This collection of poems concerns contemplative silence, uncertainty, and the relationship between reverence, and constructions of littleness and absence. / Graduate / 10000-01-01

A Queer Reading of Charles Bukowskiʼs Women and Love is a dog from hell This thesis aims to examine how the representation of gender is portrayed in relation to sex and power in Charles Bukowski’s novel Women and poetry collection Love is a dog from hell. The theoretical frame of the analysis is based on Judith Butlerʼs queer theory regarding the heterosexual matrix and gender performativity. The analysis consists of a textual comparison where a specific selection of poems is analysed parallel to the novel to see how they interact and how they oppose each other, through a queer reading. The analysis is divided in three parts where the first one discusses the construction of masculinity in Charles Bukowskiʼs protagonist Henry Chinaski and how this is presented differently in the two literary genres. The second part reveals how sex is presented in relation to power and how active and passive women are considered as sexually acceptable. The final part of the analysis discusses how women are portrayed in the novel and in the poetry. Further it demonstrates the consequences for women who do not act as expected in relation to their gender roles. In addition to this, the thesis investigates how the poetry functions as a tool to apply depth to the characters in the novel. It also points out how the sexual relationships work as a way of maintaining the masculine superiority over women. The repetitive way in which the protagonist fails to fulfil his sexual performance points towards an image of Chinaski as queer, something that previous scholarship has failed to notice. In conclusion, this essay shows how a queer reading can work as an instrument to read a text that is generally interpreted as heteronormative, macho and misogynistic. The queer reading in the thesis demonstrates a different interpretation of predetermined gender roles in two of Bukowski’s literary works.

The objective of this exegesis is to show how linguistic and cultural hybridity create a unique prose style, and how my stories sit within that style. I will use Grace Paley and Lucia Berlin to demonstrate the distinctive narrative techniques. These include the use of sensuous details (instead of descriptions) to make place and character palpable; dialogue that convincingly evokes living speech; plots which emanate from the characters, rather than the other way round; and open-ended resolutions, as in real life. I will then show how I use these narrative techniques in my collection Happiness and other stories.

The objective of this exegesis is to show how linguistic and cultural hybridity create a unique prose style, and how my stories sit within that style. I will use Grace Paley and Lucia Berlin to demonstrate the distinctive narrative techniques. These include the use of sensuous details (instead of descriptions) to make place and character palpable; dialogue that convincingly evokes living speech; plots which emanate from the characters, rather than the other way round; and open-ended resolutions, as in real life. I will then show how I use these narrative techniques in my collection Happiness and other stories. The collection of stories is embargoed until 31 March 2012.

Thesis (Ph.D.) - University of Glasgow, 2000. / Ph.D. thesis submitted to the Department of English Language, Faculty of Arts, University of Glasgow, 2000. Includes bibliographical references. Print version also available.

Thesis (Ph. D.)--UCLA, 2008. / Vita. Includes bibliographical references (leaves 225-236).

Thesis (doctoral)--Westfälische Wilhelms-Universität zu Münster, 1981. / Vita. Includes bibliographical references (p. 237-244).

Thesis (doctoral)--Université de Montpellier III. / Includes indexes. Includes bibliographical references (p. [601]-623).

Thesis (Ph. D.)--Lehigh University, 1997. / Includes vita. Bibliography: leaves 210-221.

Proefschrift--Amsterdam. / "Stellinge": ([3] p.) laid in.