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Kristen ortodoxi i svenska läroböcker : En analys av framställningen av ortodoxi i fyra läroböcker innan den nya läroplanen. LGR11 och GY11 och fyra efterAntar, Susan January 2014 (has links)
The purpose of this study was to gain understanding of orthodox Christianity in Swedish educational material. The aim was to compare the presentation of orthodox Christianity towards pupils before the new curriculum and after. With the help of an analytical approach by Bergström and Boreu ́s and the interpretation strategy by Quentin Skinner, I have studied material used in school for the subject religion. I have limited my educational material in one way. The material that I have chosen is produced from the year 2003 until 2012. The goal is to recognize how orthodox Christianity is presented to Swedish pupil ́s. The result will contain a discussion about the ways a specific religion is represented in school, what kind of picture is created for this religion and if there is a difference in these presentations in a period of time.
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The discursive representation of Islam and Muslims in British broadsheet newspapersRichardson, John Edward January 2001 (has links)
No description available.
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Paradigms for the design of multimedia learning environments in engineeringSmith, Chrisopher Robert January 1996 (has links)
The starting point for this research was the belief that interactive multimedia learning environments represent a significant evolution in computer based learning and therefore their design requires a re-examination of the underlying principles of learning and knowledge representation. Current multimedia learning environments (MLEs) can be seen as descendants of the earlier technologies of computer-aided learning (CAL), intelligent tutoring systems (ITS) and videodisc-based learning systems. As such they can benefit from much of the wisdom which emerged from those technologies. However, multimedia can be distinguished from earlier technologies by its much greater facility in bringing to the learner high levels of interaction with and control over still and moving image, animation, sound and graphics. Our intuition tells us that this facility has the potential to create learning environments which are not merely substitutes for "live" teaching, but which are capable of elucidating complex conceptual knowledge in ways which have not previously been possible. If the potential of interactive multimedia for learning is to be properly exploited then it needs to be better understood. MLEs should not just be regarded as a slicker version of CAL, ITS or videodisc but a new technology requiring a reinterpretation of the existing theories of learning and knowledge representation. The work described in this thesis aims to contribute to a better understanding of the ways in which MLEs can aid learning. A knowledge engineering approach was taken to the design of a MLE for civil engineers. This involved analysing in detail the knowledge content of the learning domain in terms of different paradigms of human learning and knowledge representation. From this basis, a design strategy was developed which matched the nature of the domain knowledge to the most appropriate delivery techniques. The Cognitive Apprenticeship Model (CAM) was shown to be able to support the integration and presentation of the different categories of knowledge in a coherent instructional framework. It is concluded that this approach is helpful in enabling designers of multimedia systems both to capture and to present a rich picture of the domain. The focus of the thesis is concentrated on the domain of Civil Engineering and the learning of concepts and design skills within that domain. However, much of it could be extended to other highly visual domains such as mechanical engineering. Many of the points can also be seen to be much more widely relevant to the design of any MLE.
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Bilder från det inre Afrika : Representationer av afrikaner i den svenska skämtpressen 1880-1920 / The Last Place on Earth : Representations of Africans in the Swedish Comic Press 1880-1920Magnusson, Dennis January 2015 (has links)
This paper investigates the representations of Africans in the Swedish comic press around the time 1880-1920, with the purpose of establishing how Africans were depicted and how these representations can be explained. The sources consist of four comic magazines: Kasper, Söndags-Nisse, Strix and Naggen. Results show that images of Africans in the late 19th and early 20th century Swedish comic press highly conform to international representations. Traditional stereotypes and overall caricatures are widely applied, mediating racial difference and black subordination. The comic strips and jokes can be divided into categories, defined by their main theme: 1) Exotic animals and nature 2) Skin colour 3) The unintelligent or uncivilised savage 4) Cannibalism 5) The civilised African 6) Imperialistic overtones. The use of international stereotypes indicates that some comic strips might have been directly copied from foreign publications, and incorporated into Swedish contexts. Several theories, likely interacting, can be considered in explaining the imagery. Firstly the representations may function as construction, establishment and strengthening of Swedish identity by defining, demonstrating and stressing the codes for ‘swedishness’ and otherness. Secondly the iconography can be seen as a political strategy, a carrier of imperialistic, patriarchal agenda that confirms white supremacy. Thirdly the representations may strongly depend on convention and tradition within the genre, wherein generic models and conventional codes limited artists’ representations.
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Phases of knowledge in lexical acquisition : a developmental study into four to twelve year olds decipherment of unfamiliar words from linguistic contexts during continuous assessmentBjarnadottir, Bjorg January 1996 (has links)
Research on the deciphering of nonsense words within the context of text, a story, or tale was conducted at various schools and day-care centres in the Stirling area of Scotland in 1985-1988. Three experiments were conducted, in which large samples of primary school children aged 4-12 were tested. The experiments resembled Werner and Kaplan's (1950) "Word-Context Task, " in which isolated sentences in a series with one nonsense word in each sentence were presented to school children. The children were asked to answer questions about the meanings of these words. The results were not in line with the rapid word learning that experience suggests happens in young children, it was not until after age 9 that the children started to give approximately correct answers, and prior to age 11 the answers did not meet up with proper adult definitions. It has been pointed out, however (Donaldson, 1978), that because these sentences were not supported by any relation to immediate context and behaviour, and because the children were required to process utterances as pure isolated language - an unnatural situation for language acquisition - the "Word-Context Task" may have given an unrealistic picture of the child's ability to acquire language naturally. In the three word-leaming studies at Stirling University in 1985-1988, in order to account for a more natural presentation, the sentences with the nonsense word were embodied in the context of a story. Children were thought to fare better (than the children in the Wemer & Kaplan study) when listening to such a story, especially if the basic theme was of interest. A methodological tool, refined in the work of Dockrell (1981), in which the full meaning of a term involves having worked out the sense, reference, and denotation of the term. was applied in each of the test batteries that followed the presentation of the story. In these tests, the children were tested on both their comprehension and production of the new term in question. Drawings were used in order to try to tap the children's denotation of the new term, and to facilitate young children's approach to the demands of the study. As regards word meaning in general. Martin Joos (1972) had argued that the common blunder was that an odd word must have an odd sense--the odder, the better. He argued that one should define words in such a fashion as to make them contribute least to the total message derivable from its passage where it is housed, rather than, e. g., defining it according to some presumed etymology of semantic history. He called this concept "a tacit principle", and argued that word learners and word users would sense the intuitive familiarity of the conveyed meaning of words and text. Words are, according to this principle, "mysterious" in their environment, their meanings are not worked out deliberately, intentionally; rather, one should make the mysterious item maximally supportive and supported in its situation, in order that redundancy would result in proper connotation of the distributed meaning. Context and knowledge of contexts reveal meaning; the text is processed holistically, and so are the instantaneous meanings of the words of which it is composed. Thus, Joos maintained that in deciphering an unknown word, the wisest course is to assume the "least meaning" consistent with the context. Tasks such as Werner and Kaplan's "Word-Context Task" (1950), force subjects to infer aspects of meaning that go well beyond this "least" meaning and, as Joos pointed out, this leads notably to errors from which recovery is difficult. In the studies at Stirling University, attempts were made to determine if different types of learning would result in different types of responses. The dichotomy, intentional/incidental or analytic/holistic was worked out into experimental and control conditions, as based on Aveling's pioneering experiment (1911, 1912) into the general and particular aspects of encoded stimuli. Later, Lee Brooks (1978) worked with the dichotomies intentional/incidental in his Lepton experiments and argued that the more complex a behaviour is (speaking or writing, for example), the more likely it is to be learned implicitly. He pointed out, however, that the dichotomies explicit/implicit, analytic/non analytic, and deliberate vs. intuitive processes need to be elaborated and not taken as a strict division. In the three experiments at Stirling, children of primary school age (ages 4 to 12) were presented with a "word-context" task and their understanding of the unknown word was probed under different conditions. In the control condition a control word was probed, but in the experimental condition the child's understanding of the target word was fully tested. All the children listened to a short story displayed by a video or read from a tape in which the unknown word occurred in several different contexts, the unknown word in each story denoted an unfamiliar natural kind. During the story's display, children in the control condition were, at certain intervals, asked questions about the story's theme. Children in the experimental group were, at these same intervals, shown a sample of objects, to one of which the unknown word referred, and they were asked to hand these objects to the experimenter as she requested the objects, or they were asked direct questions about the meaning of the target word and about other words in the story. After hearing the story, all subjects were tested on their comprehension and production of the unknown word, together with other words, and a scoring procedure based on a technique developed by Dockrell (1981) was applied. This procedure necessitated the full meaning of the term covering aspects of the sense, reference., and denotation of the new term (cf. Lyons, 1977a). The results indicate that children younger than those tested in the Wemer and Kaplan's "Word-Context Task" (ages 8.6 to 13.6) could decipher the full meaning of the new term. But individual differences within age groups showed greater differences than existed between age groups. All in all, the results indicate that working out the full meaning of a new term is a lengthy process indeed (Campbell & Dockrell, 1986), even though a sense of the given semantic domain may often be established quite early in the learning process. Performance styles also differ from younger children to older ones. The results indicate that there were significant age differences between the children in the first and second experiments, but that such differences were lacking in the third experiment, and that control subjects in the three studies seldom gave poorer responses than did experimental subjects and often did better. However, the results must be interpreted in the light of learning and recovery from error occurring, within the experimental subjects in the course of deciphering. If the initial scores of the experimental subjects on the target word as obtained during encoding are compared with the first scores obtained from the control subjects after they had heard the whole story, there is a significant difference in scores between the conditions in favour of the control subjects in all age groups. This is consistent with Joos's assumption that an interference concerning the meaning of a word that occurs too early in the learning task and not enough information of contextual cues will lead the children in the experimental groups astray in their guesses when asked too early for answers on the new word's meaning. But implied in Joos's Axiom is the likelihood for recoveries from errors, and the strategies children use in order to work them out need to be explored further. Much individual variation was found among the children's responses in the age groups. These differences were indeed more significant than were the differences between age groups.
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Civilised sentience and the colonial subject : 'The interesting narrative of Oloudah Equiano or Gustavus Vassa, the African' and 'Wonderful adventures of Mrs. Seacole in many lands'Rupprecht, Anita Jacqueline January 2000 (has links)
No description available.
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Det lilla samhället : Gestaltning av en plats genom ett textilt mönster.Rosén, Julia January 2013 (has links)
Det lilla samhället är ett projekt som strävar efter att lyfta fram den lilla ortens fördelar. Med utgångspunkt i problemet med avfolkningen av mindre städer fokuserar detta projekt på det lilla samhället Hällefors i Västmanland. Projektet är ett försök att identifiera kommunens styrkor och resurser och på så vis stärka dess identitet. Slutresultatet utgör ett mönster på textil för kommunhusets lokaler i Hällefors.
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A Medicago Sativa Draft Genome using Next Generation Sequencing Reads from Reduced Representation LibrariesYang, Le 26 March 2012 (has links)
Medicago sativa (Alfalfa) is an important agricultural plant for animal forage and nitrogen fixation, and has potential value in ligno-cellulosic energy production. In the quest to understand the plant, I generated a draft genome sequence of M. sativa via two reduced representation sequencing approaches: methylation-dependent filtration, and high CoT filtration. Libraries created from each approach were sequenced on an Illumina next-generation sequencing platform yielding approximately 2.5Gb of raw data. A combination of reference-based genome assembly approaches using the closely related species, Medicago truncatula as a reference, and de novo genome assembly approaches were performed to assemble the draft genome. The reference-based assembly generated 312,011 contigs with weighted median contig length (N50) of 247 bases, whereas de novo assembly produced 547,304 contigs with N50 of 275 bases. The creation of the M. sativa draft genome is vital for downstream functional analyses such as genome wide gene mining and gene expression profiling.
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A Medicago Sativa Draft Genome using Next Generation Sequencing Reads from Reduced Representation LibrariesYang, Le 26 March 2012 (has links)
Medicago sativa (Alfalfa) is an important agricultural plant for animal forage and nitrogen fixation, and has potential value in ligno-cellulosic energy production. In the quest to understand the plant, I generated a draft genome sequence of M. sativa via two reduced representation sequencing approaches: methylation-dependent filtration, and high CoT filtration. Libraries created from each approach were sequenced on an Illumina next-generation sequencing platform yielding approximately 2.5Gb of raw data. A combination of reference-based genome assembly approaches using the closely related species, Medicago truncatula as a reference, and de novo genome assembly approaches were performed to assemble the draft genome. The reference-based assembly generated 312,011 contigs with weighted median contig length (N50) of 247 bases, whereas de novo assembly produced 547,304 contigs with N50 of 275 bases. The creation of the M. sativa draft genome is vital for downstream functional analyses such as genome wide gene mining and gene expression profiling.
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Crossdressing Cinema: An Analysis of Transgender Representation in FilmMiller, Jeremy Russell 2012 August 1900 (has links)
Transgender representations generally distance the transgender characters from the audience as objects of ridicule, fear, and sympathy. This distancing is accomplished through the use of specific narrative conventions and visual codes. In this dissertation, I analyze representations of transgender individuals in popular film comedies, thrillers, and independent dramas. Through a textual analysis of 24 films, I argue that the narrative conventions and visual codes of the films work to prevent identification or connection between the transgender characters and the audience. The purpose of this distancing is to privilege the heteronormative identities of the characters over their transgender identities.
This dissertation is grounded in a cultural studies approach to representation as constitutive and constraining and a positional approach to gender that views gender identity as a position taken in a specific social context. Contributions are made to the fields of communication, film studies, and gender studies through the methodological approach to textual analysis of categories of films over individual case studies and the idea that individuals can be positioned in identities they do not actively claim for themselves. This dissertation also makes a significant contribution to conceptions of the gaze through the development of three transgender gazes that focus on the ways the characters are visually constructed rather than the viewpoints taken by audience members. In the end, transgender representations work to support heteronormativity by constructing the transgender characters in specific ways to prevent audience members from developing deeper connections with them.
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