Thesis (doctoral)--Université des Antilles et de La Guyane, 1996-1997. / "Juillet 2000"--Colophon. At head of title: Groupe de recherche et d'étude des littératures et civilisations de la Caraïbe et des Amériques noires (GRELCA). Includes bibliographical references (p. 389-412) and index.

Thesis (M.S. in Management)--Naval Postgraduate School, June 1990. / Thesis Advisor(s): Thomas, George W. Second Reader: Steiner, Kenneth W. "June 1990." Description based on title screen as viewed on March 24, 2010. DTIC Identifier(s): Military Personnel, Manpower, Theses, Military Manpower, Technology, Technological Change, Futurism, 21st Century. Author(s) subject terms: Technology, Technological Change, Future, Military Manpower. Includes bibliographical references (p. 96-110). Also available in print.

Thesis (M.A.)--Sonoma State University, 2003. / Includes bibliographical references (leaves 107-111).

Thesis (Ph. D.)--Ohio State University, 2008.

Thesis (M.A.)--California State University, Sacramento, 1996. / Includes bibliographical references (p. 175-179).

Thesis (Ph. D.)--Ohio State University, 2006. / Title from first page of PDF file. Includes bibliographical references (p. 279-294).

Orientador: Robert Wayne Andrew Slenes / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-18T03:47:10Z (GMT). No. of bitstreams: 1 Durao_GustavodeAndrade_M.pdf: 1012006 bytes, checksum: b54e80dc86e928419564dd9588ba5334 (MD5) Previous issue date: 2011 / Resumo: Este trabalho propõe-se analisar a trajetória do escritor senegalês Léopold Sédar Senghor (1906-2001) no que tange à criação e participação ativa no movimento artístico e literário conhecido como Negritude. As movimentações literárias dos escritores norte-americanos e a valorização das formas de arte associadas ao negro-africano serão fundamentais para a formação dos alicerces teóricos da Negritude. A escolha da obra de Senghor "Liberté I: Négritude et Humanisme? contém interpretações importantes do seu pensamento na defesa e divulgação dos valores dos povos negro-africanos. Através desta obra se pretende compreender melhor o que foi o movimento da Negritude e o que ele representou para os escritores negros perante a realidade colonial francesa. Diante disso, este trabalho propõe um recorte temático temporal que vai de 1920 até 1945, quando Senghor e os próprios criadores da Negritude direcionam o conceito e a noção de negritude como sendo algo que vai legitimar a luta política em oposição ao colonialismo francês / Resumé: L'objectif de ce travail est d'analyser la trajectoire de l'écrivain sénégalais Léopold Sédar Senghor (1906-2001) en ce qui concerne sa création et engagement au mouvement artistique et littéraire connu sous le nom de Négritude. La prise de conscience des écrivains nord-américains et la valorisation de toutes les formes d'art liées au noir-africain seront mise en étude comme la base théorique de la Négritude. L'oeuvre de Senghor "Liberté I: Négritude et Humanisme? montre des interprétations importantes de sa pensée en défense et diffusion des valeurs des peuples Noirs africains. A partir de cette oeuvre, on cherche à mieux comprendre le mouvement de la Négritude et son importance par rapport aux écrivains noirs du contexte colonial français. Ainsi, ce travail propose un extrait thématique de 1920 jusqu'à 1945, quand Senghor et les créateurs de la Négritude mènent le concept et la notion de négritude vers la légitimation de la lutte politique en opposition au colonialisme français / Abstract: This study proposes to examine the trajectory of the Senegalese writer Leopold Sedar Senghor (1906-200 I) regarding the establishment and active participation in artistic and literary movement known as Blackness. The awareness of North-American writers and appreciation of art forms associated with black African will be related to the theoretical foundations of Blackness. The choice of the masterpiece of Senghor 'Liberti 1: Negritude et Humanisme' contains important interpretations of his thought in upholding and disseminating the values of the Black African people. Through this work is intended to better understand what was the Blackness movement and what he represented for black writers before the French colonial reality. Thus, this paper proposes a temporal thematic focus that goes from 1920 until1945, when Senghor and the creators themselves drive the concept of Blackness and the notion of blackness as something that will legitimize the political struggle in opposition to French colonialism / Mestrado / Historia Social / Mestre em História

Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished

La littérature américaine est en mouvement constant. Elle cherche des pistes, des issues et des histoires évoquant ou transgressant la réalité. Depuis l’arrivée des premiers colons, l’influence des auteurs européens ne s’est jamais démentie sur les futurs natifs d’une terre en pleine expansion. Progressivement voué à l’exploration et à la découverte de l’intériorité de l’homme, l’auteur décrit les multiples évolutions métamorphosant la terre et les consciences. S’affranchir des lieux communs afin de s’approcher au plus près du mythe ultime – à savoir le « Grand Roman américain » – est une manière pour les écrivains du Nouveau Monde d’entrer dans la légende en s’appropriant le langage. Grâce à Jack London et la Beat Generation, écrire est synonyme de témoignage, la langue étant perpétuellement à réinventer. Libérer l’écriture de ses entraves est bien plus qu’un simple projet, c’est en quelque sorte un moyen d’émanciper la page. Du voyage clandestin dans les wagons de marchandises à la glorification du verbe neuf, la route tient toute ses promesses. / American literature is a constant flux. It is looking for new paths, exits and stories evoking or transgressing reality. Since the arrival of the first settlers, the influence of European authors on the future natives of this always-expanding country has never waned. As he progressively devoted himself to the discovery and exploration of the interiority of Man, the author has described the multiple evolutions which transformed both the land and the minds. Freeing oneself from commonplace ideas in order to get closer to the ultimate myth – that is, the “Great American Novel” – is a way for the writers of the New World to go down in history by taking full ownership of the language itself. Thanks to Jack London and the Beat Generation, writing has become a byword for testimony, as the language has continuously been reinvented. Freeing writing from its shackles is much more than a simple project, it is a way to liberate the novel. From illegal trips in freight cars to the glorification of a new Word, the road has kept all its promises.

Este trabalho busca analisar a apropriação recente da expressão \"literatura marginal\" por escritores oriundos da periferia, tomando como ponto de partida o conjunto de autores que publicaram nas três edições especiais Caros Amigos/ Literatura Marginal, nos anos de 2001, 2002 e 2004. A pista deixada por essas publicações era que, mais do que o perfil sociológico dos participantes ou um determinado tipo de literatura, a junção das categorias literatura e marginalidade por tais escritores encobria uma atuação cultural específica, que está relacionada a um conjunto de experiências e elaborações compartilhadas sobre marginalidade e periferia, assim como a um vínculo estabelecido entre criação literária e realidade social. Por isso, além de apresentar empiricamente essa nova geração de escritores marginais, esta pesquisa visou articular a formação interna do grupo e seu significado mais geral, buscando demonstrar como um conjunto de idéias e vivências compartilhadas possibilitou que moradores da periferia, tradicionalmente excluídos como sujeitos do processo simbólico, pudessem entrar em cena para produzir sua própria imagem, dando origem a uma intensa movimentação cultural em bairros da periferia paulistana. / This work intends to analyze the recent appropriation of the expression \"marginal literature\" for deriving writers of the periphery, being taken as starting point the set of authors who had published in three special editions of Caros Amigos/ Literatura Marginal, in the years of 2001, 2002 and 2004. The hint left for these publications was that, more than the sociological profile of the participants or a stricted kind of literature, the junction of the categories literature and marginality for such writers hid a cultural specific performance, which is linked to a set of experiences and elaborations shared on marginality and periphery, as well as a link established between literary creation and social reality. Therefore, besides empirically to present this new generation of writers delinquents, this research aimed at to articulate the internal formation of the group and its meaning more general, searching to demonstrate as a set of ideas and shared experiences made possible that living of the periphery, traditionally excluded as citizens of the symbolic process, they could enter in scene to produce its own image, giving origin to an intense cultural movement in paulistana neighbourhoods of periphery.