This thesis suggests that the idea of the rhetorical situation-a work's text (or language), author, audience, and social context-can serve as a connection between literature, literary theory, and composition studies. Criticisms of Emily Dickinson's Poem 754 are presented, and each is categorized according to the element of the rhetorical situation upon which it focuses.

This thesis examines the use of storytelling as a tool to facilitate writing in English language learners. It examines specifically the effects storytelling had on the student use of expressive language, story structure and creativity in their writing. It also analyzed the enjoyment level storytelling brought to the writing experience of the student.

This thesis explores issues surrounding the question of using a literature-based assignment to teach composition at the college freshman level. Following a review of the critical debate on the use of literature in the composition classroom, spanning the last five decades, a specific work of literature is used as the basis for a writing assignment to be given to a freshman composition class.

Adolescent immigrant English learners who enter U.S. schools at the secondary level are faced with challenges that distinguish their experience in second language acquisition from that of children and adults. Some of the challenges they face include limited time to acquire academic English proficiencey in reading and writing, difficulty in assimilating into English speaking American culture, and limited programs and services at the secondary level.

This thesis discussess the limitations of the standards-based movement and suggests that some schools, especially those whose mission it is to work exclusively with at-risk students, need to be allowed to set local behavioral standards before any consideration can be given to setting and teaching academic standards. It mainly focuses on Phoenix High School, a community day school in the Corona-Norco Unified School District, and discusses how the standards based movement is not suited to meet the needs of its students.

This thesis explores the current theories on the personal narrative (as a tool in teaching freshman composition) and examines the ways that this essay is now being used in first year courses at California State University, San Bernardino.

This thesis suggests the incorporation of "Genre Theory" into First Year Composition (FYC) at California State University (CSUSB) as a means of alleviating the lack of transfer of what is learned in FYC to other university writing. In examing the feasibility of that incorporation, it takes into consideration the demands made on the FYC course across universities and specifically at CSUSB.

Uses Edward Corbett's theory of style to help define Chopin's style and expose her rhetorical strategies (sentence and paragraph length, diction, tropes, scheme, etc.) in the short story "The Story of an Hour ." Examines the controversy over using literature to teach composition and provides an analysis of the reasons for and against using literature in composition classes. Finally, defends the use of literature in writing classrooms.

Examines how the cognitive and biological perspectives of Intrinsic Motivation (IM) could collaboratively engage second language (L2) students in the university writing classroom. Brain-structures and body systems specifically associated with intrinsic motivation are detailed, and brain-based learning strategies are outlined. Concludes with a sample application for the university writing classroom that reflects a brain-based approach to L2 learning.

Chapter I. This is a critical study of the rhetoric of Sir Thomas More and Dietrich Bonhoeffer and of plays in which they are portrayed. The purpose is to discover whether or not the rhetoric of the playwrights preserves the integrity of the ideas of the central characters as evidenced by the rhetoric found in their original works . Chapter II. Rhetorical criticism is rendering a judgment on the fitness, correctness or appropriateness of those discourses, spoken or written the aim of which is to influence the readers or hearers. There is much variety in methods of rhetorical criticism. This study will use the dramatistic pentad proposed by Kenneth Burke. Its elements are act, agent, agency, scene and purpose. It will also employ the naming of strategies, another term from Burke meaning methods or attitudes. In addition judgments will be made on the basis of significant ideas, creative choice of language, integrity and credibility. Chapter III. Sir Thomas More was a lawyer, scholar and public official in England at the time of King Henry VIII. He incurred the King’s displeasure by his refusal to support him in his efforts for a divorce. He believed strongly in the need to preserve one’s integrity by obeying his conscience. In his trial speech, his main strategies were related to the importance of conscience and his knowledge of the law. He was pronounced guilty of treason and executed. Chapter IV. In a Man for All Seasons, the playwright has used several theatrical strategies that help to focus attention on More, the central character. He is presented as a genial man of firm reliance on the law and obedience to his conscience. On the basis of a comparison of the rhetoric in the play with that of More, it is concluded that the playwright faithfully preserved the integrity of More’s ideas. Chapter V. Dietrich Bonhoeffer was a theologian, pastor and teacher of Germany during the Nazi regime. He opposed the Nazis on theological grounds, and gradually came to believe that he must become active personally and politically. He joined the resistance movement in a plot to assassinate Hitler. He was imprisoned and executed. His chief motive for action was obedience to God. In selected writings, he is seen to have a strong faith in God, and great hope for the future. Chapter VI. The Cup of Trembling is a play based on the life of Dietrich Bonhoeffer, though using mostly fictional names. Again, the playwright uses devices that bring out the hero’s character. His struggle against the Nazis is seen to involve a corresponding struggle within himself as he makes decisions about his role in the situation. His faith in God and obedience to God are expressed, as well as his hope for the future. On the basis of similar ideas expressed in both media, it is concluded that the playwright succeeded in preserving the integrity of Bonhoeffer’s ideas. Chapter VI I. The key idea of conscience is seen to have been preserved by both playwrights. A number of major ideas were traded from the original figure to the play, and their integrity was seen to be preserved. Therefore, it is concluded that the playwrights did preserve the integrity of the ideas of the two men in the rhetoric of their plays. The major implication of this conclusion is that drama is an effective means of expressing the rhetoric of important historical figures.