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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
71

La peinture de l’amour dans les premiers romans de Paul Bourget. --.

Hardy, Norah Woodburn. January 1941 (has links)
No description available.
72

Tres visiones del amor en la obra de José Martí

Pujol, Louis. January 1987 (has links)
No description available.
73

Walt Whitman: An Analytic Study of the Symbolic Theme of "Manly Love" in Leaves of Grass

Dunford, Thomas A. January 1955 (has links)
No description available.
74

The Development of the Representation of Love in George Bernard Shaw's Plays

Thompson, James R. January 1959 (has links)
No description available.
75

Walt Whitman: An Analytic Study of the Symbolic Theme of "Manly Love" in Leaves of Grass

Dunford, Thomas A. January 1955 (has links)
No description available.
76

Love Imagery in the Poetry of John Donne and Sir Philip Sidney

Summers, Richards M. January 1964 (has links)
No description available.
77

Symbolic and Romantic Elements in Selected Fiction of Theodore Winthrop

Bayer, Francis L. January 1965 (has links)
No description available.
78

The still moment : a study of the relationship between time and love in Shakespeare's sonnets

Henderson, Liza Marguerite Bell. January 1985 (has links)
No description available.
79

L'amour dans l'oeuvre d'Anne Hébert

Amar, Wenny January 1975 (has links)
No description available.
80

The Conflict of Eros and Agape in The Brothers Karamazov

Harris, Candice R. (Candice Rae) 12 1900 (has links)
This paper explores the dialectical concept of love in Dostoyevsky's The Brothers Karamazov through Katerina and Grushenka, the heroines, and Dmitri Karamazov. Dostoyevsky's dialectic is most accurately described by the terms Eros and Agape, as defined by Denis de Rougemont in Love in the Western World. Chapter One examines the character of Katerina and establishes that although her love is ostensibly Agape, her most frequent expression of love is Eros. Chapter Two establishes that Grushenka's most frequent expression of love is Agape although ostensibly Eros. Chapter Three demonstrates how each woman personifies a pole of Dmitri Karamazov's inner conflict, and then traces his development with regard to his relationship to each woman.

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