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1	Die ontmaskering van diepliggende stemme in sprokies : 'n polifoniese dialoog in Rosemarie Marriott se relaas… / Dineke van der Walt Van der Walt, Dineke January 2014 (has links) In hierdie verhandeling ondersoek ek die wyse waarop die installasiewerke van Rosemarie Marriott se uitstalling relaas... (2010-2011), soos uitgestal in die hoofgalery op die Potchefstroomkampus van die Noordwes-Universiteit, deur aanskouers as 'n narratief gelees en geïnterpreteer kan word. In my lees en interpretasie van Marriott se werke sluit ek aan by Bal se argument dat kunswerke as tekste gelees kan word wanneer die kunswerke as narratiewe beskou word. Die teoretiese grondslag vir so 'n ondersoek is geleë in Bakhtin se argumente met betrekking tot die interaksie tussen die outeur, protagonis en die leser ten einde vas te stel hoe Marriott se uitstalling [relaas...] op ŉ Bakhtiniaanse wyse alle lesers in 'n polifoniese dialoog probeer betrek. Binne die bestek van die studie vorm Bakhtin se teoretisering van die karnavaleske die utopiese tydruimtelike konteks waarin die gelykstelling van perspektiewe kan plaasvind. Daarmee saam verduidelik die Bakhtiniaanse begrip van dialogisme [onder andere] dat narratiewe uit dialoë tussen medegeregtigde gespreksgenote opgebou moet word. Dialogisme word voorts benut as die beskrywende konstruk en die ideale ontwerp waarvolgens die outeur die narratief moet organiseer. Ek voer aan dat Marriott in haar ontwerp van relaas... op ŉ soortgelyke wyse as die Bakhtiniaanse karnaval, die wêreld omgekeer voorstel deur die groteske sameflansing van onsamehangende konsepte en materiaal soos sprokies, kinderspeelgoed en taksidermie. Soos ŉ sprokieschronotoop het relaas... antropomorfiese dierekarakters wat interaktief aan die narratief deelneem, klere aantrek, en selfs kan “praat”. Ten slotte argumenteer ek dat Marriott van ŉ komplekse maskerspel gebruik maak waarin sy, soos in die Bakhtiniaanse maskerade, groteske maskers oplê, sodat lesers as deelnemende karakters en as gevolg van Marriott se ontwerp, diepliggende betekenis in sprokies kan ontmasker. / MA (History of Art), North-West University, Potchefstroom Campus, 2015 Rosemarie Marriott Bakhtin Sprokies Visuele narratologie Karnavaleske Dialogisme Chronotoop Polifonie Taksidermie Relaas…
2	Die ontmaskering van diepliggende stemme in sprokies : 'n polifoniese dialoog in Rosemarie Marriott se relaas… / Dineke van der Walt Van der Walt, Dineke January 2014 (has links) In hierdie verhandeling ondersoek ek die wyse waarop die installasiewerke van Rosemarie Marriott se uitstalling relaas... (2010-2011), soos uitgestal in die hoofgalery op die Potchefstroomkampus van die Noordwes-Universiteit, deur aanskouers as 'n narratief gelees en geïnterpreteer kan word. In my lees en interpretasie van Marriott se werke sluit ek aan by Bal se argument dat kunswerke as tekste gelees kan word wanneer die kunswerke as narratiewe beskou word. Die teoretiese grondslag vir so 'n ondersoek is geleë in Bakhtin se argumente met betrekking tot die interaksie tussen die outeur, protagonis en die leser ten einde vas te stel hoe Marriott se uitstalling [relaas...] op ŉ Bakhtiniaanse wyse alle lesers in 'n polifoniese dialoog probeer betrek. Binne die bestek van die studie vorm Bakhtin se teoretisering van die karnavaleske die utopiese tydruimtelike konteks waarin die gelykstelling van perspektiewe kan plaasvind. Daarmee saam verduidelik die Bakhtiniaanse begrip van dialogisme [onder andere] dat narratiewe uit dialoë tussen medegeregtigde gespreksgenote opgebou moet word. Dialogisme word voorts benut as die beskrywende konstruk en die ideale ontwerp waarvolgens die outeur die narratief moet organiseer. Ek voer aan dat Marriott in haar ontwerp van relaas... op ŉ soortgelyke wyse as die Bakhtiniaanse karnaval, die wêreld omgekeer voorstel deur die groteske sameflansing van onsamehangende konsepte en materiaal soos sprokies, kinderspeelgoed en taksidermie. Soos ŉ sprokieschronotoop het relaas... antropomorfiese dierekarakters wat interaktief aan die narratief deelneem, klere aantrek, en selfs kan “praat”. Ten slotte argumenteer ek dat Marriott van ŉ komplekse maskerspel gebruik maak waarin sy, soos in die Bakhtiniaanse maskerade, groteske maskers oplê, sodat lesers as deelnemende karakters en as gevolg van Marriott se ontwerp, diepliggende betekenis in sprokies kan ontmasker. / MA (History of Art), North-West University, Potchefstroom Campus, 2015 Rosemarie Marriott Bakhtin Sprokies Visuele narratologie Karnavaleske Dialogisme Chronotoop Polifonie Taksidermie Relaas…
3	Begrens én onbegrens : intertekstualiteit in die oeuvre van H.J. Pieterse / Ihette Jacobs Jacobs, Ihette January 2010 (has links) This dissertation attempts to investigate the intertextual modus operandi in the oeuvre of H.J. Pieterse, with specific focus on his volumes, Alruin (1989) and Die burg van hertog Bloubaard (2000). The overarching purpose of the investigation is to prove that the author not only uses intertextuality in the sense that one text (literary text) refers to another text (literary and non–literary), or that one text influences another. Pieterse engages in conversation with other texts and re–writes these texts by repositioning them in another context and by adding additional metaphoric meaning to them. The author allows these texts to exchange conversation, to mutually influence one another, and this has as a result that, in his poems, his poetry and his oeuvre, metaphoric lines come into being, which lend a layered meaning to these texts and enrich the possibilities of their interpretation. Thus, a play on multiple meaning develops, which moves between texts: written texts, literary texts, non–literary texts, the author, the reader and the context(s). The conclusion to which this dissertation comes, is that the above mentioned manifestations of meanings, which exist and come into existence within the physically confines of the text, expand this text to a less confined existence in terms of meaning, more unlimited and unbound than what is necessarily allowed by the physically confined nature of the written text. The question thus arises of how the physically limited text take possession of and draws into the texts what lies beyond its physical confines to produce meaning, and how this tension around the limits of the literary text is functionally used. Consequentially, the question that follows is how this happens in the oeuvre of H.J. Pieterse and how the author uses his poetic technique to go beyond the confines of the written text. / Thesis (M.A. (Afrikaans and Dutch))--North-West University, Potchefstroom Campus, 2011. H.J. Pieterse Alruin Die burg van hertog Bloubaard Intertekstualiteit Intratekstualiteit Metatekstualiteit Hipertekstualiteit Mikhail Bakhtin Julia Kristeva Roland Barthes Gérard Genette Michael Riffaterre Harold Bloom Postmodernisme en intertekstualiteit Dekonstruksie en intertekstualiteit Invloed en intertekstualiteit Dialogisme Polifonie Heterologie Begrensde teks Onbegrensde teks Grense rondom die teks Intertextuality Intratextuality Metatextuality Hypertextuality Postmodernism and intertextuality Deconstruction and intertextuality Influence and intertextuality Dialogism Polyphony Heteroglossia Bounded text Unbounded text Limits of the text
4	Begrens én onbegrens : intertekstualiteit in die oeuvre van H.J. Pieterse / Ihette Jacobs Jacobs, Ihette January 2010 (has links) This dissertation attempts to investigate the intertextual modus operandi in the oeuvre of H.J. Pieterse, with specific focus on his volumes, Alruin (1989) and Die burg van hertog Bloubaard (2000). The overarching purpose of the investigation is to prove that the author not only uses intertextuality in the sense that one text (literary text) refers to another text (literary and non–literary), or that one text influences another. Pieterse engages in conversation with other texts and re–writes these texts by repositioning them in another context and by adding additional metaphoric meaning to them. The author allows these texts to exchange conversation, to mutually influence one another, and this has as a result that, in his poems, his poetry and his oeuvre, metaphoric lines come into being, which lend a layered meaning to these texts and enrich the possibilities of their interpretation. Thus, a play on multiple meaning develops, which moves between texts: written texts, literary texts, non–literary texts, the author, the reader and the context(s). The conclusion to which this dissertation comes, is that the above mentioned manifestations of meanings, which exist and come into existence within the physically confines of the text, expand this text to a less confined existence in terms of meaning, more unlimited and unbound than what is necessarily allowed by the physically confined nature of the written text. The question thus arises of how the physically limited text take possession of and draws into the texts what lies beyond its physical confines to produce meaning, and how this tension around the limits of the literary text is functionally used. Consequentially, the question that follows is how this happens in the oeuvre of H.J. Pieterse and how the author uses his poetic technique to go beyond the confines of the written text. / Thesis (M.A. (Afrikaans and Dutch))--North-West University, Potchefstroom Campus, 2011. H.J. Pieterse Alruin Die burg van hertog Bloubaard Intertekstualiteit Intratekstualiteit Metatekstualiteit Hipertekstualiteit Mikhail Bakhtin Julia Kristeva Roland Barthes Gérard Genette Michael Riffaterre Harold Bloom Postmodernisme en intertekstualiteit Dekonstruksie en intertekstualiteit Invloed en intertekstualiteit Dialogisme Polifonie Heterologie Begrensde teks Onbegrensde teks Grense rondom die teks Intertextuality Intratextuality Metatextuality Hypertextuality Postmodernism and intertextuality Deconstruction and intertextuality Influence and intertextuality Dialogism Polyphony Heteroglossia Bounded text Unbounded text Limits of the text

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