Thesis (M.A.)--Montana State University--Bozeman, 2005. / Typescript. Chairperson, Graduate Committee: Susan Kollin. Includes bibliographical references (leaves 104-107).

Les nanosciences et les nanotechnologies (NST) s’inscrivent dans un champ technoscientifique, le nanomonde, qui a pour socle l’hybridation autant conceptuelle que pratique entre le domaine de la nature et celui de la technique. Dans ce mémoire nous nous intéressons au basculement de la distinction entre le naturel et l’artificiel qui s’ensuit. Un retour socio-historique sur la construction du dualisme nature/artifice propre aux sociétés modernes nous aide alors à saisir les enjeux socio-culturels impliqués dans sa remise en question. La déconstruction, à travers la méthode d’analyse de discours, d’entretiens réalisés avec les principaux chercheurs en NST au Québec illustre empiriquement, tout en le systématisant, le double processus d’artificialisation de la nature et de naturalisation de la technique, pointé théoriquement comme caractéristique de la remise en cause de la distinction entre nature et artifice qu’opère le nanomonde. Nous suggérons que l’artificialisation de la nature et la naturalisation de la technique, loin d’être contradictoires, constituent des éléments d’une dynamique synergique dont le résultat est une désontologisation de la nature comme catégorie de la pensée et une déqualification du monde qui distingue l’activité humaine. / Nanosciences and nanotechnologies (NST) are part of a technoscientific field, the nanoworld, which is founded on a theoretical and practical hybridization between nature and technique. In this master thesis we are interested in the blurring of the distinction between the natural and the artificial that so follows. From a socio-historical perspective of the construction of the dualism nature/artefact typical of modern societies, we try to apprehend the socio-cultural stakes that might result from its reversal. Through discourse analysis of interviews conducted with the main researchers in NST in Quebec, we illustrate empirically, and systematize, the double process of artificialisation of nature and naturalization of technique, which is theoretically pointed out as characteristic of the blur of the distinction between nature and technique carried out in the nanoworld. We suggest that the two terms, artificialisation of nature and naturalization of technique, far from being contradictory, rather constitute elements of a synergetic dynamics that leads to a de-ontologisation of nature as a category of thought and a disqualification of the domain that distinguishes human activity. / Conseil de Recherches en sciences humaines du Canada

Les nanosciences et les nanotechnologies (NST) s’inscrivent dans un champ technoscientifique, le nanomonde, qui a pour socle l’hybridation autant conceptuelle que pratique entre le domaine de la nature et celui de la technique. Dans ce mémoire nous nous intéressons au basculement de la distinction entre le naturel et l’artificiel qui s’ensuit. Un retour socio-historique sur la construction du dualisme nature/artifice propre aux sociétés modernes nous aide alors à saisir les enjeux socio-culturels impliqués dans sa remise en question. La déconstruction, à travers la méthode d’analyse de discours, d’entretiens réalisés avec les principaux chercheurs en NST au Québec illustre empiriquement, tout en le systématisant, le double processus d’artificialisation de la nature et de naturalisation de la technique, pointé théoriquement comme caractéristique de la remise en cause de la distinction entre nature et artifice qu’opère le nanomonde. Nous suggérons que l’artificialisation de la nature et la naturalisation de la technique, loin d’être contradictoires, constituent des éléments d’une dynamique synergique dont le résultat est une désontologisation de la nature comme catégorie de la pensée et une déqualification du monde qui distingue l’activité humaine. / Nanosciences and nanotechnologies (NST) are part of a technoscientific field, the nanoworld, which is founded on a theoretical and practical hybridization between nature and technique. In this master thesis we are interested in the blurring of the distinction between the natural and the artificial that so follows. From a socio-historical perspective of the construction of the dualism nature/artefact typical of modern societies, we try to apprehend the socio-cultural stakes that might result from its reversal. Through discourse analysis of interviews conducted with the main researchers in NST in Quebec, we illustrate empirically, and systematize, the double process of artificialisation of nature and naturalization of technique, which is theoretically pointed out as characteristic of the blur of the distinction between nature and technique carried out in the nanoworld. We suggest that the two terms, artificialisation of nature and naturalization of technique, far from being contradictory, rather constitute elements of a synergetic dynamics that leads to a de-ontologisation of nature as a category of thought and a disqualification of the domain that distinguishes human activity. / Conseil de Recherches en sciences humaines du Canada

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal.

Mémoire numérisé par la Direction des bibliothèques de l'Université de Montréal.

Esta tese é um estudo da ecologia e da cosmologia dos Enawene-Nawe, povo de língua Aruak, habitante da Amazônia Meridional, na faixa de transição entre o Cerrado e a Floresta Tropical. Sua abordagem está voltada para a interface cultura/natureza e, com base no material etnográfico, examina a hipótese de que a cultura é a condição genérica e primeira, e a natureza um momento particular e secundário, resultado de um processo de diferenciação da cultura – concepção diametralmente oposta à teoria evolutiva, típica do pensamento científico moderno. / This thesis is a study of the ecology and cosmology of the Enawene-Nawe, people of the Aruak language, inhabitants of the southern Amazon, in the transitional region between the savanna and the tropical forest. The study explores the interface culture/nature and, based upon ethnographic material, examines the hypothesis that culture is a generic and primary condition and nature a particular moment and secondary, the result of a process of cultural differentiation – a concept diametrically opposed to the theory of evolution, typical of modern scientific thinking.

The purpose of this thesis is to study cultural aspects of alcohol and drug use in Sweden, and also to some extent in other countries. In the context of changing patterns of drinking and drug use in Sweden and in the rest of the world, such studies are increasingly important. The thesis comprises four self-contained but interrelated studies. Each study, in different ways, addresses the question of cultural variation (within and between cultures) and the cultural position of intoxicating substances. Acknowledging that young people’s use of intoxicating substances as well as women’s and men’s use of such substances are important social policy issues, each of the four studies also relates to the position of either young people or the position of gender with regard to intoxicating substance use. Study 1 investigates what it means to drink, take drugs and become intoxicated as understood from the official-organizational perspective of the FMN’s (Parents Against Drugs’) 2003 campaign directed towards teenagers´ parents. As a contrast to the hegemonic perspective presented by the organization in Study 1, Study 2 explicitly tries to find and describe different lines of reasoning with regard to alcohol use and intoxication among young people. Study 3 investigates the link – so commonly referred to in the Western world – between drinking, drug use and intoxication, on the one hand, and sexuality and gender, on the other. Study 3 further tries to grasp why women who drink are considered bad both because they violate the norms of feminine appearance and because they are perceived as sexually promiscuous and “available”. Study 4 focuses on cultural variation in the intoxication – sexuality link. It uses cross-country comparisons and multiple regression analysis of data from 11 countries within and outside the West to examine the link between positive expectancies about the effects of drinking on sexual feelings, on the one hand, and drinking, on the other.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal

Although nature is a dominant presence both in historical New Zealand literature and in New Zealand's current international image, literary critics observe a tendency on the part of young writers to neglect nature in favour of more human, urban and cultural themes. I write against this perception, basing my argument on the hypothesis that such urban-based literature may in fact be centrally concerned with the natural world and with human-nature relations. In locating nature within the urban fictional environment, I demonstrate a model of analysis that extends literary critical approaches to nature both within New Zealand literature and within the field of ecocriticism, both of which are largely consumed with analysing representations of sublime, non-urban nature. I test this urban ecocritical method of reading in my analysis of Catherine Chidgey's three novels, In a Fishbone Church, Golden Deeds and The Transformation, all of which adhere to the human-centred trend typical of contemporary New Zealand novels. I reveal within Chidgey's fiction a gradual progression away from archetypal representations of the sublime toward a more complex, fractured and rebellious variety of nature that co-exists alongside humans within urban space. Thus, while the characters in her first novel predominantly interact with nature as a sublime, non-urban entity, those in her second and third novels face the daily possibility of encountering "the wild" within domesticated settings that are apparently severed from any connection with the natural world. This kind of urbanised feral nature poses a significant threat to Chidgey's characters, overtly in the form of the powerful natural elements, and covertly through the myriad varieties of transformed nature with which they surround themselves. I read this portrayal of nature as a commentary on contemporary modernity's relationship with the natural environment, and I suggest that this kind of agentive, autonomous nature demands a new theory of environmentalism which will consider nature as an actor alongside humans.

Society’s current experience of nature is ambiguous. Just as nature proves severely affected by human activities and vulnerable, it also appears threatening to us. Although the changes in nature have been perceived for long as an ecological crisis, this experience and the challenges it provides have remained persistently exigent over the last four decades. As a consequence, our epistemological understanding of nature and culture as separate entities has been inherently shaken. My study is located among ecocritical attempts to negotiate these experiences. Immanent critiques of E. O. Wilson’s and Bruno Latour’s epistemologies exemplify how we cannot escape the dualism in society’s relationship to nature by simply declaring nature’s and culture’s unity. Relying on the social philosophy of Max Horkheimer and Theodor W. Adorno, I instead consider the dualism as historically both true and false, and argue that instrumental reason provides a socio-psychological barrier to transcending the way Western society relates to nature. Central to the situation’s perpetuation is the confidence that the object of knowledge can be adequately and steadily identified in knowledge. Based on Adorno’s negative dialectics, I develop a model of cognition that works through the dualism within the knowing subject and in its relation to animals. This model is substantiated in the context of Enlightenment thought. A reconstruction of the development of René Descartes’ (1596–1650) epistemology in relation to his philosophy of nature and the place of animals within it shows the animal as particularly resistant to Descartes’ conceptual identification. In the writings on animal behaviour of Hermann Samuel Reimarus (1694–1768) this resistance further manifests as a self-mediation of animals, which denotes the limits to their conceptual assimilation. Maria Sibylla Merian’s (1647–1717) aesthetically mediated insect studies capture this tension between species commonalities and unique particularities, and represent the single specimens as nonidentical individuals. Through critical engagement with these works, my study develops a cognitive approach to nature that preserves its object as qualitatively mediated between universal and particular properties, and inherently nonidentical. Simultaneously, it recovers the animal as an object of knowledge particularly resistant to identificatory thought. Consolidating these two insights, aesthetic mediation of animals provides an experience that reveals to the subject its limited power over the objects and which is capable of raising the memory of nature within the subject.