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Inaug.-diss.--Breslau. / Lebenslauf. "Titel der wiederholt zitierten bücher": p. [vii]-x.

Inaug.-diss.--Breslau. / Lebenslauf. "Titel der wiederholt zitierten bücher": p. [vii]-x.

Thesis advisor: Devin O. Pendas / This dissertation studies the cooperation and competition amongst various right-wing paramilitaries in the southeastern portions of German-speaking Europe. My work overturns stereotypical, teleological narratives that presume any far-fight German extremism inherently meant “the rise of Nazism.” Instead, I reveal a complex mosaic of far-right paramilitary men, whose allegiances to and rivalries with each other oscillated with shifting situational contexts across one of the most contested and chaotic borders in interwar Europe. Consequently, my research results open new possibilities for conceptualizing volatile twentieth-century borderlands as stemming not just from international conflicts but also from intra-national infighting. Paramilitary men on both sides of the Austro-Bavarian border considered themselves German, but they conceived of their “Germanness” in very specific terms: southeastern, Catholic, and Alpine in contrast to the northern, Protestant, and Prussian variant of Germandom. How did right-wing groups blend greater German nationalism with their southeastern German regionalism? The hybridization of these two loyalties created an intoxicating affective brew that brought together right-wing agents on both sides of this border in fraternal solidarity but also instigated fratricidal violence, all as these German groups sought to settle the question of what it meant to be German. National identities founded on southeastern regional impulses thus formed a constitutive contradiction of greater German nationalism. The intersectionality of regionalism and nationalism generated internecine right-wing violence, as these groups disagreed over how to implement disparate versions of unification. The result was twenty years of street brawls, assassinations, terror, Putsch attempts, mobilizations, and transborder smuggling of munitions, troops, and funds. This region was thus a paragon of borderlands conflict. The crux was that it was an intra-national borderland: to these activists, national union should have been so simple, making it all the more frustrating when it eluded them. The assumed common nationality meant any perceived dissident was not simply a political opponent but something far worse: a traitor. Paradoxically, the supposedly “agreed-upon” national identity exacerbated borderland chaos and violence. Historians of Eastern and Central Europe have falsely conflated borderlands with spaces between nations in which multi-national populations struggle among each other for hegemony. My work overturns such assumptions by offering the first analysis of European borderlands violence stemming from a perceived communal nationality. This project thus serves as a needed corrective to the scholarship, offering a richly informed regional analysis with significant interventions in the broader fields of borderlands and right-wing extremism. / Thesis (PhD) — Boston College, 2022. / Submitted to: Boston College. Graduate School of Arts and Sciences. / Discipline: History.

This work addresses the nationalistic elements in the 1570 work Kunst des Fechtens by Joachim Meyer of Strassburg. Meyer's teachings on the longsword are attached to the Swabian Johannes Liechtenauer and then transferred to the Italian rapier thus establishing Meyer as less concerned with nationalist purity as others of his century. His teachings are examined for their pleadings for moral conduct and the preservation of martial studies to the youth of Germany and the young Duke of Bavaria, Johann Casimir. Using modern examples alongside Meyer's writings the case is also made for the integration of nationalist sentiments, moral and ethical instruction, and martial arts training.

No description available.

In the early sixteenth century, the free imperial city of Augsburg in southern Germany played a vital role in the development of music printing with movable type north of the Alps. These technical advances impacted on the distribution of musical repertoire and placed the city's printers on a more equal footing with their Italian competitors. Taking these innovations as its starting point, this thesis examines the development of music printing in Augsburg during the sixteenth century. In addition to considering the specialist formats of choir books and partbooks, it extends the boundaries traditionally applied to music print culture to include books about music and pamphlets and broadsheets. These complementary strands of the printing industry contributed to a diverse geography of performance, with Augsburg's musical activity taking place not only in churches, schools and the home, but also in inns and on the street. The market for music publications was similarly multifaceted, encompassing professional musicians, wealthy collectors, students, keen amateurs and humble street performers. Levels of production varied. Pamphlets and broadsheets enjoyed a diverse market profile and were produced in large numbers. Theoretical texts and partbooks were issued in small quantities. In addition to reflecting their more restricted audience, this meagre output was a consequence of the city's thriving book trade, which reduced the demand for local production. In the case of partbooks, it was also a result of deliberate product placing. Augsburg's astute printers carved out a niche in a crowded market by issuing small numbers of partbooks at the highest end of the quality spectrum. The inclusive approach to music printing adopted in this study ensures that the significance of its findings extends beyond a localised investigation of print culture. By tracking the ebb and flow of production across formats and over the sixteenth century as a whole, a complex relationship between music printing and the socio-economic, cultural, political and religious upheavals of the period becomes apparent. Music printing, often the preserve of musicologists and specialist bibliographers, emerges as a powerful tool with which to refine our understanding of the early modern book world.

This research report deals with the function of the figure of Death in German literature from the 14th to the 16th century and its early Latin predecessors. This thesis aims to give an overview of such texts, written predominantly in Latin until the first half of the 15th century and also in German from the second half of the 15th century. From the overview of the texts, it is evident that the figure of Death was employed mainly by reform-oriented groups within the Church in texts whose contents had a socio-religious bias. This, together with an analysis of the possible recipients of the texts, provides support for the thesis that these groups must have used the figure of Death within the social context of the period (from the 12th to the 16th century) in an attempt to protect the interest of the Church as an institution as well as its strong influence on society. The time span from the 14th to the 16th century is then subdivided into two epochs. The first epoch encompasses the period from the 14th century to the beginning of the Reformation; the second epoch encompasses texts dating from the beginning of the Reformation. Several texts from each epoch are analysed in detail in order to prove the thesis. The choice of texts takes into account the dominant church reform groups as well as the most relevant genres of the time. This investigation shows that the church established its hold on society, on the one hand, by keeping the higher clergy and the nobility in the place assigned to them by the concept of "ordo", and on the other hand, by directing social criticism at the people of high standing, and so appeasing the lower classes who were looking to heretical groups for the realization of their spiritual needs and social ambitions. Reform was thus seen by the reform-oriented people within the Church as upholding the "God-given" social order, related to the Great Chain of Being, by all estates. The more this order crumbled because the real political power-brokers had changed, the more universal the criticism of the figure of Death became. After the Reformation, however, the universality of social criticism was increasingly restricted to the local level, being mainly aimed at rich individuals within the city population. / Thesis (Ph.D.)-University of Natal, Durban, 1989.

This study examines the rise, development, and crisis of theological encyclopaedia in nineteenth-century Germany. As introductory textbooks for theological study in the university, works of theological encyclopaedia addressed the pressing questions facing theology as a ‘science’ (Wissenschaft), a rigorous, critical discipline deserving of a seat in the modern university. The project of theological encyclopaedia, I argue, functioned as the place where theological reflection and the requirements of the institutional setting in which that reflection occurred—here the German university—converged. I explore its roots as a pioneering idealist model for organizing knowledge in the German university system in the late eighteenth century. I focus especially on Friedrich Schleiermacher (1768–1834), the father of modern Protestantism and principal intellectual architect of the University of Berlin (1810). Schleiermacher’s programme transformed the scholarly theological enterprise into one defined in terms of science. That transformation laid the groundwork for the later historicization of theology, which I investigate in the two predominant ‘schools’ of German university theology in the middle of the nineteenth century, the Hegelian ‘speculative’ school and ‘mediating theology’ (Vermittlungstheologie). Among the latter, I emphasize the remarkable international influence of the Swiss-German Karl Hagenbach (1801–74), whose theological encyclopaedia was among the most widely read theological books in German-speaking Europe from the 1830s through World War I. Finally, I analyze the project’s downfall in the context of Wilhelmine Germany and the Weimar Republic, beset by radical disciplinary specialization, a crisis of historicism, and the attacks of dialectical theology. Throughout, I contend that theological encyclopaedia represented the institutionalization of the idea of theology as science, which furnishes an explanatory grid for understanding the relationship between theology and the university. The project resulted in a powerful synthesis that fundamentally shaped the reigning theological paradigms in nineteenth-century Germany and beyond.