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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
11

Enhancing the biblical understanding of instrumental music in worship for the members of the Metro Instrumental Directors Conference

Hedrick, Brian L. January 1900 (has links)
Thesis (D.W.S.)--Robert E. Webber Institute for Worship Studies, 2008. / Abstract and vita. Includes bibliographical references (leaves 79-85).
12

Developing a guide for selecting music for worship among selected music leaders within the Church of God, Cleveland, Tennessee

Moffett, Bradley J. January 1900 (has links)
Thesis (D.W.S.)--Institute for Worship Studies, 2005. / Abstract. Includes bibliographical references (leaves 192-195).
13

Enhancing the biblical understanding of instrumental music in worship for the members of the Metro Instrumental Directors Conference

Hedrick, Brian L. January 1900 (has links)
Thesis (D.W.S.)--Robert E. Webber Institute for Worship Studies, 2008. / Abstract and vita. Includes bibliographical references (leaves 79-85).
14

Interdissiplinere argeologiese navorsing van musiekinstrumente in antieke Israel/Palestina gedurende die ystertydperk / An interdisciplinary achaeological research of musical instruments in ancient Israel/Palestine during the iron age

Sieberhagen, Mana 01 1900 (has links)
(M.A. (Bybelse Argeologie))
15

Interdissiplinere argeologiese navorsing van musiekinstrumente in antieke Israel/Palestina gedurende die ystertydperk / An interdisciplinary achaeological research of musical instruments in ancient Israel/Palestine during the iron age

Sieberhagen, Mana 01 1900 (has links)
(M.A. (Bybelse Argeologie))
16

A theological exploration of the role and use of music for worship in the Methodist Church of Southern Africa

Van de Laar, John William 11 1900 (has links)
A theology of Church music for worship has been conspicuous by its absence. The need is clearly demonstrated in this thesis, as is the methodology to develop this theology. The Biblical record of musical usage shows that theological principles can be uncovered to guide theuse of music today. The same process can be applied to the use of music for worship in church history. In order for these principles to have practical application, the challenges facing the Methodist of Southern Africa today are examined. Finally, a theology of Worship Music is developed under three headings. The first, Worship Music as Sacred Sound, explores the inherent music making of God, and of humanity. The second heading, Worship Music as Sacred Act, explores the way music is used as part of the Church's worship activity. The third heading, Worship Music as Sacred Word, explains how music can communicate in worship. / Philosophy, Practical & Sytematic Theology / M. Th. (Systematic Theology)
17

Music in ancient Israel/Palestine (AIP) with reference to tonality and the development of the Psalms / Music in ancient Israel/Palestine with reference to tonality and development of the Psalms

Pretorius, Wynand Johannes Christian 06 1900 (has links)
Includes bibliographical references / Pages not numbered / Music has formed a part of human life as far back as demonstrable. Music existed long before musical instruments made their appearance. The examination of textual evidence read in conjunction with the available archaeologic evidence from the time and area clearly demonstrates which musical instruments were available and the instances they were used at. It clearly points to the lyre as the primary proponent of the musical culture of the time with regards to melodic music. This is confirmed from what we learn from the ancient tuning tablets. There thus is a direct demonstrable connection between the instrument and the theory of the time. Work done on the musical elements of the cantillation marks of the Hebrew Bible comfortably fits into this framework and appears to be a direct influence on the manner in which the Psalms were sung and composed. A combination of literary, archaeological and musical sources can thus be used within a literary and historical approach to demonstrate the availability of musical instruments in AIP, the manner in which tonality was recorded and its influence on the development of the Psalms. / Old Testament and Ancient Near Eastern Studies / M.A. (Biblical Archaeology)
18

"O Deus, eu quero cantar e tocar" : a musica e os instrumentos musicais no salterio davidico

Moschella, Fernanda Tresinari Bertinato 29 September 2006 (has links)
Made available in DSpace on 2016-04-25T19:20:42Z (GMT). No. of bitstreams: 1 FERNANDA TRESINARI BERTINATO MOSCHELLA.pdf: 13603971 bytes, checksum: d54c7aac006fadb9c759a81ebb52ca0b (MD5) Previous issue date: 2006-09-29 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The purpose of this work is to study the characteristics of the Psalm music made by the levites, the ones responsable for the celebration of the cult at the Second Jerusalem Temple; to show which musical instruments they used, their characteristics and origins; and also the musical notation developed in that community and its music function / Este trabalho tem como objetivo mostrar como a música dos salmos era realizada pelos levitas, responsáveis pela celebração do culto no Segundo Templo de Jerusalém; mostrar quais eram os instrumentos musicais utilizados por eles, bem como suas características e origens; a escrita musical desenvolvida e a função que a música exercia naquela comunidade
19

A theological exploration of the role and use of music for worship in the Methodist Church of Southern Africa

Van de Laar, John William 11 1900 (has links)
A theology of Church music for worship has been conspicuous by its absence. The need is clearly demonstrated in this thesis, as is the methodology to develop this theology. The Biblical record of musical usage shows that theological principles can be uncovered to guide theuse of music today. The same process can be applied to the use of music for worship in church history. In order for these principles to have practical application, the challenges facing the Methodist of Southern Africa today are examined. Finally, a theology of Worship Music is developed under three headings. The first, Worship Music as Sacred Sound, explores the inherent music making of God, and of humanity. The second heading, Worship Music as Sacred Act, explores the way music is used as part of the Church's worship activity. The third heading, Worship Music as Sacred Word, explains how music can communicate in worship. / Philosophy, Practical and Sytematic Theology / M. Th. (Systematic Theology)

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