Thesis (Ph. D.)--University of Hong Kong, 2007. / Includes bibliographical references (leaf 407-443) Also available in print.

鄧慶燊. / "2006年8月" / 論文(哲學碩士)--香港中文大學, 2006. / 附參考文獻(leaves 224-233)及索引. / "2006 nian 8 yue" / Abstracts in Chinese and English. / Deng Qingshen. / Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2006. / Fu can kao wen xian (leaves 224-233) ji suo yin. / 敘論 --- p.1 / Chapter 第一章 --- 時代背景 --- p.6 / Chapter 第二章 --- 生平考述 --- p.13 / Chapter 第一節 --- 字號及生卒 / Chapter 第二節 --- 生平考述 / Chapter 一、 --- 陳澧門生約1870年代初 / Chapter 二、 --- 游幕四川約1876-1878 / Chapter 三、 --- 備官祠部1889-1895 / Chapter 四、 --- 軺察粤ˇёإ1895-1898 / Chapter 五、 --- 蟄居南隅1898-1917 / Chapter 第三章 --- 師徒與交游 --- p.36 / Chapter 第一節 --- 梁于渭的師輩與門生 / Chapter 第二節 --- 梁于渭的交游 / Chapter 一、 --- ˇёإ邦同仁 / Chapter 二、 --- 金石同道 / Chapter 三、 --- 官場同僚及其他 / Chapter 第四章 --- 繪畫藝術 --- p.60 / Chapter 第一節 --- 藝術背景 / Chapter 一、 --- 前期的關係網 / Chapter 二、 --- 《時事畫報》美術同人 / Chapter 第二節 --- 藝術淵源 / Chapter 第三節 --- 山水及人物畫 / Chapter 一、 --- 早期1895前 / Chapter 二、 --- 中期約1895-1911 / Chapter 三、 --- 晚期約1911-1917 / Chapter 第四節 --- 花卉畫及其他 / Chapter 第五節 --- 金石碑刻收藏 / 結語 --- p.113 / 附錄一梁于渭交游及同時人物表 --- p.116 / 附錄二梁于渭給畫作品表 --- p.131 / 參考書目 --- p.224 / 圖版索引 --- p.234

Thesis (M.A.)--University of Hong Kong, 1991. / Added title in Chinese. Also available in print.

Thesis (Ph. D.)--Ihwa Yŏja Taehakkyo, 1984. / Bibliography: p. 164-172.

The authenticity and interpretation of two Sixth Patriarch paintings, traditionally attributed to Liang Kai, have long been debated by critical scholars. Because of the lack of inscriptions on the paintings to indicate the identity of the depicted figure, the association of him with the Sixth Patriarch of Zen Buddhism, Huineng, has shed much enigmatic light onto the decipherment of these two paintings’ motifs. While historical and literal traditions of Huineng in Zen Buddhism provide no conspicuous references, Zen’s art tradition, on the other hand, provides a more fascinating reading of the Sixth Patriarch paintings by formulating and reconstructing a paradigmatic figure of Huineng and Zen romanticism without restricting itself to historical and literal accuracy.

The following pages comprise a translation of the whose sanskrit title was presumably the apramanartha sutra from the 'Yuan' Edition of 1290 A.D., together with an introduction by liu Ch'iu . It was first translated from the sanskrit into Chinese by Dharmagstayadas, a Buddhist monk from North Central India, with the help of Hui Piao, In 485 A.D. La the Wu Tang mountains. The Sanskrit version is not avallable, while there are known to be four Chinese editions of the sutra. They are the (Kao-Ll RAtston 1115 A.D.), 2舊宋本 (the Old Sung Idition 1104-1148 A.D.), (the Yuan Edition 1290 A.D.), and the Ming Idition 1601 A,D.). Although the pre- sent translation was based on the Yuas text, with which the translators have been faniliar for many years, 1t has been compared throughout with the Kao-Ii Idition (Taisbo 276), and an appendix of the variations is added at the end.

No description available.

The Liang dynasty poet Xiao Gang’s “poems on things” (yongwu shi) have traditionally been read as shallow, overwrought descriptions of palace life devoid of the allegorical dimensions that were thought to ennoble the genre. This thesis argues that the figurative dimensions of these supposedly non-figurative poems must be understood in the context of the profound influence Buddhism and Buddhist thought had on Xiao Gang’s conceptions of literary practice. Through close readings of six “poems on things,” I demonstrate that Xiao Gang’s use of descriptive language doubles as an exploration of Buddhist concepts of sensuous reality, emptiness, and dependent co-arising. By exploring Xiao Gang’s thematization of abstract Buddhist philosophical concepts in the traditionally Confucian genre of the yongwu shi, I suggest that the impact of Buddhist ideas on Chinese figurative modes of poetic meaning was more profound than scholars of this period have previously suggested.

University of Macau / Faculty of Arts and Humanities / Department of Chinese

Thesis advisor: Sarah Gwyneth Ross / This study investigates the political thoughts of two thinkers, Niccolò Machiavelli (1469-1527) from Renaissance Italy and Chen Liang (1143-1194) from Song China. Both thinkers argue against the popular of moral philosophy in state politics. They tried to use the idea of consequentialism, statecraft, and public interest to create their own utilitarian philosophy. This micro-comparison study will parallel two thinkers’ views on history, politics, and military in a similar historical context. These views are essential to the modernization of two civilizations. / Thesis (MA) — Boston College, 2022. / Submitted to: Boston College. Graduate School of Arts and Sciences. / Discipline: History.