Lic. phil. I Univ. Zürich, 1973. - Ref.: Adolf Reinle.

Wenn es sich also bei diesem dritten Jahrhundertviertel auch um keine abgeschlossene Epoche handelt, so verspricht seine Betrachtung doch Aufschluß über die institutionellen Rahmenbedingungen einer entscheidenden musikgeschichtlichen Weichenstellung: Gab es vor 1750 noch kein einziges musikalisches Bühnenwerk in russischer Sprache, so bringt das folgende Vierteljahrhundert nicht nur den ersten russischen Operntypus überhaupt – die russifizierte \"opera seria\" –, sondern auch seine Überwindung zugunsten der russischen komischen Oper, die die Produktion der folgenden Jahrzehnte dominiert und im 19. Jahrhundert zur russischen Nationaloper führt.

Der vorliegende Beitrag ist eine Skizze, die das bereits in der knappen Zeitspanne von 1881 bis etwa 1900 mehrfach wechselnde Verhältnis zwischen russischen und italienischen Operntruppen in Petersburg zu umreißen versucht.

"This study is an account of a project based upon a community's effort to find and treat maladjusted children in the Public Schools. The project is located in St. Petersburg, Florida, and is known as In-School Counseling. This study is written for practical use and for the purpose of preserving a step by step account of lay and professional participation. The project studied represents a growing concern of a socially minded community for the welfare of its children"--Foreword. / Typescript. / "August, 1952." / "Submitted to the Graduate Council of Florida State University in partial fulfillment of the requirements for the degree of Master of Social Work." / Advisor: Ira H. Holland, Professor Directing Study. / Includes bibliographical references (leaves 81-85).

Thesis (doctoral)--University of Helsinki, 1983. / Leaf with thesis statement and English abstract inserted. Summary in English. Includes bibliographical references (p. [410]-437).

No description available.

In den letzten Jahren hat die russische Musikwissenschaft die internationalen Ursprünge der russischen Musikkultur erneut zum Gegenstand ihres Interesses gemacht. Das betrifft insbesondere St. Petersburg, die \"europäischste\" Stadt Rußlands, die seit ihrer Gründung 1703 ausländische Mentalitäten gleichsam in sich aufsog.

No description available.

No description available.

Emile Joseph Trognee's career took place not only during a time unsurpassed with regards to the musical and constructional developments of the trumpet, but also in the highly important and evolving musical environment of Imperial and Soviet Russia. As a result of an investigation of their inherent musical qualities, this document will establish how Emile Trognee's works are representative of European trumpet and cornet pedagogical and musical trends of the early 20th century. Through formal, thematic and harmonic analysis of these works, the key pedagogical and stylistic features are identified and discussed as consistent or unique to those of the period. Preceding that analysis and critical to an understanding of the contextual relevance of this material is a summation of the important 19th and early 20th century musical developments that influenced the instruction and use of the trumpet and cornet in Russia and Europe. It is hoped that modern study of the challenging works of that period will benefit from a better understanding of the performance and educational practices of those who were present at their inception or particularly adept in their performance.