Made available in DSpace on 2014-12-17T14:20:27Z (GMT). No. of bitstreams: 1 Betania MFM_TESE.pdf: 5735783 bytes, checksum: aa96656543e594bd12ee70db21dd8194 (MD5) Previous issue date: 2012-12-20 / This study was elaborated based on our research of the work Mithologiques by the anthropologist Claude L?vi-Strauss (1908-2009), which affirms that languages, indigenous myths and music are related. He proposes that the understanding of myths occurs in a similar manner as with an orchestral score. In the course of his tetralogy we investigated the musical terms used in the analysis and in the division of the chapters, especially in the first volume of his work. Several compositional procedures and forms are named. Composers in pairs are categorized: Sebastian Bach for the code, Ludwig van Beethoven for the message, and Richard Wagner for the myths. In this deduction, we structured in parts: theme and variations, sonata and fugue with the aforementioned composers. Within the greatness of anthropological study, from among over 800 myths, we selected the first five of the indigenous tribe Bororo to discuss within the Theme and Variation segment. In the Sonata part there are two myths with the same theme: The wife of the jaguar which relates to the compositional structure, and four myths about The origin of women. Finally, in the segment related to the Fugue, we collected four myths that address The shortness of life. Honoring the many terms expressed in opposition, contrast, or symmetry under consideration in Levi-Strauss work, we entitled this thesis emphasizing the migration between the tempos Largo and Prest?ssimo as these are oppositional presentations in music. Fifteen musical myths accompany the work supported by selected narratives. In light of this we questioned, we questioned: how are incest, murder and other events part of a society that elevates nature as an extension of life itself? And how did L?vi-Strauss think that anthropology harmonized with music? In the preparation of this study, philosophers like Peter Sloterdijk discuss the circular territory of Mythology / Este estudo foi elaborado com base em nossas pesquisas na obra Mitol?gicas do antrop?logo Claude L?vi-Strauss (1908-2009), na qual afirma que linguagens, mitos ind?genas e m?sica est?o relacionados. Ele prop?e que a compreens?o dos mitos ocorre de maneira similar com a partitura orquestral. No decorrer da sua tetralogia, investigamos termos da m?sica usados na an?lise e na divis?o dos cap?tulos, principalmente do primeiro volume da obra. V?rios procedimentos de composi??o e formas est?o nomeados. Compositores em pares s?o categorizados: Sebastian Bach para o c?digo, Ludwig van Beethoven para a mensagem e Richard Wagner para os mitos. Nesta dedu??o, estruturamos em partes: tema e varia??es, sonata e fuga com os compositores citados. Na grandeza do estudo antropol?gico, entre mais de 800 mitos, selecionamos os cinco primeiros da tribo ind?gena Bororo para discutir na parte Tema e Varia??o. Na parte Sonata h?: dois mitos com mesmo tema, A esposa do jaguar, para relacionar ? estrutura composicional e quatro mitos sobre A origem das mulheres. Por ?ltimo, na Fuga recolhemos quatro mitos que abordam A vida breve. Diante dos termos dados em oposi??o, contrastes ou simetria presentes na obra, demos o t?tulo a este trabalho migrando os andamentos largo e prest?ssimo por se apresentarem na m?sica tamb?m em opostos. Quinze mitos musicais acompanham o trabalho apoiados nas narrativas selecionadas. Para tanto, questionamos como incesto, assassinato e outros acontecimentos fazem parte da sociedade ind?gena que eleva a natureza como extens?o da pr?pria vida? E como L?vi- Strauss pensou a antropologia harmonizada ? m?sica? Na elabora??o deste estudo, pensadores como Peter Sloterdijk dialogam o territ?rio redondo da Mitologia

L’objectif de ce travail est d’appréhender le procédé rhétorique appelé "historiola" dans le contexte du rituel magique égyptien. La période chronologique choisie est celle du Nouvel Empire, époque regroupant une grande variété de formules. L’analyse s’effectue tant sur un plan structurel que modal et thématique afin d’observer l’ensemble des caractéristiques de ce procédé. L"’historiola" est ainsi perçue comme un procédé littéraire permettant au magicien de renforcer l’efficacité de la formule qu’il doit prononcer en vue de protéger ou de guérir un patient. / The aim of this work is to try to understand how the "historiola" works into an Ancient Egyptian ritual. The selected chronological period is the New Kingdom which conveys a great diversity of spells. The analysis is performed on a structural and on a modal and thematic approach, so as to observe the characteristics of the "historiola". The historiola is thus seen as a literary process which allows the magician to enhance the effectiveness of the formula he has to pronounce in order to protect or to cure the patient.

La présente étude porte sur les traditions religieuses de la XVe province de Haute Égypte - la sepat de la Hase - dont la métropole était la ville égyptienne Khemenou, devenue l’Hermopolis Magna des Grecs. Le cadre chronologique de ce travail couvre plus particulièrement la période courant de la fin des dynasties indigènes jusqu’au Bas-Empire romain. En raison de l’insuffisance de la documentation locale, les textes issus des scriptoria des grands temples égyptiens ont été pris en compte en tant que sources complémentaires afin de permettre la reconstitution du panthéon de la province ainsi que des légendes qui sont associées à ses lieux saints. L’analyse des papyrus et des inscriptions grecques se rapportant à Hermopolis a permis de répertorier les principaux sanctuaires de la ville à l’époque ptolémaïque et romaine. Enfin, un examen critique de cette documentation a rendu possible la mise en évidence des incohérences liées à la reconstitution du centre ville proposée par les archéologues, confusion qui résulte notamment d’une interprétation erronée des sources. / This study focuses on the religious traditions of the XVth Upper Egyptian province - the sepat of the Hare - whose the main city was the ancient Egyptian town of Khemenou, who became the Greek Hermopolis Magna. The chronological frame of this work covers mainly the period from the end of the native dynasties until the Roman Empire. Due to the lack of local documents, the outcomes of the scriptoria of the main Egyptian temples were considered as complementary sources to permit a reconstruction of the pantheon of the province and the legends associated with its holy places. The analysis of Greek papyrus and inscriptions relating to Hermopolis allowed to list the main sanctuaries of the city in the Ptolemaic and Roman periods. Finally, a critical review of this literature has made possible the detection of inconsistencies concerning the reconstruction of city center proposed by the archaeologists: this confusion resulting from a misinterpretation of the sources.

Par une analyse comparative de la Bible, Ancien Testament, selon la méthode structurale de Cl. Lévi-Strauss, avec les textes d'Homère, d'Hérodote, de Platon, et d'autres auteurs grecs antiques, il est avancé que la Bible aurait été écrite à l'époque hellénistique, par des auteurs juifs acculturés, éduqués à la grecque. L'Israël biblique tel que raconté dans les livres de Genèse à II Rois serait alors une fiction littéraire inspirée de la Cité idéale des Lois de Platon, nantie de mythes grecs, tirés de l'Enquête d'Hérodote et des principaux cycles de la mythologie grecque (Argonautes, Thèbes, Héraclès, Troie), adaptés en hébreu à des personnages du Proche-Orient (dont certains sont historiques, comme les rois). Par une accumulation de parallèles très précis, aussi bien au niveau des récits que des lois, et le relevé de certains anachronismes, il peut être démontré que l'emprunt s'est fait dans le chef de la Bible envers la littérature grecque, lorsqu'on sait que l'époque hellénistique tardive constitue le terminus ad quem de la Bible, correspondant à l'apparition des premiers manuscrits. En pointant les sources grecques de la Bible, il est montré que les livres de Genèse à Rois auraient été écrits par le même auteur :"l'hypothèse documentaire", édifiée par des théologiens, considérant que la Bible est un assemblage de récits et lois disparates issus de différentes époques de l'histoire d'Israël, hypothèse déjà en désuétude depuis quelques décennies, se trouve contestée par des arguments en faveur d'une unité rédactionnelle, allant de paire avec une datation plus tardive que celles généralement avancées. <p><p>Through a comparative analysis of the Bible, Old Testament, according to the structuralist method of Cl. Lévi-Strauss, with the texts of Homer, Herodotus, Plato, and several other Greek ancient authors, it is stated that the Bible would have been written in the Hellenistic era, by acculturated Jewish authors, educated in a Greek fashion. The Biblical Israel as told in the books of Genesis to II Kings would then be a literary fiction inspired by the Ideal City of Plato's Laws, supported by Greek myths, inspired by Herodotus' Histories and the main Greek mythic cycles (Argonauts, Thebes, Heracles, Troy), adapted in Hebrew to characters of the Ancient Near East (some of them being historical, as the kings). By an acculumation of very accurate parallelisms, and by pointing some anachronisms, it can be shown that the borrowing was made in the head of the Bible to the Greek literature, knowing that late Hellenistic era constitutes the terminus ad quem for the Bible, corresponding to the appearance of the first manuscripts. By pointing the Greek sources of the Bible, it is shown that the books from Genesis to Kings would have been written by the same author.<p>The "documentary hypothesis", built by theologians, considering that the Bible is an assembling of various narratives and laws, coming from differents eras of Israel's history, a hypothesis alreday falling into disuse in the last decades, is challenged by arguments in favor of a redactionnal unity, going along with a later dating than those usually stated. / Doctorat en sciences sociales, Orientation anthropologie / info:eu-repo/semantics/nonPublished