Made available in DSpace on 2014-12-17T13:54:47Z (GMT). No. of bitstreams: 1 ElisaPA_DISSERT.pdf: 8387577 bytes, checksum: 26a06cdcefc1eb76b37d5baa53826537 (MD5) Previous issue date: 2010-12-13 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / Since the middle 80 s from the 20th century, some musical genres associated to the Brazilian Northeastern region notably the forr?, coco de embolada and repente de viola have been gradually incorporated to the musical production of south France linked to the occitanista trend, currently linking many musicians and groups from those regions in both countries. This paper is engaged in reflecting on the particular experience of the groups formed by the Escambiar Association, located on the city of Toulouse, and specially the duet Fabulous Trobadors, whose compositions are mostly made in the coco de embolada form. Watching the motivations and the processes that led to the creation of the groups from this association and it s current operation, this study investigates the transcultural phenomenon, that allow to cross two symbolic universes through rationalizing speeches about music, considering the locality s production in the midst of a political debate that involve questions about cultural identity and tradition / A partir de meados da d?cada de 80 do s?c. XX, g?neros atribu?dos ? m?sica do Nordeste brasileiro notadamente o forr?, o coco de embolada e o repente de viola v?m sendo gradativamente incorporados ? produ??o musical de artistas do sul da Fran?a ligados ao movimento occitanista, conectando atualmente v?rios m?sicos e grupos das regi?es referidas dos dois pa?ses. Este trabalho se dedica a refletir sobre a experi?ncia particular dos grupos formados pela Associa??o Escambiar, localizada na cidade de Toulouse, e especialmente a da dupla Fabulous Trobadors, cujas composi??es s?o feitas em grande parte sob forma de cocos de embolada. Observando as motiva??es e os processos que levaram ? cria??o dos grupos desta associa??o e ? sua atua??o no presente, este estudo investiga o fen?meno transcultural que permite cruzar dois universos simb?licos atrav?s de discursos racionalizadores a respeito da m?sica, e leva em conta a produ??o da localidade em meio a um debate pol?tico que envolve quest?es sobre identidade cultural e tradi??o