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Ansamblinio muzikavimo vaidmuo stiprinant vaikų mokymosi motyvaciją / The role of ensemble playing by consolidating children’s music learning motivationFrendzelienė, Rita 29 August 2006 (has links)
The beginning of teaching, when you start to form the future musician, is very important time from which further luck and failure depends. Although there are various circumstances in which child needs more learning motivation.
Work theme – the role of ensemble playing by consolidating children’s music learning motivation.
The aim of the work – to cognize the role of ensemble playing by consolidating children’s music learning motivation. This aim is realized by doing the pedagogical and psychological analysis of ensemble playing features theory, evaluating the role of ensemble playing by consolidating children’s music learning motivation and learning results, summarizing the results of theoretical analysis and empirical research. This research helps pedagogues to solve hard educative problem of children motivation of learning to play with instrument individually.
One of the main problems – how to strengthen children’s music learning motivation effectively making the most of ensemble playing features. Making empirical researches the qualitative ((essay writing, pedagogical observation, conversations with the members of an orchestra), questionnaire (children and teachers) methods were used. The aim of the questionnaire is to find out the children and teachers outlook on the collective playing, its importance to learning motivation and learning results. 91 school-children and 31 teachers from Alytus music school, Kaunas music school and Prienų art school were examined. The... [to full text]
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Muzikavimo saksofonu ypatumai interpretacinės raiškos galimybių kontekste / Peculiarities of playing the saxophone in the context of possibilities of interpretational expression: in music educationBaltutis, Donatas 04 August 2011 (has links)
Bakalauro darbas „Muzikavimo saksofonu ypatumai interpretacinės raiškos galimybių kontekste“ parengtas 2011 metais. Tyrimo objektas – muzikavimo saksofonu ypatumai. Tyrimo tikslas – išanalizuoti muzikavimo saksofonu ypatumus muzikos mokyklose. Tyrimo uždaviniai: atskleisti saksofono ypatumus, apibūdinti žymiausius saksofono muzikos atlikėjus, išsiaiškinti saksofonu atliekamas muzikos rūšis, išanalizuoti metodines rekomendacijas ir interpretacijos ypatumus, aprašyti meninį projektą.
Mokant groti mokinius saksofonu mokytojai dažniausiai vadovaujasi savo susikurtomis metodikomis bei pūtikams skirtomis metodinėmis rekomendacijomis, kadangi lietuviškoji pučiamųjų instrumentų pedagogika kenčia nuo daugybės įvairiausių problemų, kurios dažniausiaiįvardijamos kaip literatūros (natų) stoka, nepakankama techninė bazė (stokojama kokybiškų instrumentų), neparengta išsami muzikavimo saksofonu metodika ir programa.
Atlikus teorinių šaltinių analizę ir įgyvendinus meninį projektą galima išskirti svarbiausius grojimo saksofonu aspektus: taisyklingą kvėpavimą, laikyseną, tinkamą rankų poziciją. Muzikos pedagogai profesinėje veikloje turėtų atkreipti dėmesį į šiuos aspektus ir papildydami mokymo procesą specifinio pobūdžio didaktinėmis rekomendacijomis, siekti kokybiško muzikavimo. Saksofonas yra muzikos instrumentas, kuriuo atliekama muzika gali būti laisvai interpretuojama, nes saksofonas pirmiausia siejamas su džiazu, o džiazas dažniausiai suvokimas kaip improvizacijos ir interpretacijos... [toliau žr. visą tekstą] / The Bachelor’s Thesis „Peculiarities of playing the saxophone in the context of possibilities of interpretational expression” was prepared in 2011. Research object: peculiarities of playing the saxophone. The aim of the research: to analyze the peculiarities of playing the saxophone in music schools. Research objectives: to reveal the peculiarities of the saxophone, describe the most famous performers of the saxophone music, determine the types of music performed by the saxophone, analyze methodological recommendations and interpretational peculiarities and describe the art project.
In the process of teaching students to play the saxophone teachers mostly follow their own developed methodology and methodological recommendations designed for the wind instrumentalists, because Lithuanian wind instrument education suffers from various issues that are mainly named as the lack of literature (notes), insufficient technical facilities (lack of qualitative instruments), unprepared explicit saxophone methodology and programs.
Analysis of theoretical sources and implementation of the art project enables to distinguish the main aspects of playing the saxophone: right breathing, posture, correct hand position. Music teachers should pay attention to these aspects in their professional activities and aim at qualitative performance of music by adding specific didactic recommendations to the teaching process. Saxophone is a musical instrument that allows free interpretations of music as it... [to full text]
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