The subject of this thesis is the preparation and organization of construction of residential buildings in Štětí. In the technological regulations deal with all the layers of flooring from the ceiling construction in residential buildings. The objects are hard floors. For floor coverings will be used PVC roofing, ceramic tiles and concrete coating. It will be used for machining of concrete. Next, I will discuss technological instruction, timing, valuation of all technological stages, construction site equipment, health and safety at work. Also here describe the proper allocation of construction processes into sub-processes to technological stage of completion of work most effectively achieve the objective.

The thesis deals with using art therapy's methods and technique by multi-handicapped children. The first chapter characterizes multi-handicap, defines various disorders and their influence on the personality of a child. The second chapter introduces the therapy options which can be applied to multi-handicapped children, with a strong accent on artetherapy. In the third chapter there are various artetherapic methods and techniques which can be applied to multi-handicapped children. The fourth chapter shows creative expressions of children with the main accent on drawing, painting and modeling. The practical part describes civil associations where the research has been carried out, and presents the results of the research by means of five case studies. Keywords Multi-handicap, mental handicap, physical defect, cerebral defense, sensory defects, autism, art therapy, ergotherapeutics, music therapy, trampoline therapy, canistherapy, hippotherapy, snoezelen, artetherapic methods, drawing, painting, modeling

Obrazy Hendricka van Balena ve sbírkách zemí českých. Inspirace pro van Balenovy figurální kompozice a jejich vliv na další umělecké generace. Abstract The diploma thesis fucuses on the paintings by Hendrick van Balen (1575-1632), which are found in Czech collections. The main point of this thesis is a figurative stint in cabinet painting, which was the domain of the Antwerp painter Hendrick van Balen. there will be also hightlighted Hendrick van Balen's collaboration with Jan Brueghel Older, who became a part of his work as the author of still life and nature in Balen's paintings. On specific works from the Czech collections will by pointed out the possible inspiration in the figures of rudolfinian masters Hans von Aachen and Josef Heintz and parallels in their work, and the influence on the cabinet painting of the 18th century painters, Johan Georg Platzer (1704-1761) and his follower Franz Christophr Jannecka (1703-1761). Keywords Hendrick van Balen, inspiration, Hans von Aachen, Josef Heintz, Johan George Platzer, Franz Christoph Janneck, cabinet painting, mythology, collections in Czech Lands, Jan Brueghel the Older, Jan Brueghel the Younger

This diploma thesis is focused on presenting selected artwork with the theme of Hell, which were made in 15. and 16. century. The focus will be on placing this artworks into whole artworks of selected painters. Also to compare it between each other and try to prove how was the tradition of this theme affected by political situation, customer and how was it affected by literature.

The Diploma thesis "Křivoklát Altarpiece" tries to process the monographical issues of a late gothic altarpiece retable. The altar has survived as a part of stylistically uniform area of Křivoklát's chapel. Author primarily studies this work of an outstanding quality in the context of the second half of the 15th century of the Central European artistic product. The work is compared with the artistic works of the same type. In addition to that the author tries to clarify iconographic issues of the altarpiece which are often mentioned in specialized literature. The Diploma thesis mainly focuses on the altar's sculpture decoration with the goal to clarify its stylistic origins and the time of its creation. Křivoklát Altarpiece represents one of the most important works coming out of Prague's Jagellonian court.

The subject of this diploma thesis are medieval murals from the first half of the 14th century in Annin, Kasperske Hory and Strakonice. The thesis is focused primarily on detailed analysis of wall paintings, iconographic and stylistic evaluation in national context and context of neighboring countries. then the summary of the cultural and historical circumstances of origin of the paintings in a defined region together with a partial evaluation of period significance of the Prachen region. Cultural and historical circumstances are also put into context with regional patronage. Another objective of these thesis is to identify issues that require further research, especially in the field of iconographic identification of the particular scenes, and setting the paintings in the broader European context. The conclusion then revise relations of the paintings to Germany and Austria and evaluation of the importance of these areas as intermediary regions in the transfer of stylistic incentives.

The dissertation evaluated the formal, stylistic and contextual analysis of the painting oeuvre of the Cremonese native Antonio Campi. Monographic elaboration of Campi's oeuvre complement to the existing range of syntheses a number of information that has been in the literature so far omitted. The work assessed Antonio's oeuvre on the revision of archival material preserved in Milanese and Cremonese state and church archives, as well as by the means of thorough study of the secondary literature. Chronology of Campi's production was based on the stylistic and formal analysis and at the same time it has been enriched by a number of comparisons of the Lombardy-Ligurian region. Perspective at Antonio's oeuvre was accompanied by drawings and panel paintings that have emerged in the art market in recent years. With this thorough analysis, it became clear that the simple definition of an older Italian scientific literature that had Antonio Campi understood as a painter, who by his work formed the basis of Caravaggio chiaroscuro approach in the last decades of the 16th century and in the early years of the 17th age, proved to be inaccurate. It became clear that with this view we can not identify ourselves any more. Constant changes in mood, surprise, unpredictability, restlessness and individuality, the...

The theme of this thesis are surfaces made of unburned earth and used in architecture. The thesis focuses mainly on detailed mapping and analysis of the present state. However, it does not omit the historical roots of earthen surfaces in the area of today`s Czech Republic. In these roots it looks for connections with contemporary practice. The thesis deduces conclusions from thorough evaluation of the present situation – it shows perspectives and possible drift of the future development of earthen surfaces. Both in the field of architecture and in areas broadening this field.

The topic of this diploma thesis is the Commemorative Book of Prague Nydrlak, whose origins date back to the 17th century in the Prague New Town. The records in the book were written mainly by the merchants who travelled to Prague to trade. Most of those merchants were most likely involved in the international trade with marine fish that were imported from the North Sea and the Baltic Sea. Due to the representative role of commemorative books, the majority of the merchants received their illuminations from professional artists. The introductory chapters of the thesis describe contemporary practice of business of the given period, specifics of Nydrlak in the context of the practice, the commemorative book culture of the 16th and 17th century, but also the fortunes of Nydrlak before its depositing into the Prague City Archives. A pivotal part of the paper is dedicated to the merchants themselves who would left some information about their lives in the book. Based on this source and several other archival documents, the thesis assesses the confessional, societal, regional, and proprietary stratification of the community that was assembled around Prague Nydrlak.