This study is an initial attempt to investigate the relationship between the portrayal of Japanese OL or “Office Ladies” in different media: formal scholarly studies on OL and informal sources such as recruiting lectures, online articles, and Japanese magazines that target OL, specifically CanCam, Sweet, and JJ. The term OL has generally been used to describe a short-term low-paying clerical position, requiring minimal skills, for young women primarily age 20s to 30s. The OL position can thus be seen as a gendered profession with little corporate mobility. However, most of the websites and magazines for these working women feature articles on the latest styles and are full of fashionable attractive women advertising the latest designer goods and the up and coming designer must-have brands of the season. With the skyrocketing of the Japanese economy in the pose-WWII era, women have become the country’s primary consumers, and OL appear to be playing a central role in this new consumer-heavy culture. Thus using both scholarly and primary sources, this thesis will explore this gap between the reality of OL and the romanticized version portrayed in these magazines. Although scholarly sources often depict the OL lifestyle to be tedious, gendered, and overall unfavorable for workingwomen in Japan, my thesis hopes to explore the positive aspects of the OL lifestyle as well and examine the reasons why women buy into this OL culture via these magazines and sites.

My thesis examines the role that Ladies Home Journal played in challenging the ideals of domesticity that emerged in the postwar period in the United States. Originally founded in 1883, Ladies Home Journal emerged from World War II as the most popular and highly circulated women’s magazine. Husband and wife duo Bruce and Beatrice Gould served as co-editors-in-chief from 1935 to 1962, and populated the magazine with numerous ambitious and talented female writers and editors. Many of these female staff members also married and had children, while maintaining their careers. During an era where employees discriminated against women in the workplace, Ladies Home Journal employed women and published numerous articles supporting women in the workplace. In 1963, Betty Friedan claimed that women’s magazines only perpetuated the idealized, feminine housewife, but I argue that her argument oversimplifies the complexities women’s magazines represented during the 1950s. Divided intro three chapters, I analyze the shifting working conditions for women between the 1940s and 1950s, then unearth the working culture of Ladies Home Journal during the postwar period through an analysis of the editors, writers, and articles. Lastly, I examine three female journalists, Dorothy Thompson, Betty Hannah Hoffman, and Maureen Daly who all regularly contributed to the Journal.

Thesis advisor: Patrick Maney / Among American First Ladies, one presidential wife in particular consistently ranks among one of the most influential women to hold the office. Eleanor Roosevelt’s precedent-setting tenure in the White House established a lasting legacy that influenced many of the women who followed her. Two of these First Ladies, Betty Ford and Rosalynn Carter, are often overlooked in comparative studies of Eleanor Roosevelt with other presidential wives. Scholars typically highlight Hillary Rodham Clinton or Lady Bird Johnson, neglecting the First Ladyships of Ford and Carter. These two women, however, both pointed to Eleanor Roosevelt as an inspiration for their approach to the office. Both Betty Ford and Rosalynn Carter incorporated three main components of Eleanor Roosevelt’s impressive legacy into their tenures as First Lady of the United States: an ever-expanding public role, increased independence, and launching initiatives concerned with social welfare to improve the lives of their fellow Americans. All of these actions can be traced back to Roosevelt’s innovative First Ladyship and their appearance in the successive Ford and Carter administrations highlight the interconnectedness of all three First Ladies and their considerable impact on their country both during and after their time in the White House. / Thesis (BA) — Boston College, 2012. / Submitted to: Boston College. College of Arts and Sciences. / Discipline: College Honors Program. / Discipline: History.

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<p>The aim of this thesis is a comparative study of Djuna Barnes' 1928 book <em>Ladies Almanack</em> and turn of the century sexological texts focusing on Havelock Ellis' studies of 'sexual inversion in women'. The study is based on queer theory concepts from Judith Butler and Fanny Ambjörnson as well as Michel Foucault's studies of the history of sexuality. After a presentation of the theoretical concepts and a short introduction of earlier research on Barnes' works my reading and conclusions are presented in five chapters focusing on different theoretical and thematic aspects of the studied texts. A recapitulation and discussion ends the thesis.</p><p>In short, my conclusions are that <em>Ladies Almanack</em> contrary to earlier research can be read as a queer text, and a form of counter-discourse to the general one regarding lesbianism in the early 1900's. The text also reveals itself as a pointed critique and a satire of Havelock Ellis' writings on 'sexual inversion in women'. As well, when read against Radclyffe Hall's <em>The Well of Loneliness</em>, perhaps the archetypal 'lesbian novel', Hall's book reveals itself as an echo of the same discourse Barnes opposes.</p><p> </p>

The aim of this thesis is a comparative study of Djuna Barnes' 1928 book Ladies Almanack and turn of the century sexological texts focusing on Havelock Ellis' studies of 'sexual inversion in women'. The study is based on queer theory concepts from Judith Butler and Fanny Ambjörnson as well as Michel Foucault's studies of the history of sexuality. After a presentation of the theoretical concepts and a short introduction of earlier research on Barnes' works my reading and conclusions are presented in five chapters focusing on different theoretical and thematic aspects of the studied texts. A recapitulation and discussion ends the thesis. In short, my conclusions are that Ladies Almanack contrary to earlier research can be read as a queer text, and a form of counter-discourse to the general one regarding lesbianism in the early 1900's. The text also reveals itself as a pointed critique and a satire of Havelock Ellis' writings on 'sexual inversion in women'. As well, when read against Radclyffe Hall's The Well of Loneliness, perhaps the archetypal 'lesbian novel', Hall's book reveals itself as an echo of the same discourse Barnes opposes.

This study used a combination of qualitative and quantitative content analyses to examine how news articles written by the New York Times portrayed Hillary Clinton during the 2000 New York Senate Election. The study combined research on political elections, gender stereotypes and an inductive analysis of coverage of the election to derive at four dominant frames. These frames, political activity, horserace, gender stereotype and traditional first lady were used to determine how the media responded to Hillary Clinton’s unprecedented decision to run for election. Results show that Hillary Clinton received more coverage based on her political activity than any other frame. In addition, there was no significant difference in the frames used based on the tone of the articles.

There is a substantial amount of studies concerning the economic, social and political facades of the gender issue, further supported by gender - space discussions. The main aim of this study, however, is to make a survey and analysis of ladies&#039 / clubs established and supported by Greater Ankara Municipality / in order to define their problematic. The study intends to discover and analyze the policies and legislation developed by the administration about Ladies&rsquo / Clubs, to map their distribution in the city and the attitudes and appraisals of women participating in the activities of the clubs located at the core of the city.

Thesis (M.A.I.S.)--Oregon State University, 1997. / Typescript (photocopy). Includes bibliographical references (leaves 84-86). Also available via the World Wide Web.

abstract: Historians often characterize first ladies in the Progressive Era as representatives of the last vestiges of Victorian womanhood in an increasingly modern society. This dissertation argues that first ladies negotiated an image of themselves that fulfilled both traditional and modern notions of womanhood. In crafting these images, first ladies constructed images of their celebrity selves that were uniquely modern. Thus, images of first ladies in the Progressive Era show them as modest and feminine but also autonomous, intelligent, and capable. Using the historian Charles Ponce de Leon's research on modern human-interest journalism, I contend that first ladies in the Progressive Era worked with the modern press in a symbiotic relationship. This relationship allowed the press exclusive access to what was, ostensibly, the first lady's private, and therefore authentic, self. By purporting to reveal parts of their private lives in the press, first ladies showed themselves as down-to-earth despite their success and fulfilled by their domestic pursuits despite their compelling public lives. By offering the press exclusive access to their lives, first ladies secured the opportunity to shape specific images of themselves to appeal, as broadly as possible, to their husbands and parties' constituents and the American public. First ladies in the Progressive Era thus acted as political figures by using both public and private, or what historian Catherine Allgor terms, "unofficial spaces" to support and reflect their husbands and parties' political agendas. In examining representations of first ladies in popular magazines and newspapers from 1901 to 1921 in tandem with letters, memoirs, and other personal papers from these women, a clear pattern emerges. Despite personal differences, first ladies in the Progressive Era represented themselves according to a specific formula in the modern press. The images, constructed by first ladies in this time period, reflect shifts in economic, social, and political life in Progressive Era America, which called for women to be independent and intelligent yet still maintain their femininity and domesticity. / Dissertation/Thesis / Ph.D. History 2011