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1	The influence of music in religion and morals Hooker, Jacob Thomas January 1924 (has links) No description available. Music and religion
2	Sounds of Mouridism : A study on the use of music and sound in the Mouridiyya Holm, Filip January 2016 (has links) The use of music in religious traditions is a complicated subject. Some say it doesn’t have any place in religion while others see it as an essential part of their spiritual life. How one defines music, and indeed religion, can differ greatly but both of these have played an enormous role in our world both historically and today. The relationship between these two subjects is the focus of this study. I aim to analyze how music and sound is used within the Mouridiyya, a Sufi order based mainly in Western Africa, as a religious practice and in what way different forms of music is a way for Mourids in Sweden to connect with their native culture and religion in a society that is in many ways very different. The study is based on interviews and field observations and will explore themes like music as transcendence, the contents of the music, attitudes toward “secular” or more popular, contemporary forms of music as well as gender roles and segregation. I have visited one Mourid group in Stockholm and the study will be based entirely on them. To say something more general about Mouridism or Sufism are generalizations I am not prepared to make, but some of the findings do open up for these kinds of discussions and hopefully this will be but one small step into a fairly uncharted academic field of “religious music”. Mouridism Mouridiyya Sufism West Africa Senegal Music and Religion Islam Ritual Khassaida Amadou Bamba Gender
3	Sacrificial form : the libretti in English 1940-2000 Mai, Chih-Yuan January 2008 (has links) This thesis focuses on the genre of libretto, the sung words for music theatre. The “little book” which accompanies every operatic performance is not just an extended program note to the spectacle, but in fact a substantial literary form in its own right. However, despite the immense influence of Wagner, the output from librettists in an operatic collaboration, has been serious ignored; indeed in opera the aesthetic function of language is frequently diminished and foreshortened, because it is often re-directed by and within the music. The result is that librettists are often seen as offering words to be “decomposed” by composers in the process of operatic collaboration. Opera, in the English language, finally achieved its rightful status, alongside its European counterparts, during the second half of the twentieth century. The thesis is intended to encompass something of the vast diversity of this genre and discusses a number of individual works as constituting legitimate literary artefacts in their own right. There will be five chapters featured in the thesis and each chapter is devoting to a specific theme. 820.90091
4	Comparing the incomparable religion, chanting, and healing in the Sudan, the case of zār and zikr / Eltahir, Eltigani Gaafar. January 1900 (has links) Thesis (Ph. D.)--University of Wisconsin--Madison, 2003. / "From: ProQuest, company." Authorized facsimile made from the microfilm master copy of the original dissertation. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 355-388).
5	Epic Television – Music and Sound in Ramayan and Mahabharat Lesniak, Britta 19 February 2018 (has links) No description available. 780 television music serial music India music and religion music representation of violence audiovisual narration popular culture Musikwissenschaft (PPN718314018)
6	"O Deus, eu quero cantar e tocar" : a musica e os instrumentos musicais no salterio davidico Moschella, Fernanda Tresinari Bertinato 29 September 2006 (has links) Made available in DSpace on 2016-04-25T19:20:42Z (GMT). No. of bitstreams: 1 FERNANDA TRESINARI BERTINATO MOSCHELLA.pdf: 13603971 bytes, checksum: d54c7aac006fadb9c759a81ebb52ca0b (MD5) Previous issue date: 2006-09-29 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The purpose of this work is to study the characteristics of the Psalm music made by the levites, the ones responsable for the celebration of the cult at the Second Jerusalem Temple; to show which musical instruments they used, their characteristics and origins; and also the musical notation developed in that community and its music function / Este trabalho tem como objetivo mostrar como a música dos salmos era realizada pelos levitas, responsáveis pela celebração do culto no Segundo Templo de Jerusalém; mostrar quais eram os instrumentos musicais utilizados por eles, bem como suas características e origens; a escrita musical desenvolvida e a função que a música exercia naquela comunidade música e religião música na Antigüidade música na Bíblia Estética da Religião Ciências da Religião Musicologia Biblia -- A. T -- Salmos Musica na Biblia Musica -- Aspectos religiosos Instrumentos musicais music and religion music in Antiquity music of the Bible Aesthetics of Religion Science of Religion Musicology. CNPQ::CIENCIAS SOCIAIS APLICADAS

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