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1	'n Vergelykende ondersoek na die uitbeelding van identiteit in gekose dokumentasie van die Performance art-werke van Cindy Sherman en Berni Searle / A. Bekker Bekker, Ané January 2008 (has links) Thesis (M.A. (History of Arts))--North-West University, Potchefstroom Campus, 2008. Performance art Cindy Sherman Berni Searle Identity Postmodernism Documentation Untitled filmstills series Looking back series Semiotics
2	'n Vergelykende ondersoek na die uitbeelding van identiteit in gekose dokumentasie van die Performance art-werke van Cindy Sherman en Berni Searle / A. Bekker Bekker, Ané January 2008 (has links) In this dissertation two art works of two female artists, Cindy Sherman and Berni Searle, are analysed comparatively using a method developed in semiotics. The artworks of Sherman that are used in this dissertation forms part of her Untitled Film Stills series and the artworks of Searle that are discussed forms part of her Looking Back series. The artworks and artists are contextualised within the postmodernism and within the realm of performance art. The study focuses on and discusses the way in which these two artists depict identity in their artworks. In Sherman's artworks this identity is linked to a Western, white identity. In contrast with this, the identity that Searle depicts is linked to an African, coloured identity. The study is concluded by a comparative summary of the different identities Sherman and Searle represent in their artworks as well as the way in which they represent these identities. / Thesis (M.A. (History of Arts))--North-West University, Potchefstroom Campus, 2008. Performance art Cindy Sherman Berni Searle Identity Postmodernism Documentation Untitled filmstills series Looking back series Semiotics
3	'n Vergelykende ondersoek na die uitbeelding van identiteit in gekose dokumentasie van die Performance art-werke van Cindy Sherman en Berni Searle / A. Bekker Bekker, Ané January 2008 (has links) In this dissertation two art works of two female artists, Cindy Sherman and Berni Searle, are analysed comparatively using a method developed in semiotics. The artworks of Sherman that are used in this dissertation forms part of her Untitled Film Stills series and the artworks of Searle that are discussed forms part of her Looking Back series. The artworks and artists are contextualised within the postmodernism and within the realm of performance art. The study focuses on and discusses the way in which these two artists depict identity in their artworks. In Sherman's artworks this identity is linked to a Western, white identity. In contrast with this, the identity that Searle depicts is linked to an African, coloured identity. The study is concluded by a comparative summary of the different identities Sherman and Searle represent in their artworks as well as the way in which they represent these identities. / Thesis (M.A. (History of Arts))--North-West University, Potchefstroom Campus, 2008. Performance art Cindy Sherman Berni Searle Identity Postmodernism Documentation Untitled filmstills series Looking back series Semiotics
4	Trespassing Women: Representations of Property and Identity in British Women’s Writing 1925 – 2005 McDaniel, Jamie Lynn January 2010 (has links) No description available. English literature Gender Law Literature Womens Studies property propriety identity looking back Britishness law and literature feminism gender studies contemporary British women writers Virginia Woolf Jean Rhys Penelope Fitzgerald Hilary Mantel Margaret Drabble Jeanette Winterson

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