The following case study provides answers to two questions, "How do English Learners and Spanish Learners negotiate meaning in an alternative dual language environment?" (Who are they? What do they do and how do they interact together?) and "How do English Learners and Spanish Learners perceive the dual language program and working together with peers?" (How do they perceive their peer interaction and the challenges, frustrations, and rewards they may have encountered?) This study focuses on the language interaction of three dyads of English Learners and Spanish Learners from a rural middle school in Northern California who met once a week to participate in an alternative dual language program. Methodically triangulating data from student journals, interviews, and taped interactions and analysis, three stages emerged during the alternative dual language program: (1) Language Apprehension, (2) Language Initiation, and (3) Language Acquisition. Within these stages, a number of corresponding themes unfolded from the analysis of journal entries, interviews, taped interactions, and field notes. These themes include Confidence, Language Practice, Frustrations and Misunderstandings, Strategies, and Perceived Language Acquisition. The stages and themes from triangulated data reveal examples of how three different dyads of students negotiate meaning in similar yet different respects depending on their personality, willingness to learn, confidence level, and the strategies they use to move language forward. The study also reveals how the alternative dual language program being studied provided newcomers a chance to associate with mainstream students on a school campus and to engage in authentic language communication and/or language practice; the importance of assigning students to intact pairs (dyads) allowing students to "affectively" build trust, increase confidence, and perceive language acquisition through social cognition; how an alternative dual language program can be implemented in middle or high school campuses that have a plethora of second language learners; and, how such language interaction can foster cross-cultural and multicultural education.

In The Rhetorical Making of the Asian/Asian American Face: Reading and Writing Asian Eyelids, I examine representations of East Asian blepharoplasty in online video in order to gain a sense of how cultural values change over time. Drawing on scholarship in and around rhetorical theory, cultural rhetorics, Asian American rhetoric, cultural studies, Asian American studies, and postcolonial theory alongside qualitative data analysis of approximately fifty videos and the numerous viewer comments that accompany them, this study is a rhetorical analysis of the discourse on East Asian blepharoplasty in online video. These videos--ranging from mass media excerpts and news reports, to journals of healing and recovery, to short lectures on surgeon techniques, to audience commentary--offer insight into how social time is negotiated in the cross-cultural public sphere of YouTube. I do my analysis in two steps, first looking at how rhetors rationalize the decision to get blepharoplasty, and second, examining the temporal logics that ground these rationalizations. As result, I've identified five tropes through which people rationalize double eyelid surgery: racialization, emotionologization, pragmatization, the split between nature and technology, and agency. Moreover, I've identified at least five temporal logics that ground these tropes: progress, hybridization, timelessness, efficiency, and desire. Using these two sets of findings I build a framework for the analysis, production and organization of multimodal representations of bodies.

The objective of this study was to develop a profile of writing centers in twelve community colleges governed by the Tennessee Board of Regents. This profile included how they were established, how they are funded and staffed, what services are provided and to whom, how training is provided for staff, and how technology is incorporated. More important than the profile itself, however, was an analysis of successful and unsuccessful practices, especially those related to governance, structure, and training of staff, as revealed through the perceptions and experiences of writing center directors. Because electronic technology has transformed the craft of writing, and its teaching, the analysis extended to the ways in which this technology should be integrated into writing center programs. To construct a profile of current writing center structure and practice, a survey instrument was created and administered by telephone during the spring of 1998. The survey was followed by on-site interviews with four writing center directors which focused on strategies for improving campus support for services, recruiting and training tutors, and providing services electronically. Tennessee community college writing centers vary in their primary clientele with almost half providing comprehensive services to all writers on campus and half serving primarily developmental writers. Perhaps because of this developmental orientation there continues to be a stigma attached to writing centers. Community colleges in Tennessee could enhance the stature of their writing centers by conferring faculty and full-time status on the director, offering more comprehensive services, especially tutorial services, to writers of all levels of ability and from all departments. While a substantial body of literature on writing center philosophy and practice has developed during the last twenty years, much of it failed to address the limitations inherent in community colleges pertaining to admissions policies, non-residential and part-time students, and length of time required to complete a degree. This study identified assumptions, practices, and goals which are universal as well as those which are unique among community college writing centers within the Tennessee Board of Regents system and attempted to anticipate future needs as these centers continue to evolve into the new millennium.

"Sacramental Magic" explores the animate statue in early modem romance as an emblem of the potential spiritually transformative power of objects. The tendency of New Historicism to "empty out" theology from Catholicism overlooks the continued power of sacred objects in Reformation literature. My dissertation joins the recent turn to religion in early modern studies--Catholic doctrine and religious experience explain the startling presence of benevolent animate statues in Spenser, Shakespeare, and Milton; one would expect these statues to be empty idols, but instead they animate, revealing a real presence of the divine. I first investigate Spenser's Egyptian lexicon for the Catholic veneration of sacred images in the Temple of Isis in the Faerie Queene. Embedding Britomart's dream vision of an English empire in Egyptian mythology creates a translatio imperii from Egypt to Rome to England, transferring not only political but also religious power. The Isis statue's transformation of Britomart bears striking textual and visual correlations to John Dee's hermetic Monas Hieroglyphica. For Shakespeare, ermetic magic emblematizes the sacrament of penance. Shakespeare's claim "to make men glorious" suggests that Pericles transforms its audience by effecting, not merely signifying, grace. The play emblematizes the restorative aspects of reconciliation, the antidote to the seven deadly sins, with alchemical and medical imagery, culminating in Cerimon's reanimation of Thaisa through an Egyptian magic based on the hermetic ritual to ensoul statues. The Winter's Tale continues Shakespeare's meditation upon the emotional metamorphoses produced by reconciliation. I argue that Shakespeare creates an affective communion among the audience members and the characters, an effect similar to the workings of the Holy Spirit in a Mass, emblematized by the hermetic animation of Hermione. The final chapter examines the Catholic and hermetic parallels in Milton's "Il Penseroso" and Comus. In both works, Milton traces a shared system of correspondences underlying Catholicism and hermeticism in order to explore the relationship between objects and the immaterial, through angelology, Ficinian music theory, the contemplative lives of nuns, the Catholic sacrament of Extreme Unction, and ritual exorcism.

Thesis (M.A.)--Florida State University, 2005. / Advisor: Dr. James O'Rourke, Florida State University, College of Arts and Sciences, Dept. of English. Title and description from dissertation home page (viewed Sept. 19, 2005). Document formatted into pages; contains iv, 62 pages. Includes bibliographical references.

xviii, 210 p. : ill. (some col.) / The current dissertation investigated segmental and prosodic aspects of first- (L1) and second-language (L2) speech production. Forty Korean-speaking adults and children varying in L2 experience (6 months-inexperienced vs. 6 years-experienced) as well as twenty age-matched native English speaking adults and children participated. Experienced children born in the U.S. were first exposed to English much earlier than inexperienced children. Group differences were investigated for insight into the effect of differing language experience on speech production. For segmental aspects, spectral quality and duration of English and Korean vowels (Chapter II), the effect of English coda consonant voicing on vowel and consonant closure duration (Chapter III), and language-specific voice onset time (VOT) in English and Korean stops (Chapter IV) were examined. All Korean groups except the experienced children differed from the native English speakers in vowel spectral quality and coda voicing production. The experienced children showed native-like production of both English and Korean vowels and also used VOT to distinguish Korean aspirated and English voiceless stops. These results suggest that the experienced children have separate phonological representations for their two languages. For prosodic aspects, stressed and unstressed vowels in English multisyllabic words (Chapter V) and Korean four-syllable phrases (Chapter VI) were elicited. The results of stressed and unstressed vowel production revealed that the Korean adults were able to acquire English prosody in a native-like manner, except for reduced vowel quality. Contrary to the little L1-L2 interaction in prosody for adults, Korean experienced children's production suggested a strong influence of English acquisition on the development of Korean prosody in terms of fundamental frequency, intensity, and duration patterns. Different degrees of L1-L2 interaction between Korean experienced children's production of segments and prosody are discussed from the developmental standpoint of simultaneous bilingual children's language shift from the mother tongue to English. In addition to children's greater plasticity of language acquisition, external (e.g., peer pressure, language input) and internal (e.g., ethnic self-identity) factors are likely to have created a language learning environment different from that of the Korean adults. As a result, the degree and direction of L1-L2 interaction varied by linguistic domains, depending on the age of the learner and the language experience. / Committee in charge: Susan Guion-Anderson, Chairperson; Melissa Redford, Member; Vsevolod Kapatsinski, Member; Kaori Idemaru, Outside Member

ix, 203 p. : ill. / As critic Jonathan Gottschall notes, "The literary scholar's subject is ultimately the human mind - the mind that is the creator, subject, and auditor of literary works." The primary aim of this dissertation is to use modern cognitive science to better understand the early modern mind. I apply a framework rooted in cognitive science--the interdisciplinary study of how the human brain generates first-person consciousness and relates to external objects through that conscious framework--to reveal the role of consciousness and memory in subject formation and creative interpretation, as represented in period drama. Cognitive science enables us as scholars and critics to read literature of the period through a lens that reveals subjects in the process of being formed prior to the "self-fashioning" processes of enculturation and social discipline that have been so thoroughly diagnosed in criticism in recent decades. I begin with an overview of the field of cognitive literary theory, demonstrating that cognitive science has already begun to offer scholars of the period a vital framework for understanding literature as the result of unique minds grappling with uniquely historical problems, both biologically and socially. From there, I proceed to detailed explications of neuroscience-based theories of the relationship between the embodied brain, memory, and subject identity, via detailed close reading case studies. In the primary chapters, I focus on what I consider to be three primary elements of embodied subjectivity in drama of the period: basic identity reification through unique first-person memory (the Tudor interlude Jake Juggler ), more complex subject-object relationships leading to alterations in behavioral modes (Hamlet ), and finally, the blending of literary structures and social context in the interpretation of subject behavior (Middleton's A Trick to Catch the Old One ). / Committee in charge: Lisa Freinkel, Chairperson; George Rowe, Member; Ben Saunders, Member; Lara Bovilsky, Member; Ted Toadvine, Outside Member

This bibliography is an update of Thomas Geider’s comprehensive bibliography of 100 pages which he published in Swahili Forum 10 (2003). Thomas Geider had almost finished it when he fell ill in April 2010. He left the manuscript when he passed away on 15 October 2010. It has been completed and edited by the editors of Swahili Forum, and comprises mainly works published between 2003 and 2009. Also included are some works published in 2001 and 2002 which came to Thomas Geider’s attention after he had completed his 2003 bibliography.

Despite the presence of metaphors in American political discourse, little scholarly attention has been paid to the functioning of economic metaphors. This study addresses this shortcoming by examining the use of economic metaphors in contentious argument, while paying attention to how metaphor's linguistic variability derives from the rhetorical nature of discourse, and how the context of conflicting ideologies facilitates clashes between larger political metaphors. After establishing the ubiquity of metaphor in economic policy discourse, this study elaborates on an understanding of a fractured political discourse with an historical model that traces this fracture back to four dominant ideological positions. Finally, rhetorical criticism grounds the research by refining a conceptual theory of metaphor into a methodology that directs attention to more elaborate analogies and extra-discursive narrative elements. The chosen artifact for this study is Bill Clinton’s 2012 Democratic National Convention speech, due to its relevance in contemporary American political and economic discourse. Clinton’s address defended Obama’s incumbent appeal for a second term as U.S. president by concentrating on the aftermath of the 2008 economic crisis as a case study about the philosophical differences between the Democratic and Republican Parties. Clinton constructs a narrative of the American economy by using individualistic progress metaphors that animate a cooperation-conflict dichotomy of Democratic and Republican opposition. In turn, Clinton borrows from and contributes to a set of more broadly salient path metaphors that cohere around a future-oriented and generative conceptualization of Modern Liberal public policy.

This dissertation examines the early modern representation of the Ottoman sultan as merciless murderer of his own family in dramas depicting Islam that are also revenge tragedies or history plays set in empires. This representation arose in part from historical events: the civil wars that erupted periodically from the reign of Sultan Murad I (1362-1389) to that of Sultan Mehmed III (1595-1603) in which the sultan killed family members who were rivals to the throne. Drawing on these events, theological and historical texts by John Foxe, Samuel Purchas, and Richard Knolles offered a distorted image of the Ottoman sultan as devoid of pity for anyone, but most importantly family, an image which seeped into early modern drama. Early modern English playwrights repeatedly staged scenes in the dramas that depict Islam in which one member of a family implores another for pity and to remain alive. However, family killing became diffuse and was not the sole province of the Ottoman sultan or other Muslim character: the Spanish, Romans, and the Scythians also kill their kin. Additionally, they kill members of their own religious, ethnic, and national groups as family killing expands to encompass a more general self destruction, self sacrifice, and self consumption. The presence of the Muslim character, Turk or Moor, serves to underscore the political and religious significance of other characters' family killing. Part of the interest of English playwrights in the Ottoman history of family killing is that England had suffered its own share of family killing or the specter of it during the Wars of the Roses, the Babington Plot against Queen Elizabeth's life, and the martyrdom of many English during the Protestant Reformation. Through an analysis of such plays as Thomas Kyd's The Spanish Tragedy , William Shakespeare's Titus Andronicus , and Christopher Marlowe's Tamburlaine I and II , among others, I argue that English playwrights represented family killing to contend with England's past of civil war, its Protestant Reformation present, and its political future. The dramas that depict Islam portray rulers who elevate empire building above kinship bonds and who feel no pity for those in their own kinship, national, or religious groups. The plays illustrate that the emotion, pity, leads a ruler to the just action of extending mercy and that the converse, lack of pity, leads a kingdom or empire to injustice and destruction. The plays ultimately declare empire building unjust because it is pitiless, creating an argument against empire for English audiences.