis is to identify issues that require further research, especially in the field of iconographic identification of the particular scenes, and setting the paintings in the broader European context. The conclusion then revise relations of the paintings to Germany and Austria and evaluation of the importance of these areas as intermediary regions in the transfer of stylistic incentives.

The thesis depicts life of the parish in Třešť in the second half of the 19th century and in the first half of the 20th century. The emphasis is placed on nuns of the Congregation of the Poor School Sisters de Notre Dame who worked in Třešť from 1885 till 1946. This thesis is further focused on pastors from Třešť and also on local churches and their economic background. Finally, there are also described changes in conditions of the parish, especially after 1918. To elaborate this thesis both sources of the Diocesan Archive of the Bishopric of Brno in Rajhrad and of the State District Archive Jihlava were perused. Documents provided by the Archive of the Congregation of the Poor School Sisters de Notre Dame in Hradec Králové also meant a valuable contribution to this thesis. The aim of the thesis is to disclose so far unknown or non-compiled history of the parish in Třešť.

Although the North Bohemian region is mainly associated with the industrial rise of the second half of the nineteenth century, which altered the local scenery and cities irreversibly, there were also far more traditional constructions being built around 1900, such churches. Between their solid-state and period concept is blended the influence of the authentic architectural progression, individual impress of architects, furthermore liturgical requirements of particular beliefs and concrete visions of owner-builders. Back then the ideal image of a church was seen as the root of discussion and polemic when many theoretical texts and building regulations were originated. The submitted work observes mainly the use of modern architectonic components following authentically traditional church architecture type. It is done pre-eminently, based on written theory and architectural practices confrontation. The given discussion I pursue with Catholics, Old-Catholics and mainly with Evangelical Confessions, whose base of theoretical text is the widest and newly build churches the most numerous. The subject given is closely related to national questions, situation and purpose of the German inhabitants resided in the territory of North Bohemia. As well as to fundamental influences that were coming here from neighboring...

The theoretical and practical part is dealing with the detail of a czech wall painting with the motif of the Virgin Mary from the peak era of the Middle Ages. The theoretical part introduces the marian theme. It describes its iconography, meaning in art and closely specifies the division of images according to devotional themes. The next part is focused on the description and analysis of the motif of the Virgin Mary the Protector, which is depicted on wall painting in a cloister of the Church of Presentation of the Blessed Virgin Mary in České Budějovice. In the practical part is fundamental creation of the relief as a haptic aid for the visually impaired. Created reliefs are polychrome reconstruction of the wall paintings of the above-mentioned motif. The work is supplemented by other materials, implementation procedure, sketches and photo documentation.

The thesis called Virgin Mary Klasová - the compensatory haptic aid is divided into two parts. The theoretical part is devoted to the history of Gothic painting in the Czech territory. The work focuses on the history of the city České Budějovice and maps the development of the monastery Church of the Presentation of the Blessed Virgin Mary. She discusses the Gothic painting of Virgin Mary Klasová, taking into account its iconographic and historical significance. The theoretical part further describes the characteristics of visual impairments and gives information about its problems. The practical part aims to transform the image of the Virgin Mary on a compensatory tactile aid in the form of a relief.

My thesis deals with the buildings of the castle and the church of Saint John of Nepomuk in Vyklantice which was built between 1722 and 1729 by Jan Jáchym Harrach. Firstly, the work presents the history of the Vyklantice manor and the history of both buildings. Description of the present state of the castle and the church is confronted with photographs from the 1970s. Finally, the work focuses on the genealogy of the Harrachs family and other estates owned by Jan Jáchym and his brother Ferdinand Markvart Harrach. The core of the thesis is in the following chapters which deal with a question of authorship of the Vyklantice constructions. The first criticism has been made on actual addition of researchers who attribute these objects to K. I. Dientzenhofer or J. B. Santini-Aichl and J. L. von Hildebrandt. The survey shows that the buildings in Vyklantice are probably the work of a local builder, as objects do not show the quality of the artistic creation of the architects mentioned above.

This master thesis deals with life of roman-catholic parish of Hosin focused to the 2nd period of 19th century till the beginning of the 1st world war period. 1st two chapters are describing the religious events in Bohemia and in Ceskobudejovicka diocese during the mentioned period. Furthermore this master thesis summarizes events and relationships in Hosin?s parish given by political changes in our country including the significant event of old church demolition and construction of a new one. T is tract includes picture attachments with a outlining character. This master thesis is based on historical sources presenting the tracts of famous historian ass well as information sources less known.

The diploma thesis " Architect Jaroslav Čermák and his relation to sacred architecture on the example of the Church of Saint John of Nepomuk in Prague - Košíře" in its first part presents the cultural-historical context of the end of the 19th and the beginning of the 20th century in the Czech lands. It also deals with the work of Czech architects in the first half of the 20th century and the issue of sacral architecture. Subsequently, the hitherto minimally known biography of Jaroslav Čermák and his work is reconstructed in the context of the time. Čermák's work is described primarily on the example of the construction of the church of Saint John of Nepomuk in Prague-Košíře, which is subjected to a thorough analysis and interpretation of the means of expression, that where used. The urban context is also observed. The thesis elaborates with the reasons for the need to establish a new church in Košíře and with dificulities, that came during the construction of the church, which was affected by the Second World War and the coup in February 1948 in Czechoslovakia. Part of the work is a pictorial supplement, which is primarily related to the construction of the building and the current state of the church of Saint John of Nepomuk.