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A survey of secondary keyboard training practices in the national teachers colleges in the Republic of Korea with recommendations for implementation of a class piano program/Sung, Jin He January 1984 (has links)
No description available.
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The development of piano student learning style profiles and recommendations for adaptation to selected piano method books /Madved, Loretta M. January 1987 (has links)
No description available.
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A master's recital and lecture recital the intermediate level piano works of Elie Siegmeister and Norman Dello Joio / Années de pèlerinageRoyall, Sarah Elizabeth, Mozart, Wolfgang Amadeus, 1756-1791. Sonatas, piano, K. 333, B♭ major. January 2010 (has links)
Title from accompanying document. / Digitized by Kansas Correctional Industries
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Learning with the classics: an instructional anthology for the elementary to late intermediate pianistDolter, Elizabeth 01 May 2018 (has links)
No description available.
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Preludes and sonatas inspired by Chopin a survey of piano solo and chamber music from Chopin, Scriabin, and Rachmaninoff.Shui, Chi-Ming. Shamper, Dan. January 2007 (has links)
Thesis (D.M.A.)--University of Maryland, College Park, 2007. / Compact discs. Includes bibliographical references in accompanying material.
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The scherzo in selected works for piano from Haydn to Copland.Choi, Jeong-Yoon. January 2005 (has links)
Thesis (D.M.A)--University of Maryland, College Park, 2005. / Compact discs.
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The development of piano variations in the romantic eraKwon, Hyun-Jin. January 2005 (has links)
Thesis (D.M.A)--University of Maryland, College Park, 2005. / Compact discs. Includes bibliographical references.
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Le piano dans la littérature française, des origines jusqu'en 1900Pistone, Danièle. January 1975 (has links)
Thesis--Paris, 1973. / Includes indexes. Includes bibliographical references (p. [511]-556).
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Uma tecnica pianistica e seu metodo de ensino / A piano technique and its pedagogyTorres Cabezas, Daniela Andrea 13 December 2006 (has links)
Orientador: Denise Hortensia Lopes Garcia / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-08T13:14:20Z (GMT). No. of bitstreams: 1
TorresCabezas_DanielaAndrea_M.pdf: 9449482 bytes, checksum: 0ac7020755718b94a56f359c088b5c6f (MD5)
Previous issue date: 2006 / Resumo: O objetivo desta dissertação é descrever e discutir uma determinada técnica pianística e seu método de ensino. Proposta e ensinada pelo pianista brasileiro Pietro Maranca, a técnica em questão incorpora várias referências a fatos anatômicos e biomecânicos, e neste estudo tais correlações são desenvolvidas procurando-se não uma comprovação cabal, mas alguns elementos de coerência que possam contribuir às pesquisas no campo. As questões pedagógicas do método também são referendadas e apreciadas. Encontrou-se que os movimentos de ajuste e alívio que esta técnica utiliza correspondem em vários pontos ao mecanismo descrito pela literatura biomecânica como bem coordenado, pois este o prevê como um desenrolamento das unidades de coordenação. Também se indicou que o método de ensino da técnica é fortemente estruturado em fases e calcado numa série de pistas visuais e motoras que aludem a certas ações básicas do dia-a-dia. A expressividade, como parte intrínseca da técnica, é entendida de maneira peculiar e se levantam algumas hipóteses que poderiam justificar tal abordagem / Abstract: The primary goal of this dissertation is to describe and discuss a specific piano technique and its methodology. Purposed and taught by the Brazilian pianist Pietro Maranca, the technique presently studied embodies many references to anatomical and biomechanical facts, and such correlations are explained and developed in a nondefinitive way. This bias was chosen in order to find some interne coherence elements which can contribute to the research field. Pedagogical issues are examined in a similar manner. Among the findings we can underline the correspondence between the technique movements and the mechanic asserted by the biomechanical literature as well coordinated as long as both rely upon the unrolling of coordination unities. On the pedagogical side, the method is strongly based on phases and uses visuals and motors cues drawn from routine or daily actions. Expressivity, as an inherent part of technique, is understood in a peculiar way, and we hypothesize about that approach / Mestrado / Mestre em Música
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A COMPARISON OF AKIRA MIYOSHI'S MIYOSHI PIANO METHOD WITH NANCY AND RANDALL FABER'S PIANO ADVENTURES BASED ON ROYAL AMERICAN CONSERVATORY EXAMINATION (RACE)HAYASE, TAKAKO January 2006 (has links)
No description available.
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