Orientadores: Helena Jank, Paulo Mugayar Kuhl / Acompanha anexos I-IV (308p., il. publicados separadamente) e Anexo V em CD-ROM / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-09T09:53:29Z (GMT). No. of bitstreams: 1 Carpena_LuciaBecker_D.pdf: 28904081 bytes, checksum: 2b59739db096e3ab52bf504eb62fd4e4 (MD5) Previous issue date: 2007 / Resumo: A tese trata da maneira como Reinhard Keiser (1674-1739) utilizou a flauta doce nas árias de suas óperas, e teve como objetivo principal ampliar o repertório orquestral e vocal com flauta doce. Para tanto, foram estudadas características da ópera no norte da Alemanha, a partir de suas origens, até o início das atividades do Theater am Gänsemarkt, em Hamburgo, onde Keiser trabalhou durante quase toda sua vida. Além disso, são apresentadas considerações a respeito do uso da flauta doce na música dramática dos séculos XVII e XVIII, de modo a compreenderem-se as especificidades propostas por Keiser. A bibliografia sobre o compositor, desde seus contemporâneos até a mais recente, é estudada com o objetivo de compreender o esquecimento e a reabilitação da produção de Keiser e sobretudo para conhecer quais características foram tradicionalmente atribuídas a ele. Por fim, apresenta-se uma discussão do uso da flauta doce nas árias de ópera de Keiser, comparando-as entre si e também com árias de outros compositores, com o intuito de caracterizar e contextualizar o emprego do instrumento, averiguando os procedimentos composicionais adotados. A análise dos dados levantados mostrou que Keiser manteve-se fiel a convenções tradicionais ao mesmo tempo em que as renovou, e ampliou princípios e procedimentos estabelecidos, acrescentando uma nova dimensão à flauta doce na música vocal e orquestral / Abstract: The thesis examines how Reinhard Keiser (1674-1739) used the recorder in the arias of his operas. The text presents some aspects of northern german baroque opera, from its origins until the activities in the Theater am Gänsemarkt (Hamburg), where Keiser worked almost his entire life. There are also some considerations about the use of the recorder in 17th and 18th century opera, in order to understand the specific solutions proposed by Keiser. The bibliography about the composer is analyzed from his contemporaries until the most recent authors, to understand the oblivion and the later rehabilitation of Keiser?s work, and, more especially, to know the specific characteristics assigned to him. At the end, the text discusses the use of the recorder in Keiser?s operas in order to characterize and contextualize it, verifying his composicional proceedings. The analysis shows that Keiser, though relying on traditional proceedings, renewed and extended them, giving a new place to the recorder in vocal and orchestral music / Doutorado / Praticas Interpretativas / Doutor em Música

Beitrag zu Wasser und Eissatellitendaten zur Bilanzierung von Massentransporten anläßlich einer Festschrift zum 65. Geburtstag von Prof. Reinhard Dietrich.

Beitrag zum Werdegang von Reinhard Dietrich anläßlich seines 65. Geburtstages

Beitrag zur Entwicklung des Höhenrahmens in Deutschland anläßlich einer Festschrift zum 65. Geburtstag von Prof. Reinhard Dietrich.

Beitrag zur geodätischen Erdsystemforschung mittels Satellitenfernerkundung anläßlich anläßlich einer Festschrift zum 65. Geburtstag von Prof. Reinhard Dietrich.

Beitrag anläßlich einer Festschrift zum 65. Geburtstag von Prof. Reinhard Dietrich.

This study examines the interconnection between the ideas and political activities of Reinhard Hoehn during the Weimar and Nazi Eras. In particular, Hoehn's political writings, which are closely analyzed, indicate a continuing commitment to the ideals of the Conservative Revolution through his changes in political affiliations. It serves as a case study of the much debated relationship between the Conservative Revolution and Nazism.While developing as a radical right-wing Weimar intellectual, Hoehn joined a succession of Revolutionary Conservative Kampfbuende. His political writings and affiliations showed a commitment to the destruction of liberal conceptions in politics, sociology, and legal theory. His ultimate objective was the establishment of Volksgemeinschaft in Germany. When by 1931 his hopes for achieving these goals through the conservative Jungdeutche Orden ended, he began working for the SS.During the Third Reich, Hoehn eventually served as a legal advisor to Heinrich Himmler and as a head of Zentralabteilung II/2 of the Sicherheitsdienst (SS Security Service), which investigated "German Spheres of Life." He also wrote considerably during the Third Reich on both German law and international relations. His theories revealed a preoccupation with eliminating from law the concept of sovereignty and individualism as continuing vestiges of absolutism and liberalism. This belief led Hoehn to attempt to eliminate the 'individual personalities' of both the state and the Nazi Party. He thus deviated from Nazi ideologues and leaders on these significant matters, while he made compromises with the SS on issues of race and Himmler's political interests. However, an examination of Hoehn's writings and activities in Weimar and the Third Reich shows a dedication to an idealism that was in part distinct from Nazi orthodoxy, as well as a political realism in the sense that he knew his ideals were futile without the political backing of the SS.

Beitrag zum Werdegang von Reinhard Dietrich anläßlich seines 65. Geburtstages

Beitrag zu GNSS anläßlich einer Festschrift zum 65. Geburtstag von Prof. Reinhard Dietrich.

Beitrag zur Entwicklung des Höhenrahmens in Deutschland anläßlich einer Festschrift zum 65. Geburtstag von Prof. Reinhard Dietrich.