Global ETD Search

1	Karbusického sémiotika hudby / Karbusický's semiotics of music Pohludka, Radek January 2013 (has links) This work retrieves an conception of musical semantics in the work of Vladimír Karbusický. It consists of three parts. The first one focused on Karbusický's works Beethovenův list "An die unsterbliche Geliebte" a jeho hudební dílo [Beehtoven's letter "An die unsterbliche Geliebte" and his musical work] from the year 1969 and Podstata umění [The essence of art] published in the same year, which presents characteristics of four components of arts situated into an quadripolar ontological model of arts. This model is motivated by the structuralism of Jan Mukařovský and by an asemantic nature of musical forms. The poles of this model represent a subject, an object, a material and a society, and create a web of relations between each other. This way they create a field of interaction governed by dynamical and energetic forces. The respective components arise from the relation of a subject to the other poles, and they are divided into semantic and asemantic ones. Among the semantic components we put a picture, an expression and a symbol; the asemantic components are defined by a game and a construction. The second part deals with Karbusický's critical attitudes to a theory of reflection, to an application of a one-sided semiotics to music, and to considering music and language the same. The theory of...
2	Význam rytmu v elektronické taneční hudbě / Rhythm Meaning in Electronic Dance Music Pálková, Tereza January 2015 (has links) This Masters thesis is an attempt to analyse the significance of rhythm in electronic dance music. The purpose of this thesis is to investigate whether rhythm can create meaning within electronic dance music, and to analyse its effect on the structure of the genre. The thesis is divided into two parts. In the theoretical part we will define the theories of music semiotics with regard to the structuralist approach and the traditional approach of CH. S. Peirce. We will describe the ways rhythm can operate and define what the term electronic dance music means. In the second part we will analyze rhythmic structures of individual sub-genres by comparing and contrasting basic elements of the rhythmic pattern.
3	The Semantics of the Recorded Drum Kit and its Processing Evans, Alexander January 2023 (has links) This study investigated the terms used by drummers and audio engineers to describe the recorded drum kit and the processing applied to it. The main method consisted of semi-structured interviews with six professionals in the fields of drumming and audio engineering. The participants were asked to describe five musical samples of different drum kit mixes containing kick, snare and hi-hat sounds. Their descriptions along with explanations of their communication tactics were compared, resulting in explanations of fourteen semantic descriptors. The comparison of their use of the terms in the context of the samples revealed some differences depending on their professional backgrounds. The results suggested that, while audio engineers have a larger semantic lexicon in regards to the recorded drum kit, the differences in the definitions of terms had a larger degree of variation between individuals than between the respective professions. Semantics drums drum kit rock n roll rock music rock drums snare cymbal kick hi-hat music semantics audio semantics communicative audio semantik trummor hårdrock musiksemantik virvel bastrumma cymbal musikalisk kommunikation Media Engineering Mediateknik General Language Studies and Linguistics Music Musik

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