No presente estudo pretendeu-se analisar o surgimento do Sistema Ãnico de SaÃde (SUS) e o processo de sua regulamentaÃÃo com a publicaÃÃo da Lei OrgÃnica da SaÃde que à composta das Leis 8.080/90 e 8.142/90 e de sua operacionalizaÃÃo com as Normas Operacionais BÃsicas (NOBs), instrumentos de regulamentaÃÃo da situaÃÃo transicional do sistema de saÃde herdado pelo SUS do perÃodo anterior. A primeira NOB analisada foi a 01/91. Esta oficializou o SIA/SUS e SIH/SUS como mecanismos de transferÃncia de recursos, atravÃs de convÃnio, para os Estados e MunicÃpios. Utilizou como parÃmetros a Unidade de Cobertura Ambulatorial - UCA e internamento de 10% da populaÃÃo/ano. Os Estados e MunicÃpios eram considerados para o MinistÃrio da SaÃde como Prestadores de ServiÃos. A segunda NOB analisada foi a NOB-SUS 01/93 que manteve os SIA/SUS e SIH/SUS, porÃm criou trÃs alternativas de enquadramento de gestÃo para Estados e MunicÃpios: Incipiente e parcial (prestadores), e semi-plena (gestores). A terceira NOB analisada foi a NOB-SUS 01/96 que criou a gestÃo Plena da AtenÃÃo BÃsica e a Plena do Sistema Municipal. Esta NOB previu a municipalizaÃÃo das aÃÃes de Epidemiologia e VigilÃncia SanitÃria, criou o Piso Nacional de AÃÃo BÃsica garantindo um valor per capita nacional Ãnico para as aÃÃes bÃsicas de saÃde. Chama-se a atenÃÃo para o pouco cumprimento nestas NOBs dos critÃrios definidos pelo artigo 35 da Lei 8.080/90 para o financiamento das aÃÃes e serviÃos de saÃde. / In the present study aimed to analyze the emergence of the Unified Health System (SUS) and the process of its regulations with the publication of the Health Law which is composed of Laws 8.080/90 and 8.142/90 and its operation with the Operating Standards basic (NOBs), regulatory instruments of transitional situation of the health system inherited from the previous period by SUS. The first NOB analyzed was 01/91. This officially SIA / SUS and SIH / SUS as mechanisms to transfer resources through partnerships, to states and municipalities. Used as parameters to Ambulatory Unit Cover - UCA inpatient and 10% of the population / year. States and municipalities were considered for the Ministry of Health as Service Providers. The second was analyzed NOB NOB-SUS 01/93 that kept the SIA / SUS and SIH / SUS, but created three alternative management framework for States and Municipalities: Incipient and partial (providers), and semi-full (managers) . The third was analyzed NOB NOB-SUS 01/96 that created the management Basic Health Care Full and Complete Municipal System. This NOB predicted the municipalization of Epidemiology and Health Surveillance, created the National Floor Action Basic guaranteeing a single national per capita for basic health. Called attention to the little NOBs fulfilling these criteria defined by Article 35 of Law 8.080/90 to finance actions and health services.

<p>This essay is a qualitative descriptive translation study concerning two translations of Shakespeare’s Romeo and Juliet into Swedish. The purpose of the study is to investigate the translational behaviour of the translators and the translation norms that govern this behaviour.</p><p>By thoroughly analysing stretches of the play, the study will attempt to locate translation shifts (linguistic changes) that occur in the translation from the source text to the target text. These changes are connected with the translators’ fidelity towards e.g. the metre of the verse or the sense transfer of puns. The analysis also comprises a survey of the translation norms that the translators adhere to. These norms, stated by the translators themselves, are connected to their translation approach. Thus, the study will reveal the differences of translation behaviour and analyse them from a wider perspective. The translations were made around 1840 and in 1982, respectively. The considerable space in time in itself suggests that linguistic differences will occur. However, the study will also find differences as regards the purposes of the translations. The older translation appears to be performed in a tradition of fidelity to the written text and its literary qualities, whereas the modern translation clearly has the purpose of being used for the stage performance. The latter is stated by the translator himself, who also argues that Shakespeare is to be considered drama and not literature.</p>

This essay is a qualitative descriptive translation study concerning two translations of Shakespeare’s Romeo and Juliet into Swedish. The purpose of the study is to investigate the translational behaviour of the translators and the translation norms that govern this behaviour. By thoroughly analysing stretches of the play, the study will attempt to locate translation shifts (linguistic changes) that occur in the translation from the source text to the target text. These changes are connected with the translators’ fidelity towards e.g. the metre of the verse or the sense transfer of puns. The analysis also comprises a survey of the translation norms that the translators adhere to. These norms, stated by the translators themselves, are connected to their translation approach. Thus, the study will reveal the differences of translation behaviour and analyse them from a wider perspective. The translations were made around 1840 and in 1982, respectively. The considerable space in time in itself suggests that linguistic differences will occur. However, the study will also find differences as regards the purposes of the translations. The older translation appears to be performed in a tradition of fidelity to the written text and its literary qualities, whereas the modern translation clearly has the purpose of being used for the stage performance. The latter is stated by the translator himself, who also argues that Shakespeare is to be considered drama and not literature.

Syftet med den här studien är att analysera vilka initiala och operationella normer som har använts vid översättningar till tyska av sångboksuppslag till visor skrivna av Astrid Lindgren. Modellerna som har använts är hämtade från Franzon (2009), Franzon (2016) och van Meerbergen (2010). Frågeställningarna berör musikalisk rytm, retoriska stilmedel inom texterna samt interaktionsgraden i text och bild med läsaren. Syftet är även att se hur aktiva respektive passiva huvudpersonerna i böckerna är. Resultaten visar att översättningarna av beskrivande visor med långa verser tenderar att bli kortare och mycket förändrade i jämförelse med översättningarna av visor med korta verser och en mindre beskrivande natur. Interaktionsgraden med läsaren är för det mesta låg i både text och bild i käll- och måltexterna. Huvudpersonerna i de tyska översättningarna är även mer aktiva i det tyska översättningarna än i de svenska originalen. / The aim of this study is to analyse which initial and operational norms that were used in the German translation of pages from a songbook written by Astrid Lindgren. The models that are used are taken from Franzon (2009), Franzon (2016) and van Meerbergen (2010). The research questions concern musical rhythm, rhetorical methods within the text, the interaction level between images and text and the reader. The purpose is also to see how active or passive the main characters in the books are portrayed. The results show that translations of describing songs with long verses tend to become shorter and very changed compared to translations of songs with short verses and with a less describing nature. The interaction level with the reader is mostly low in both source and target texts and images. The main characters are also more active in the German translations than in the Swedish originals.