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Každodennost novináře v letech 1970-1990 / Everyday life of journalists in the years 1970-1990Čepková, Markéta January 2013 (has links)
This diploma thesis deals with the everyday life of journalists between years 1970 - 1990. It is divided into a theoretical and a practical part. The theoretical part draws mainly from books on sociology, Statistics Office and publications and journals of "The Journalist" ("Novinář") publishing. There are definitions of the key terms and statistic data on media, culture and life style in the first part. It also depicts Czech society in the time of Normalization, as well as professional and social structure of the population, scholar-ship and the position of a journalist in this era. The practical part is devoted to the interviews with journalists and analyses separate aspects of everyday life. This analysis was made with the usage of the qualitative method and compares particular responses of the journalists with the data from the theoretical part.
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The Netflix Experience : Reshaping the Creative Process: Cultural Co-Production of Content: A user-focus approach to recommendation algorithmsVarela, Daniela Renee January 2017 (has links)
This project proposes a user-focused approach to study the algorithm logic of on-demand apps, using Netflix as a case study. The main research interest is the perception that the user has about the suggestion and recommendation logic of Netflix. In order to gather the information, a walkthrough method on Netflix was applied as well as personal, in-depth think aloud interviews were carried out. The sample consisted on a selection of heavy users, millennials ex-pats living in Singapore and working in the creative industry to get specific insights on their relationship with the algorithm. To analyze the gathered material, qualitative content analysis was carried out. This kind of study is important within today’s contemporary media environment to have integral approach to users perceptions instead of just analytical figures and numbers. The theoretical context used to enlight some of the conclusions discussed on this research were based on the study of media in everyday life, global cultural industry studies, as well as algorithm culture and the science and technology studies. How algorithms are perceived have major repercussions not only on on-demand apps, technology business models or entertainment industry but also an intense influence on the way people consume content. Re-thinking the user as a co-producer of information and knowledge, considering some of the implications this phenomenon might have on the creative industry and how that affects on our daily life are some of the issues this research elaborated on. It can be said that the selected sample appreciates the suggestion logics and it has multiple functionalities: recommendation, curation, entertainment, companionship and leisure. Netflix Originals are very well validated; being one of the main attractions of the app. Interface, functionality and features are also items that the sample positively highlights. The accuracy perception of the algorithm is good, although low when compared to other countries where the sample used the app. The same applies to the amount of content and titles available, being these last two, issues that Netflix could improve. This research was conducted for 8 months, from October 2016 to May 2017, for Sodertorn University – Stockholm, Sweden, with the guidance and support of Associate Professor Anne Kaun.
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Telejornalismo e Cotidiano: a construção de enquadramentos sobre a vida urbana no JPB 1ª ediçãoMelo, Rostand de Albuquerque 16 April 2010 (has links)
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Previous issue date: 2010-04-16 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Considering the journalism while a way of specific knowledge with an own logic of
perception about the everyday life, this dissertation purpose is understand the relationships
between the common sense knowledge and the apprehension forms of the social reality
adopted in the news production process. For so much, the theoretical perspective of Alfred
Schutz's phenomenology is adopted to observe the journalists' behavior in the work place. The
objective is to describe and to understand the operation mechanisms of the intrinsic
relevance s system to the journalistic field. To understand the constitution of what we can call
a journalistic "common sense" and the construction of established visions about the everyday
life on the city, is opted for an etno-construcionist approach, based in the notion of social
construction of the reality. Addressing the analysis focus to the TV local journalism, the
methodological choice is the application of the Etnomethodology. The purpose is to
understand as the journalists of TV see (perceive) the urban life and that it sorts out that
peculiar framing is reverse-built in a narrative marked by the techniques and procedures of
journalistic counting and of the audiovisual language. It was delimited as studies object the
routines of production of the television news JPB 1st Edition, exhibited daily by Cabo Branco
TV and Paraíba TV, affiliated stations to the Globo Broadcasting Network in the State of
Paraíba. A field research was accomplished systematized in two apprenticeships: the
participant observation and the application of interviews semi-structured with the responsible
journalists by the production and edition of the analyzed television news. The information and
obtained inferences were divided in two different perspectives. First the "regularities" of the
productive routines and way of work organization will be analyzed, as well as the hierarchical
and organizational structure in which the production of the television news is inserted. In a
second moment, analytical narratives will be presented on episodes and circumstances
observed during the field research. They are peculiar situations that reveal the compound
linkage of relationships that settles down in the news production process and how the editorial
choices are permeate from subjective and symbolic aspects. / Considerando o jornalismo enquanto um modo de conhecimento específico com uma lógica
própria de percepção do cotidiano, esta dissertação busca compreender as relações entre o
conhecimento do senso comum e as formas de apreensão da realidade social adotadas no
processo de produção de notícias. Para tanto, adota-se a perspectiva teórica da fenomenologia
de Alfred Schutz aplicada à observação do comportamento dos jornalistas no ambiente de
trabalho: a redação. O objetivo é descrever e compreender os mecanismos de funcionamento
do sistema de relevâncias intrínseco ao campo jornalístico. Para compreender a constituição
do que podemos chamar de um senso comum da redação e a construção de visões
apriorísticas sobre o cotidiano da cidade, optou-se por uma abordagem etno-construcionista,
fundamentada na noção de construção social da realidade. Direcionando o foco de análise ao
telejornalismo local, propõe-se como escolha metodológica a aplicação da Etnometodologia.
O propósito é compreender como os jornalistas de TV vêem (percebem) a vida urbana e de
que maneira esse enquadramento peculiar é re-construído em uma narrativa marcada pelas
técnicas e procedimentos de apuração jornalística e da linguagem audiovisual. Delimitou-se
como objeto de estudo as rotinas de produção do telejornal JPB 1ª Edição, exibido
diariamente pela TV Cabo Branco e TV Paraíba, emissoras afiliadas à Rede Globo no Estado
da Paraíba. Foi realizada uma pesquisa de campo sistematizada em dois estágios: a
observação participante e a aplicação de entrevistas semi-estruturadas com os jornalistas
responsáveis pela produção e edição do telejornal analisado. As informações e inferências
obtidas foram divididas em duas perspectivas distintas. Primeiro serão analisadas as
regularidades das rotinas produtivas e modo de organização de trabalho na redação, bem
como a estrutura hierárquica e organizacional no qual a produção do telejornal está inserida.
Num segundo momento, serão apresentadas narrativas analíticas sobre episódios e
circunstâncias observadas durante a pesquisa de campo. São situações particulares que
revelam o complexo encadeamento de relações que se estabelece no processo de produção de
notícias, bem como os aspectos subjetivos e simbólicos que permeiam as escolhas editoriais.
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A INFÂNCIA NO TUBO DIGITAL: FELICIDADE VIA CONSUMO?Ferreira, André Luis do Nascimento 19 January 2017 (has links)
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Previous issue date: 2017-01-19 / CAPES / Este trabalho discute a associação da ideia de felicidade à promoção do consumo pelos
youtubers mirins – crianças que produzem conteúdo audiovisual dirigido a outras crianças
através da plataforma de vídeos YouTube. Utilizando a análise do discurso e análise de
conteúdo como ferramentas metodológicas, busca-se compreender se e de que forma ocorre
esta associação. No percurso da pesquisa, busca-se também compreender que elementos
caracterizam a presença de abordagem de promoção do consumo, que elementos configuram
a presença da felicidade como argumento e que elementos estabelecem elos entre estes dois
campos. Esta discussão é realizada com o apoio de revisão bibliográfica que contempla
estudos sobre desenvolvimento infantil, caracterização da infância na sociedade, sociedade de
consumo, felicidade e consumo, publicidade infantil, marketing infantil, mídia e infância,
infância e Internet, e também sobre o papel do YouTube no contexto midiático
contemporâneo. A amostra foi composta apenas de vídeos que possuíam algum tipo de
indução implícita ou ostensiva ao consumo. Foram analisados ao todo nove vídeos, sendo que
todos figuram entre os mais assistidos dentro dos três canais mais populares de youtubers
mirins brasileiros. Ao final da pesquisa, foi constatado a presença de elementos discursivos
que associam a felicidade ao consumo em todos os vídeos analisados, com presença de ruído
em apenas um destes vídeos. / This work discusses the association of the idea of happiness with the promotion of
consumption by the kid youtubers – children who produce audiovisual content directed to
other children through the YouTube video platform. Using discourse analysis and content
analysis as methodological tools, it is sought to understand if and how this association occurs.
In the course of the research, it is also sought to understand which elements characterize the
presence of a consumer promotion approach, which elements configure the presence of
happiness as an argument and which elements establish links between these two fields. This
discussion is carried out with the support of a bibliographic review that includes studies on
child development, characterization of childhood in society, consumer society, happiness and
consumption, children's advertising, children's marketing, media and childhood, childhood
and the Internet, and also on the part represented by YouTube in the contemporary media
context. The sample was composed only of videos that had some type of implicit or ostensive
induction to consumption. A total of nine videos were analyzed, all of which are among the
most watched within the three most popular channels of Brazilian kid youtubers. At the end of
the research, it was verified the presence of discursive elements that associate happiness with
consumption in all analyzed videos, with presence of noise in only one of these videos.
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