Thesis (Ph. D.)--University of Missouri-Columbia, 2000. / Typescript. Vita. Includes bibliographical references (leaves [106]-130). Also available on the Internet.

Thesis (Ph. D.)--York University, 1998. Graduate Programme in English. / Typescript. Includes bibliographical references (leaves 389-402). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNQ27324.

The current study evaluated individual differences in factors that both facilitate (narcissism) and inhibit (self-regulation) the expression of aggression upon provocation. The overarching goal of the study was to examine the integration of two models of aggression: the threatened egotism model and the self-regulation model. An undergraduate sample of participants (N=323) were assigned to receive either positive or negative (provocative) feedback from a fictitious opponent. After receipt of the feedback a competitive reaction time task, in which the participant was allowed to subject the ostensible opponent to sound lasts of white noise, was employed as a behavioural measure of aggression. Consistent with previous research, negative feedback elicited aggression compared to positive feedback, especially among narcissistic males compared to females. Self-regulation was assessed using a battery of executive functioning measures. Results indicated that males with higher perseveration were more aggressive in the negative feedback condition. When the influence of narcissism and self-regulation were assessed simultaneously, a moderating model (i.e., narcissism X self-regulation) was not supported but there was evidence in support of an additive model for males only. Self-regulation predicted a unique portion of variance in aggression (7%) over an above the variance accounted for by narcissism (16%) for males who received negative feedback. These results are discussed in terms of a risk factor model for aggression.

Linking the images of stars as contrasting as Bette Davis, Marilyn Monroe, and Gloria Swanson, and uniting genres like romantic comedy, film noir, and melodrama, the figure of the narcissistic woman stands as a versatile, ever-present extra- and intra-diegetic force in the dream factory of classical Hollywood. She is, in fact, the lead in what sociologist Edgar Morin conceptualizes in The Stars (1957) as a golden-age “myth of love”: Calling upon the psychic and sensory investment of her fans with her otherworldly aura and material impact, the female star emerges as both the active subject of romantic narratives and the admired on-screen partner in a love affair with the spectator. Like Ovid's original Narcissus before her, the narcissistic woman of Hollywood exists, as Morin describes it, to “focus…love's magic on [herself].” Contemporary film theory, however, has interpreted the star not as a subjective force in this dialogical “magic” between actress and spectator but rather as the product of a patriarchal system of filmmaking, one that objectifies women both on the screen and in the audience. In an effort to further analyze the questions of identity and representation evoked by the female star and her audience, this thesis will seek an alternative to the binaries that tend to characterize the traditional understanding of women in classic Hollywood (that is, spectator/star, narcissistic subject/idealized object; male/female, active/passive). Rather than read narcissism as a one-dimensional, monologic preoccupation with one's image, this research posits that classic cinematic representations of the woman's relationship to the self invite an examination of the existential complexity of a figure negotiating the registers of corporeal reality and ethereal ideality, star persona and diegetic character. In the hopes of highlighting the active engagements – between star and role; spectator, actress, and filmic form itself – inspired by these cinematic entities and their “myths of love,” this work will connect psychoanalytic concerns with Edgar Morin's cultural history of Hollywood, Laura U. Marks's theory of haptic visuality, and the phenomenological understanding of film outlined by Vivian Sobchack in an exploration of the embodied subjectivities borne by the on-screen Narcissus and her off-screen audience.

Previous research exploring the relationship between muscle dysmorphia, drive for muscularity, and disordered eating behaviors in relation to personality characteristics, particularly narcissism, has yielded interesting, though often conflictual, results. The current study attempts to further explore these relationships through assessing muscle dysmorphia, drive for muscularity, and disordered eating in relation different facets of narcissism: grandiose and hypersensitive. Participants for the current study included 173 male students that were recruited via departmental Study Board. Participants completed demographic information, the Narcissistic Personality Inventory-40, the Hypersensitive Narcissism Scale, the Muscle Dysmorphia Questionnaire, the Drive for Muscularity Scale, and the Eating Attitudes Test-26. Results were indicative of a positive relationship between muscle dysmorphia symptomotology and hypersensitive narcissism, as well as positive relationships between drive for muscularity and facets of grandiose narcissism. Results also indicated that disordered eating, as an individual construct, was not related to narcissism. Results provide direction for the further study of the dimensional structure of the construct of narcissism, as well treatment implications for those suffering from muscle dysmorphia.

Thesis (D. Min.)--Western Theological Seminary, 1987. / Includes abstract. Includes bibliographical references (leaves 137-149).

Thesis(M.S.)--Auburn University, 2007. / Abstract. Includes survey instruments. Includes bibliographic references.

Thesis (Ph.D.) -- La Trobe University, 2006. / "A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Clinical Psychology [to the] School of Psychological Science, Faculty of Science, Technology, and Engineering, La Trobe University Bundoora". Research. Includes bibliographical references (leaves 324-363). Also available via the World Wide Web.

Thesis (M.S.) -- Central Connecticut State University, 2008. / Thesis advisor: Raymond Chip Tafrate. "... in partial fulfillment of the requirements for the degree of Master of Science in Criminal Justice." Includes bibliographical references (leaves 24-26). Also available via the World Wide Web.

Thesis (J.C.L.)--Catholic University of America, 1998. / Includes bibliographical references (leaves 87-92).