Revision of Thesis (Ph. D.)--Universität Göteborg, 2004. / Includes bibliographical references (p. 673-703).

Thesis (Ph. D.)--University of Wisconsin, 1971. / eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 557-569).

Universiẗat, Diss., 2005--Kassel.

Submitted by Nathanne_estagiaria Silva (nathanne.silva@fgv.br) on 2012-01-31T18:04:33Z No. of bitstreams: 1 000016584.pdf: 11683280 bytes, checksum: 19f2f08b7055540a706f5aa9f1a56b71 (MD5) / Made available in DSpace on 2012-01-31T18:04:44Z (GMT). No. of bitstreams: 1 000016584.pdf: 11683280 bytes, checksum: 19f2f08b7055540a706f5aa9f1a56b71 (MD5) / Due to the high importance of the theme – Personality - in Psychology and although all the various existing theories are incomplete it was decided that it would be worthwhile to study under the view point of Kurt Goldstein. This author was chosen on account of his methodological work and because he is little known in psychological circles. This essay is intended to be theoretical although it is recorrised that this setes a limitation. At the same time the Personality was studied against a Gestalt background, also phenomenologically and under the light of the philosophy and the holistic approach, in an interdisciplinary point of view. An attempt was made offered by Kurt Goldstein. The conclusion reached was that Personality is a continuous process in constant activity. It works in favor of the organism unity, in a limited time which gives it its formo It express it self in privileged behavior and it is represented by language contitution. To create links, to maintain relations, and to stay unfinished are characteristics of the Personality. / A cause de I' importance du theme - Personnali té – dans la Psychologie et malgre l'incompletude des differentes théories existentes jusqu'à présent, on a résolu de l'étudier selon Kurt Gondstein. Le choix de cet auteur est du à son travail méthodologique aussi qu'à son anonymat dans le savoir psychologique. Cette dissertation est théorique, malgré la reconnaissance des limitations de s'opérer seulement avec la théorie. Conjointement à l'ouvre de Goldstein, le concept a été exarniné selon les présuppositions de la Gestalt, ayant été aussi observé fenomenologiquement, au niveau de la théorie des systemes, de la philosophie et de l'abordage holiste dans l'in terieur d'un scheme interdisciplinaire. Il s'agit d'approximer un modele proposé par Goldstein. On peut conclure que la Personnalité est un proces ininterrompu et en activité constante. Elle fonctionne en faveur de l'unité organismique, dans un temps que la configure. Elle s'exprime en conduites privilegiées, étant répresentée, mais dans une représentation de consti tution par la langage. Ce sont des caractéristiques de la Personnalité: s'interlier, main tenir des relations et rester toujours inachevé. / Dada a relevância do tema - Personalidade - em Psicologia e apesar da incompletude das diversas teorias até hoje existentes, resolveu-se estudá-la à luz de Kurt Goldstein. A escolha deste autor se deve a seu trabalho metodológico tanto quanto ao fato de ser ele desconhecido dentro do saber psicológico. Esta dissertação é de cunho teórico, embora se reconheça as limitações de só atuar em teoria. Conjuntamente à obra de Goldstein o conceito foi examinado dentro dos pressupostos gestálticos, tendo sido ele observado também fenomenologiacamente, ao nível da teoria dos sistemas, da filosofia e da abordagem holista no interior de um esquema interdisciplinar. A tentativa é de aproximar um modelo proposto por Goldstein. Conclui-se ser a personalidade um processo ininterrupto e em atividade constante. Funciona em favor da unidade organísmica dentro d'um tempo que lhe configura. Expressa-se em comportamentos privilegiados sendo representada mas n'uma representação de constituição pela linguagem. Faz parte da Personalidade interligar-se, manter relações e permanecer sempre inacabada.

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Kurt Weill (1900-1950) began his compositional career in Berlin and left his legacy on the American Broadway stage. This study includes an overview of the influences of Lieder composers including Schumann and Strauss on Weill's first song cycle Ofrah's Lieder (1916) and the 20th century influences of Schoenberg and Stravinsky on his chamber music cycle Frauentanz (1923). This study examines how the Weill juvenilia employs diatonic melodies, mood painting, and the integration of vocal and piano parts emulating 19th century models. Next, this study presents ways in which Weill's Frauentanz displays 20th century techniques such as rhythmic texture, non-diatonic melodies, and semi-tonal instability. The Frauentanz vocal line is examined as instrumental in nature, adding textural importance to the interplay of the text with instrumental melodic motives. Kurt Weill's interest in vocal music and modernism directly influenced his legendary theatrical works. His traditional German musical training, rooted in counterpoint, combined with his melodic and modern ingenuity form the basis of the "Weill Style" of theatre music, for which he earned international recognition.

Thesis (Ph. D.)--Lehigh University, 2006. / Includes vita. Includes bibliographical references (leaves 284-293).

Arbetet består av en närläsning av karaktären Kurt Hummel i tv-serien Glee med fokus på stereotyper för homosexuella män, och hur Kurt förhåller sig till dem stereotyperna. Studien är gjord utifrån ett queerteoretiskt perspektiv och visar att Kurt i viss mån framställs stereotypt i seriens tidigare avsnitt, men att han efter hand uppvisar ett djup och komplexitet som man inte ofta ser hos homosexuella karaktärer på tv.

Inaugural-Diss.--Philosophische Fakultät--Universität zu Köln, 1997. / Notes bibliogr.