The object of this study was to get a wider picture of the articles published in the Swedish online newspaper Nyheter24. The newspaper is the biggest newspaper only coming out online in Sweden today and basically the idea was to get an overview of their content. The study was based upon two research questions: “What does Nyheter24 write about?” and “What type of journalism does Nyheter24 make?” My research method was a quantitative content analysis and the study contains 550 articles in total, gathered during two weeks time from the website. The results show that Nyheter24 writes about various topics but they tend to produce news stories with an odd or sensational angle. More than half of the articles studied in the news section were rewrites from other news media and less than 20 % of the articles in the same section had quotes from interviews done by the newspaper themselves. In the sports section, just one of all the articles published in the section during the two weeks contained a quote from an interview Nyheter24 had done. The study does also show that investigative journalism is rare at Nyheter24. But it was even more uncommon, zero articles in the news section, for the journalists to do reports of places or news events by going outside the newsroom. What played a bigger part in the news from Nyheter24 was social media. Especially the sports section and the entertainment section published stories where social media was the origin of the story. Generally the results show what several other researchers have found out about online journalism. There is a big recycling of news and the journalists tend to be stuck behind a computer, screening websites and doing rewrites to publish a lot of material quickly. Doing interviews to the stories seemed to have a lower priority.

“The Weight of Expectations: Deciphering Baggage and Defining Character in ‘Olivia’s Retreat’” charts the conception and development of Stacey Ashworth’s feature length sibling drama while also discussing the subsequent lessons she learned over its seven month evolution. / text

Jesus' story has been retold in various forms and fashions for centuries. Jesus novels, a subset of the historical fiction genre, are one of the latest means of not only re-imagining the man from Galilee but also of rewriting the canonical Gospels. This thesis explores the Christological portraits constructed in four of those novels while also using the novels to examine the intertextual play of these Gospel rewrites with their Gospel progenitors. Chapter 1 offers a prolegomenon to the act of fictionalizing Jesus that discusses the relationship between the person and his portraits and the hermeneutical circle created by these texts as they both rewrite the Gospels and stimulate a rereading of them. It also establishes the "preposterous" methodology that will be used when reexamining the Gospels "post" reading the novels. Chapters 2 to 5 offer four case studies of "complementing" and "competing" novels and the techniques they use to achieve these aims: Anne Rice's Christ the Lord: Out of Egypt; Neil Boyd's The Hidden Years; Nino Ricci's Testament; and José Saramago's The Gospel according to Jesus Christ. Chapter 6 begins an examination of a specific interpretive circle based upon Jesus' temptation in the wilderness. Beginning with the synoptic accounts of that event, the chapter then turns to how Jesus' testing has been reinterpreted and presented in two of the novels. Returning to the Gospel of Matthew's version of the Temptation, chapter 7 offers a "preposterous" examination of that pericope, which asks novel questions of the text and its role with Matthew's narrative context based on issues raised by the Gospel rewrites. The thesis concludes by suggesting that Jesus novels, already important examples of the reception history of the Gospels, can also play a helpful role in re-interpreting the Gospels themselves.