ork tie together on first project, in which the was designed apparatus for tests wireless transmission energy. Antenna was synthesized and theoretically optimized for experimental operation, in which the will performed series measuring. In first part is practical description of realization proposal. It consists of circuital solution, proposal measuring workplace and mechanical construction with illustration photographs of arrangement. Second part includes results of performed measuring. These measuring will divided by three basic groups: in first group will by testing feature one’s antennae, in second group will series transmission measuring power gain, and in third group will photographed shape of field, and comparison with simple simulation finite difference method. Third part summarises results from measuring, and prepares consecutive balancing visualisation project, which is of thematic bent on chosen aspects theoretical hypothesis and effected experiments.

The discourse of pictorial surrealistic expressions in art historic course literature – a historiographic study about generalization of style. Through a historiographic perspective and discourse analysis the aim of this study is to uncover the ways art historic course literature make its stylistic categorization. This is done by making a semiotic categorization where three artworks are stipulated into a category called surrealistic pictorial expressions. The result of the semiotic picture analysis show both the semiotic grouping of pictures together and the work of the course literature as somewhat arbitrary, which lead to the questioning of why artworks are considered discursive objects while the course literature is not as well as how the narrative of pictures differs from the narrative of textbooks. The study shows a fundamental difference regarding the structuring of time which lead to a discussion on what might be the consequences for students of the field. / Undersökningen består huvudsakligen i två delar. Den första stärker genom bildanalys en samhörighet mellan tre konstverk, en samhörighet som trots allt visar sig vara problematisk. Den andra delen behandlar tre böcker som i stor utsträckning utgör fundamentet för den litteratur som studeras inom konstvetenskap på grundnivå. Med hjälp av slutsatsen från bildanalysen, att ett samband mellan bilder är relativt godtyckligt, kan texterna analyseras och betydande skillnader visar sig i hur konstverken kontra kurslitteraturen kommunicerar. Framförallt skiljer de sig åt i hur de strukturerar berättande tidsligt och likt bilderna som böckerna behandlar är de själva föremål för de strömningar som rör sig i samhället. Slutsatsen blir att studerande av konstvetenskap redan från början leds in i föreställningen om att konsthistorien är något som faktiskt existerar på ett objektivt plan medan det egentligen är något som aktivt skapas av de praktiserande inom fältet

Despite the success illness novels have acquired in the last decade, the misrepresentation of chronic illness in the Young Adult genre is still going unnoticed. In an ableist society that still needs to be educated about invisible disabilities, most of the contemporary YA writers insist on finding miraculous solutions and questionable happy endings to their stories. The aim of this thesis is therefore to study the different ways in which YA writers fetishize and understate invisible disability and to find a way to subvert it. By focusing on the miracle cure trope and romanticization in the case of Nicola Yoon’s Everything Everything, it attempts to highlight the characteristics of low-quality disability fiction and demonstrate why and how the use of disability biases can affect negatively both disabled and nondisabled young readers. In addition, through the scrutiny of the author’s first YA novel, Nothing Wrong with Snails, it then illustrates how the in-depth analysis of past disability literature improved the author’s personal craft and enabled them to portray chronic illness and invisible disability avoiding stereotypes, biases, and tropes. In conclusion, it argues that writers ought to rely on disability studies in order to reach higher standards in the representation of invisible disability in YA fiction.

The purpose of this dissertation is two-fold: one is to analyze the narratives of Acis and Galatea written by Ovid, and the two libretti by Handel's librettists including Nicola Giuvo (1708) and John Gay (1718) with John Hughes and Alexander Pope; the other is to correlate this textual analysis within the musical languages. A 1732 pastiche version is excluded because its bilingual texts are not suitable for the study of relationships between meaning and words. For this purpose, the study uses the structural theory- -mainly that of Gérard Genette--as a theoretical framework for the analysis of the texts. Narrative analysis of Acis and Galatea proves that the creative process of writing the libretto is a product of a conscious acknowledgement of its structure by composer and librettists. They put the major events of the story into recitative and ensemble. By examining the texts of both Handel's work, I explore several structural layers from the libretti: the change of the characterization to accommodate a specific occasion and the composer's response to contemporary English demand for pastoral drama with parodistic elements, alluding to the low and high class of society. Further, Polyphemus is examined in terms of relationships with culture corresponding to his recurrent pattern of appearance.

In this paper, I analyze and compare the novel The Sun Is Also a Star by Nicola Yoon with the filmscript by Tracy Oliver for the 2019 movie adaptation. First, I demonstrate how the narrative in The Sun Is Also a Star deals with the literary ideas of fate and destiny and how scholars have defined the concepts. Secondly, I argue that the filmscript is a literary text that can be equated to the novel in a literary analysis of their narrative features. I claim that the narrative features of the novel and the filmscript embody fate and destiny in different ways because of the differences in their narrative situations and thought representations. I argue that the narrative situation of the novel, with its authorial narrator and narrative levels, embodies a relationship between fate and destiny as different perspectives are put into focus in the narration. However, the filmscript embodies these concepts as distinct because the narrative situation of the heterodiegetic narrator does not represent the same connectedness. I then maintain this argument as the filmscript in its thought representation and replacement of it with images and speech representation continues to portray the concepts as separate. In contrast, the thought representation of the novel embodies the relationship between the concepts because the thoughts represent connectedness and cause and effect. In my concluding remarks, I look at possible areas of future research.

In this dissertation, I study the corpse as a material in Latin American art at the end of the 20th century and the beginning of the 21st. On the one hand, I show that this is a social analyzer of the terrible consequences of dictatorships, neoliberal policies, and criminal violence on the continent. On the other hand, applying the theory of new materialism and focusing on the presence of the dead body -human or non-human- in the work of artists such as Nicola Costantino, José Antonio Hernández Díez, Teresa Margolles, María Fernanda Cardoso, Arturo Duclos, or Nicolás Lamas, among others, I develop what I call corpse art. As I argue, the impact of this art consists in challenging the limits of the body and its traditional binomials (surface-depth, organic-inorganic, living-dead) using the material capacities of skin, flesh, and bones. The material deployment of the corpse, as well as the re-appropriation of scientific and commercial techniques, put artistic media, their specificities, and their autonomies in crisis. But in addition, this corpse art allows also us to reflect on the manipulation of bodies and power ties that produce objects and merchandise of desire in the Latin American context.

Considerable attention has focussed on identifying individual factors associated with, or predictive of, sexual offending (e.g., Efta-Breitbach & Freeman, 2004). In light of these individual factors, clinicians and researchers have developed standardized instruments for assessing the risk posed by sexually offending youth. Two such instruments are the Juvenile Sex Offender Assessment Protocol-II (J-SOAP-II; Prentky & Righthand, 2003) and the Estimate of Risk of Adolescent Sexual Offence Recidivism Version 2.0 (ERASOR-II; Worling & Curwen, 2001). In addition to individual factors, research on crime has demonstrated that structural factors within the community may be important determinants of sexual and non-sexual offending (e.g., McCarthy, 1991; Ouimet, 1999; Shaw & McKay, 1942; Wirth, 1938). Therefore, the purpose of this study was twofold: (a) to compare the psychometric properties of two newly developed risk assessment instruments (i.e., J-SOAP-II and ERASOR-II) and (b) to use the better instrument to compare the levels of risk posed by sexually offending youth in 3 neighbouring, but diverse communities. Using file information, the J-SOAP-II and ERASOR-II were scored on 84 adolescent males between the ages of 11 and 20 years who had committed a sexual offence and received treatment at Youth Forensic Psychiatric Services (YFPS) in the Greater Vancouver Area (GVA; n = 30), Central Okanagan (CO; n = 26), and Thompson Nicola region (TN; n = 28). Calculations of interrater reliability and item-total correlations indicated that the J-SOAP-II was a better assessment instrument for this sample of offenders. Consequently, further regional analysis of risk was conducted using the J-SOAP-II data. Results indicated that although there were no regional differences among the severity and history of sexual offending, TN youth generally had a greater number of risk factors than did youth in CO and GVA. Specifically, youth in TN were found to be higher risk in the areas of intervention, general problem behaviour, iii and family/environment dynamics. These results suggest that to better understand youth who commit sexual offences and to provide appropriate prevention and intervention strategies for individual offenders and their communities, youth should not be evaluated in isolation from their social and community context. Recommendations for practice are discussed.

Considerable attention has focussed on identifying individual factors associated with, or predictive of, sexual offending (e.g., Efta-Breitbach & Freeman, 2004). In light of these individual factors, clinicians and researchers have developed standardized instruments for assessing the risk posed by sexually offending youth. Two such instruments are the Juvenile Sex Offender Assessment Protocol-II (J-SOAP-II; Prentky & Righthand, 2003) and the Estimate of Risk of Adolescent Sexual Offence Recidivism Version 2.0 (ERASOR-II; Worling & Curwen, 2001). In addition to individual factors, research on crime has demonstrated that structural factors within the community may be important determinants of sexual and non-sexual offending (e.g., McCarthy, 1991; Ouimet, 1999; Shaw & McKay, 1942; Wirth, 1938). Therefore, the purpose of this study was twofold: (a) to compare the psychometric properties of two newly developed risk assessment instruments (i.e., J-SOAP-II and ERASOR-II) and (b) to use the better instrument to compare the levels of risk posed by sexually offending youth in 3 neighbouring, but diverse communities. Using file information, the J-SOAP-II and ERASOR-II were scored on 84 adolescent males between the ages of 11 and 20 years who had committed a sexual offence and received treatment at Youth Forensic Psychiatric Services (YFPS) in the Greater Vancouver Area (GVA; n = 30), Central Okanagan (CO; n = 26), and Thompson Nicola region (TN; n = 28). Calculations of interrater reliability and item-total correlations indicated that the J-SOAP-II was a better assessment instrument for this sample of offenders. Consequently, further regional analysis of risk was conducted using the J-SOAP-II data. Results indicated that although there were no regional differences among the severity and history of sexual offending, TN youth generally had a greater number of risk factors than did youth in CO and GVA. Specifically, youth in TN were found to be higher risk in the areas of intervention, general problem behaviour, iii and family/environment dynamics. These results suggest that to better understand youth who commit sexual offences and to provide appropriate prevention and intervention strategies for individual offenders and their communities, youth should not be evaluated in isolation from their social and community context. Recommendations for practice are discussed.

Considerable attention has focussed on identifying individual factors associated with, or predictive of, sexual offending (e.g., Efta-Breitbach & Freeman, 2004). In light of these individual factors, clinicians and researchers have developed standardized instruments for assessing the risk posed by sexually offending youth. Two such instruments are the Juvenile Sex Offender Assessment Protocol-II (J-SOAP-II; Prentky & Righthand, 2003) and the Estimate of Risk of Adolescent Sexual Offence Recidivism Version 2.0 (ERASOR-II; Worling & Curwen, 2001). In addition to individual factors, research on crime has demonstrated that structural factors within the community may be important determinants of sexual and non-sexual offending (e.g., McCarthy, 1991; Ouimet, 1999; Shaw & McKay, 1942; Wirth, 1938). Therefore, the purpose of this study was twofold: (a) to compare the psychometric properties of two newly developed risk assessment instruments (i.e., J-SOAP-II and ERASOR-II) and (b) to use the better instrument to compare the levels of risk posed by sexually offending youth in 3 neighbouring, but diverse communities. Using file information, the J-SOAP-II and ERASOR-II were scored on 84 adolescent males between the ages of 11 and 20 years who had committed a sexual offence and received treatment at Youth Forensic Psychiatric Services (YFPS) in the Greater Vancouver Area (GVA; n = 30), Central Okanagan (CO; n = 26), and Thompson Nicola region (TN; n = 28). Calculations of interrater reliability and item-total correlations indicated that the J-SOAP-II was a better assessment instrument for this sample of offenders. Consequently, further regional analysis of risk was conducted using the J-SOAP-II data. Results indicated that although there were no regional differences among the severity and history of sexual offending, TN youth generally had a greater number of risk factors than did youth in CO and GVA. Specifically, youth in TN were found to be higher risk in the areas of intervention, general problem behaviour, iii and family/environment dynamics. These results suggest that to better understand youth who commit sexual offences and to provide appropriate prevention and intervention strategies for individual offenders and their communities, youth should not be evaluated in isolation from their social and community context. Recommendations for practice are discussed. / Graduate Studies, College of (Okanagan) / Graduate

La tesi riguarda il carteggio tra la scrittrice, critica letteraria e attivista politica americana Mary McCarthy e il saggista e critico teatrale italiano Nicola Chiaromonte: uno scambio epistolare, il loro, tuttora rimasto inedito nonostante il crescente numero di pubblicazioni riguardanti i due autori. La corrispondenza mantenuta con gli amici più stretti è da considerarsi un elemento fondamentale per far luce sugli aspetti più intimi della vita e della creazione artistica di Mary McCarthy: in particolare, questo epistolario svela il lato più umano e personale dell’autrice (raramente mostrato in pubblico) e la devozione e il rispetto che provava verso colui che considerava come suo mentore, critico e amico. Gli stessi sentimenti traspaiono dalle parole di Nicola Chiaromonte, tanto austero e misurato nel suo lavoro quanto scherzoso e appassionato con gli amici più cari. La tesi si compone di due parti principali. La breve introduzione generale è seguita da una prima parte di carattere storico-narrativo, in cui le biografie di Mary McCarthy e di Nicola Chiaromonte si alternano fino ad arrivare al momento fondamentale del loro incontro, a partire dal quale le loro esperienze si intrecciano negli eventi che li videro coinvolti. La seconda parte della tesi è invece il carteggio vero e proprio: 115 tra lettere, telegrammi e biglietti, corredati di note critiche al fine di permetterne una maggiore comprensione. / The dissertation deals with the correspondence between the writer, literary critic and American political activist Mary McCarthy and the Italian essayist and theater critic Nicola Chiaromonte: an epistolary exchange, their, still unpublished despite the growing number of publications concerning the two authors. The correspondence maintained with close friends is to be considered a fundamental element to shed light on the most intimate aspects of Mary McCarthy's life and artistic creation: in particular, this correspondence reveals the author's more human and personal side (rarely shown in public) and the devotion and respect he felt towards the one he considered as her mentor, critic and friend. The same feelings are reflected in the words of Nicola Chiaromonte, so austere and measured in his work as playful and passionate with his closest friends. The thesis consists of two main parts. The brief general introduction is followed by a first part of historical-narrative nature, in which the biographies of Mary McCarthy and Nicola Chiaromonte alternate up to the fundamental moment of their meeting, starting from which their experiences are intertwined in the events who saw them involved. The second part of the thesis is instead the actual correspondence: 115 among letters, telegrams and tickets, supplied with critical notes in order to allow a better understanding.