Thesis (doctoral)--Université de Paris, 1899. / Includes bibliographical references.

Texte remanié de: Diss.--Philosophische Fakultät--Bonn--Rheinische-Friedrich-Wilhelms-Universität, 1985. Titre de soutenance : Szenische Repräsentation römischer Magistrate.

Thesis (doctoral)--Université de Paris, 1899. / Includes bibliographical references.

For a long time, Roman ideal sculptures have primarily been studied within the tradition of Kopienkritik. Owing to some of the theoretical assumptions tied to this practice, several important aspects of Roman visual culture have been neglected as the overall aim of such research has been to gain new knowledge regarding assumed Classical and Hellenistic models. This thesis is a collection of three studies on Roman ideal sculpture. The articles share three general aims: 1. To show that the practice of Kopienkritik has, so far, not produced convincing interpretations of the sculpture types and motifs discussed. 2. To show that aspects of the methodology tied to the practice of Kopienkritik (thorough examination and comparison of physical forms in sculptures) can, and should, be used to gain insights other than those concerning hypothetical Classical and Hellenistic model images. 3. To present new interpretations of the sculpture types and motifs studied, interpretations which emphasize their role and importance within Roman visual culture. The first article shows that reputed, post-Antique restorations may have an unexpected—and unwanted—impact on the study of ancient sculptures. This is examined by tracing the impact that a restored motif ("Satyrs with cymbals") has had on the study of an ancient sculpture type: the satyr ascribed to the two-figure group "The invitation to the dance". The second article presents and interprets a sculpture type which had previously gone unnoticed—The satyrs of "The Palazzo Massimo-type". The type is interpreted as a variant of "The Marsyas in the forum", a motif that was well known within the Roman cultural context. The third article examines how, and why, two motifs known from Classical models were changed in an eclectic fashion once they had been incorporated into Roman visual culture. The motifs concerned are kalathiskos dancers, which were transformed into Victoriae, and pyrrhic dancers, which were also reinterpreted as mythological figures—the curetes. / <p>At the time of the doctoral defense, the following papers were unpublished and had a status as follows: Paper 1: Accepted. Paper 3: Accepted.</p>

Submitted by Erika Cristina Nesta Silva null (erikacnsdreamer@yahoo.com.br) on 2017-09-01T21:28:30Z No. of bitstreams: 1 Silva_ecn_prud.pdf: 23057027 bytes, checksum: 0ed7ba79c2ce840394cd84eb5c9239d0 (MD5) / Approved for entry into archive by Monique Sasaki (sayumi_sasaki@hotmail.com) on 2017-09-11T19:04:49Z (GMT) No. of bitstreams: 1 silva_ecn_dr_prud.pdf: 23057027 bytes, checksum: 0ed7ba79c2ce840394cd84eb5c9239d0 (MD5) / Made available in DSpace on 2017-09-11T19:04:49Z (GMT). No. of bitstreams: 1 silva_ecn_dr_prud.pdf: 23057027 bytes, checksum: 0ed7ba79c2ce840394cd84eb5c9239d0 (MD5) Previous issue date: 2017-07-21 / Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) / Os depósitos e relevos tecnogênicos originam-se a partir de ações diretas e indiretas das sociedades, estas capazes de alterar as características da estrutura superficial das paisagens e, com isto, as formas de relevo e os materiais superficiais e subsuperficiais. Estas formações são cada vez mais observadas e estudadas, mesmo que com nomenclaturas diferentes de acordo com o referencial utilizado. No presente estudo, são investigadas as formações de relevos tecnogênicos na cidade de Presidente Prudente-SP, estas relacionadas ao histórico de uso e ocupação urbano e rural. As áreas elegidas para o estudo são: Conjuntos Habitacionais Jardim Humberto Salvador e Augusto de Paula; parte do Setor Leste da cidade de Presidente Prudente e Vila Nova Prudente. O objetivo geral é, portanto, a análise das transformações da paisagem através da reconstituição geomorfológica do relevo tecnogênico nas áreas de estudo. Para o cumprimento deste objetivo foram realizados procedimentos de campo, laboratoriais e de gabinete, que incluíram coleta de amostras de depósitos tecnogênicos em área de planície tecnogênica; análise granulométrica e fracionamento de areia; mapeamento das alterações ocorridas nas paisagens, especialmente das formas e feições tecnogênicas a partir da estereoscopia das fotografias aéreas de 1962, 1978, 1995 e uso de imagens atuais do Google Earth; realização da classificação dos terrenos tecnogênicos, considerando a presença de feições e formas de relevo de origem agradacionais e degradacionais. Através desses procedimentos, foi possível reconhecer que, ao longo do tempo, as feições tecnogênicas se alteraram bastante, ocorrendo, por exemplo, deposições tecnogênicas em áreas de fundos de vale cujos sedimentos são oriundos de processos erosivos instalados nos demais compartimentos do relevo (topos e vertentes) e, posteriormente, o retrabalhamento destas deposições, através da instalação de processos erosivos em áreas de planície. Com relação aos materiais manufaturados e sedimentos de origem tecnogênica, quando estudados em detalhe, possibilitaram reconhecer aspectos da tecnogênese, como o volume das deposições tecnogênicas e as possíveis áreas fontes desses materiais, como antigas áreas de deposição de resíduos sólidos domésticos. Assim, os procedimentos adotados têm se mostrado eficazes para o reconhecimento de diversas características relativas a formação e evolução de formas e deposições tecnogênicas, sendo possível a reconstituição dessas formas. / Technogenic deposits are a result of direct and indirect actions of society. They are able to alter the surface structure characteristics of landscapes, and consequently, the landforms and characteristics of surface materials. These formations have been increasingly observed and studied, even though the usage of different nomenclature, according to the referential utilized. At this study, it is investigated the formation of technogenic reliefs in the city of Presidente Prudente-SP, they are related to the historical usage and the urban and rural occupation. The chosen housing complex areas to be studied are: Jardim Humberto Salvador and Augusto de Paula housing Complexes; part of East Section of Presidente Prudente and Vila Nova Prudente. The general objective is the analysis of the changes in the landscape through geomorphological reconstitution of technogenic relief in these areas. In order to fulfill this objective, it was accomplished fieldwork, laboratorial and desktop procedures, which included collecting samples from technogenic deposits in area of technogenic floodplain; particle size analysis and sand fractionation; mapping the alterations which occurred in the landscapes, especially the technogenic forms and features through stereoscopy of aerial photos from 1962, 1978, 1995 and use of current images of Google Earth; classification of the technogenic grounds, considering the presence of features and forms of aggradation and degradation relief origin. Through these procedures, it was possible to recognize that as times goes by, technogenic features changes abundantly, as an example is the technogenic deposition in valley floor areas, whose sediments comes from erosive processes installed in other compartments of the relief (top and slope), and afterwards, occur the rework of these depositions, through the installing of erosive processes in plain area. Regarding the manufactured materials and technogenic sediments, when studied in detail, provide the possibility to recognize technogenic aspects, such as volume of technogenic deposition and possible source area of these materials, such as old deposition area of solid domestic waste. Thus, the adopted procedures have shown to be efficient towards recognition of the diverse characteristics concerning the formation and evolution of forms and technogenic deposition. / FAPESP: 2013/01302-0

Orientador: Luise Weiss / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-14T23:16:06Z (GMT). No. of bitstreams: 1 MoreiraJunior_MarioFiore_D.pdf: 2416648 bytes, checksum: ed4ce7827abc95cc8126dd19e16ccaa6 (MD5) Previous issue date: 2009 / Resumo: O projeto artístico "A Construção de uma Paisagem" se constitui de dois núcleos importantes: Locus Amoenus e Mapas Imaginários. Seu fio condutor é a pintura. O desenho, a gravura, a colagem, e a fotografia enriqueceram o corpo do trabalho com a expressividade específica de suas linguagens. O texto descreve quais foram os antecedentes e as experiências com a imagem que contribuíram para o processo criativo e as características relativas à linguagem pictórica que se esdobraram em obras recentes. Reflete sobre a adoção de estratégias visuais e seu rebatimento poético na criação pictórica. / Abstract: There are two important nuclei in the art project "The construction of a Landscape": Locus Amoenus and Imaginary Maps. Painting is their guideline. Drawing, engraving, collage and photography have enriched the body of work with the expressiveness of their specific languages. The text describes which were the former elements and image experiences that have contributed to the creative process and it also describes the procedures related to painterly that have unfolded in recent works. It is a reflection on the adoption of visual strategies and their poetic influence on painterly. / Doutorado / Doutor em Artes

京都大学 / 0048 / 新制・課程博士 / 博士(地球環境学) / 甲第20538号 / 地環博第159号 / 新制||地環||32(附属図書館) / 京都大学大学院地球環境学舎地球環境学専攻 / (主査)准教授 須崎 純一, 准教授 西前 出, 教授 柴田 昌三 / 学位規則第4条第1項該当 / Doctor of Global Environmental Studies / Kyoto University / DFAM

Following his assassination in September of AD 96, Domitian was penalized with post-mortem memory sanctions. These kind of sanctions are often portrayed by both modern scholars and ancient historians as being implemented relatively uniformly in all of the cases of emperors who were subject to these sanctions. This applies both to the actual body of sanctions which were implemented by the senate, and the enthusiasm with which the populace followed them. While there is some commonality in the levying of sanctions between all condemned individuals, it is important to understand the differences between them in order to comprehend how each was viewed in his own time. In the case of Domitian, the senate punished him with heavy sanctions, and the people obeyed them. However, there is not the same evidence of mob violence against his images by the people, which would prove a dislike for him outside of the political elite. By investigating the evidence for these sanctions in the ancient literary sources, as well as the physical evidence from both inscriptions and sculpted likenesses, a more clear picture than previously presented can be created of the public perception of his reign. Also, this thesis evaluates the kind of messages that Nerva wanted to send by the way in which he condemned Domitian. Nerva’s history as loyal to the Flavians seems to conflict with his succession on the same day as the murder and the sanctions he put in place against his predecessor. The way in which he chose to deal with the memory of his predecessor is demonstrative of his successful attempt at distancing himself from the previous dynasty. Therefore, a study of the sanctions can both provide information about the perception of the condemned, which has since been lost, and also illustrate the policies of the next regime. / Thesis / Master of Arts (MA) / In Ancient Rome, when an emperor or political figure was assassinated, often the Roman senate would levy sanctions against anything which recalled the memory of the condemned individual, for example, inscriptions and portraits. Some of these sanctions were voted for the emperor Domitian following his assassination in AD 96. By examining the physical evidence of these sanctions in the case of Domitian, some information can be gleaned about the execution of this kind of legislation in general, and how it was specifically done in the case of Domitian. By examining the ancient literary accounts, inscriptions, and sculpted likenesses of this emperor, the extent of these sanctions, as well as the motivations of those ordering them and carrying them out, can be established. In particular, the motivations of his successor, Nerva, in establishing these laws and the sentiments of the people towards Domitian are considered.

L’étude de la place et du statut des femmes dans l’Iran sassanide est fondée sur des données textuelles (cinq livres en pehlevie) et sur des matériaux archéologiques et iconographiques. L’objectif est la confrontation entre les deux séries de sources.Le volume I (texte, illustrations) en trois chapitres étudie les représentations des femmes puis traite du statut des femmes d’après les textes. Le troisième chapitre est la confrontation des deux séries de données. Le deuxième volume est le catalogue donnant d’une part la transcription et la traduction de textes d’époque sassanide et post-sassanide décrivant la situation des femmes dans la société, accompagnées de commentaires ; d’autre part des documents iconographiques: personnages féminins sur les bas-reliefs, sceaux et cachets, argenterie, mosaïques, monnaies, tissus, stucs, figurines et quelques autres objets.Au cours des quatre siècles sassanides, on constate une évolution relativement positive du statut de la femme d’après les textes, et en parallèle une augmentation des représentations féminines sur des documents officiels comme les sceaux, les meilleurs indicateurs de la place et du rôle des femmes dans la société de l’Iran sassanide. / The study of the role and status of women in Sasanian Iran is based on the textual sources (five books in Pahlavi) and series of archaeological and iconographic objects. This dissertation aims at confronting these two series of data.Volume I (text and illustrations) including three chapters is a study of women representation on the iconographic objects and then deals with their status in the texts. In the third chapter these two categories will be confronted. Volume II contains the catalogues: on the one hand the transcription and translation of the texts surviving from Sasanian and Post-Sasanian periods, which describe women’s status in the society, enriched with some commentaries; on the other hand the catalogue of iconographic evidence depicting women, including rock-reliefs, seals and bullae, silverware, mosaics, coins, fabrics, stuccoes, figurines, textiles, and the other varied kinds of objects. Our investigations suggest a rather positive evolution of the women’s status during the four-century period of the Sasanian empire, according to the available texts. At the same time, one observes an increasing number of female representations on such official documents as the seals, which are the most precise evidence on the social situation and place of women in Sasanian Iran.

Cette thèse a pour but d’examiner la production de sarcophage à décor sculpté, à travers l’étude comparative de trois grands pôles occidentaux de l’Empire romain, puissances économiques et productives, et symboles d’un lien privilégié avec Rome. Si ce procédé funéraire a toujours été utilisé dans ces régions, la généralisation de l’inhumation vers le milieu du IIe siècle implique la mobilisation d’importantes forces productives et techniques afin de répondre à la demande nouvelle sans cesse croissante. Ce serait trois grands centres situés à Rome, en Grèce et en Asie Mineure, qui assureraient les fonctions essentielles : décision des décors et des motifs, prise en charge de la majorité de la production et de son exportation, signification et portée de ce procédé funéraire. Notre étude ville par ville a pour ambition de montrer que le développement de la production des sarcophages à décor sculpté ne peut s’expliquer dans un tel schéma traditionnel où les provinces se laisseraient passivement imposer toutes les décisions de sièges plus importants. Au-delà de l’indispensable analyse technique, stylistique et iconographique du corpus, c’est la prise en compte pratique d’un contexte local d’ateliers décentralisés qui doit permettre de saisir la réalité de production et son évolution : comment cet objet s’intègre dans une production déjà existante qu’il investit en retour. Cela nous conduira à ne plus l’envisager sous le seul rapport de la copie à son original, passant ainsi d’un modèle de rayonnement unilatéral du centre vers la périphérie, à une structure d’échange dynamique entre influences centrales et ateliers locaux. / This dissertation explores the production of sarcophagi with sculpted decorations, through the comparative study of three Western towns of the Roman Empire that are economic and production centers as well as closely connected to Rome.Although in these regions, such funeral process was always in use, the generalisation of burials in the middle of the 2nd century required the mobilization of production and technical forces in order to meet the increasing new demand.We argue that three main centers located in Rome, Greece and Asia Minor were responsible for the development of this funeral technique: they decided on the decorations and designs, were in charge of the majority of the production and exportations, and gave this process its characteristics and meaning. Considering each city consecutively, we aim to show that the development of sarcophagi production goes beyond a traditional context where provinces would passively let more important cities be in charge of all the decisions. In addition to the technical, stylistic and iconographic analysis of the corpus, if we want to grasp the specificity of this funeral technique, we also need to replace its production and evolution in a local context of decentralized workshops. How do sarcophagi with sculpted decorations fit in an already existing production, and how do they transform such production? This will lead us to consider this technique from another point of view than the mere copy of an original model, thus moving from the unilateral model of a central influence on the peripheries to a structure of dynamic exchanges between main cities and local workshops.