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梁氏的一生，無論在思想上、在行動上，都可說是多彩多姿，前人有關其之著作大都 側重其一生行動之一面，如其之鄉村建設運動。本論文主在研究梁氏思想之一面，然 而思想與行動在梁氏而言是不能截然劃分的，梁氏幾乎在其每本著作中都極力否認自 己是個學問家，他稱自己是“問題中人”，“行動中人”，凡其所探究都起于有感於 人生世事而有之問題，其中包括中國問題及其個人的人生問題，梁氏研究這些問題的 目的就在尋找可為其行動之指標，有鑒於此，筆者擬以梁氏所提出之問題串連全篇論 文，至於其思想與行動間之配合狀況則不在討論之列。 梁氏一生思想階段的劃分，主要是依其人生態度之轉變而來，梁氏在十九歲前抱持著 實用功利主義的人生態度，二十歲時自殺未成轉入佛家，及至一九二二年梁氏正式宣 佈放棄佛家生活轉入儒家，從此積極入世，致力於救國理論的建立與實踐。一九四九 年共產黨建立政權後，梁氏歷經批鬥，自知無法施展抱負，乃轉而專心從事學術著作 。本論文研究重點在於分析梁氏各階段轉變的原因及其如何由形上學、歷史哲學以至 文化社會學的研究中建立其救國理論－鄉村建設理論。 筆者從研究中發現梁氏的理論來源相當混雜，並不只有儒家，還包括佛學及某些西方 哲學，如柏格森的生命哲學、叔本華的唯意志論等等。故從思想上看來，梁氏並非純 粹儒家，他是本其歷史哲學之研究結果認為中國前途在民族精神、特別是儒家“剛” 的人生態度之復興乃轉入儒家思想，一九二一年他的棄佛所棄的只是佛家的生活方式 ，佛家思想之價值梁漱溟在其歷史哲學中另有安排。 本論文所使用的資料主要是梁氏的專書著作，其一九四九年後者亦大致收齊。

論文(碩士)--香港中文大學, 1968. / Manuscript. / Includes bibliographical references (leaves 288-291). / Thesis (M.A.)--Xianggang Zhong wen da xue, 1968.

論文(碩士)--香港中文大學,1973. / Ms. / Includes bibliographical references (p.281-290). / Thesis (M.A.)--Xianggang Zhong wen da xue. / 前言 --- p.1 / Chapter 第一章 --- 梁、蔡之生平 --- p.7 / Chapter （一） --- 梁氏之生平 --- p.9 / Chapter （二） --- 蔡氏之生平 --- p.47 / Chapter 第二章 --- 梁、蔡之交誼 --- p.85 / Chapter （一） --- 時務學堂時期 --- p.87 / Chapter （二） --- 流亡日本時期 --- p.107 / Chapter （三） --- 「洪憲」與雲南起義 --- p.137 / Chapter （四） --- 蔡 鍔 之 逝 世 / Chapter 第三章 --- 辛亥革命前後之梁、蔡 --- p.207 / Chapter （一） --- 蔡鍔返國及其活動 --- p.209 / Chapter （二） --- 蔡鍔與立憲黨之關係 --- p.237 / Chapter （三） --- 梁、蔡與民初政黨 --- p.254 / 參考書目 --- p.281

陳芷珊. / 論文(哲學碩士) -- 香港中文大學硏究院中國語言及文學學部, 1997. / 參考文獻: leaves 1-13 (3rd group) / Chen Zhishan. / 導論 --- p.1 -4 / Chapter 第一章： --- 《飲冰室詩話》的性質 / Chapter (一） --- 局內身作局內說 --- p.5 -10 / Chapter (二） --- 《詩話》與報刊的關係 --- p.11 -18 / Chapter (三） --- 寓議政於說詩 --- p.19-25 / Chapter 第二章： --- 傳統與新變´ؤ´ؤ《詩話》的政治觀與文學觀 / Chapter (一） --- 任公的政治改革思想 / Chapter 甲、 --- 革命論 --- p.26-31 / Chapter 乙、 --- 維新觀 --- p.31 -40 / Chapter (二） --- 任公的文學革命論 / Chapter 甲、 --- 文界革命 --- p.40-49 / Chapter 乙、 --- 小說界革命 --- p.50 -58 / Chapter 丙、 --- 戲劇界革命 --- p.58-60 / Chapter 丁、 --- 詩界革命 --- p.61 -76 / Chapter 第三章： --- 〈飲冰室詩話》´ؤ´ؤ晚清詩界改良運動的實錄 / Chapter (一） --- 變法時期 / Chapter 甲、 --- 夏曾佑、譚嗣同與「新學之詩」 / Chapter 1. --- 夏曾佑 --- p.77 -85 / Chapter 2. --- 譚嗣同 --- p.86 -99 / Chapter (二） --- 去國時期 / Chapter 甲、 --- 黃遵憲與「新派詩」 --- p.99-130 / Chapter 乙、 --- 詩界革命之主將 / Chapter 1. --- 「詩家之傑」一蔣智由 --- p.130 -136 / Chapter 2. --- 「詩界革命之鉅子」一丘逢甲 --- p.137-146 / Chapter 3. --- 「詩界之更生者」一康有爲 --- p.146-150 / Chapter 第四章： --- 《飲冰室詩話》理論的實踐一任公詩作探究 / Chapter (一） --- 任公的詩作 / Chapter 甲、 --- 《淸議報》〈詩文辭隨錄〉（1898-1901) --- p.151 -153 / Chapter 乙、 --- 《新民叢報》〈詩界潮音集〉(1902-07) --- p.153 -154 / Chapter 丙、 --- 《飲冰室詩話》 --- p.154-155 / Chapter (二） --- 任公對詩歌創作的態度 --- p.155 -157 / Chapter (三） --- 任公對《詩話》理論的實踐 --- p.157 -164 / Chapter 第五章： --- 《飲冰室詩話》對民國初年詩界運動的啓發 / Chapter (一） --- 文學革命派 --- p.165-167 / Chapter (二） --- 學衡派 / Chapter 甲、 --- 吳宓 --- p.167-173 / Chapter 乙、 --- 吳芳吉 --- p.173-177 / 結語 --- p.178 -185 / 參考書目： / Chapter (一） --- 書籍 --- p.1 -7 / Chapter (二） --- 期刊 --- p.8-10 / Chapter (三） --- 文集 --- p.11 -12 / Chapter (四） --- 論文 --- p.13

Democracy was one of the many Western ideas that began to be discussed among the Chinese intellectual elite in the last decades of the Qing Dynasty (1644-1911). Liang Qichao (1873-1929), a leader of the 1895-98 Reform Movement, and Hu Shi (1891-1962), a central figure of the 1915-27 New Culture Movement, were two of the most influential proponents of democracy in modern Chinese history. Liang and Hu linked their meanings of democracy with the highest goals for China, national strength and modernity. Liang Qichao was a revolutionary in advocating the opening of participation in politics to people outside the official government structure through his leadership role in the 1895 Protest Petition. His abundant writings on political events and prescriptions for reform aroused the attention of a wider population than had previously considered national issues. Liang promoted political reforms during the years up to the 1911 Revolution, and then took a direct role in politics in the early Republic. Hu Shi expanded on the meaning of democracy to include social and political change. He, too, wrote prolifically and was a key figure in the literary renaissance which aimed to promote education of a broader spectrum of the populace by the use of the vernacular in writing. While Hu did not participate directly in political life, he was a constant advocate of democratic institutions and social and cultural progress. Both Liang and Hu placed a high value on education and tirelessly promoted the exploration of new ideas as the path to modernity. They both harshly criticized the governments under which they worked but preferred gradual reform rather than radical revolution. While their understanding of democracy differed in their generational contexts and personal experiences, they believed that thoughtful participation in politics and society was the core essence of democracy and modernity.

She inches glass to break: conversations between friends is a project that aims to manifest, through research and practice, my own feminist language within the videos I have produced in my final year of my Masters of Fine Arts. My feminist language is Australian and intersectional, invested in combating sexism, racism and in deepening language and representation around sexuality in relation to Asian women. This project discusses my video She inches glass to break (2018) in length, which created intersectional feminist dialogue in response to feminist filmmaker Ulrike Ottinger’s film Ticket of No Return (1979) and Breakfast at Tiffany’s (1961). Additionally, given this project’s investment in language, this body of work is influenced both by aspects of psychoanalysis – in which speech is central to a “therapeutic action” – and by feminist linguistics in which linguistic analysis reveals some of the mechanisms through which language constrains, coerces and represents women, men and non-binary people in oppressive ways.

The study on Liang Qichao¡¦s moralistic approach

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Thesis (Ph. D.)--University of Hong Kong, 2008. / Includes bibliographical references (leaf 246-267) Also available in print.