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1	My Kind of Music: Two New Orleans Stories Ruth, Mary-Louise 16 May 2003 (has links) My Kind of Music: Two New Orleans Stories is written in two parts, a fictional story about Mickey, an eleven year old white girl, growing up in New Orleans in 1954 and a non-fictional story of my experience as a teenager in New Orleans in 1959. Part I is Mickey's personal coming of age story influenced by the forbidden music of rhythm and blues. Since Mickey's story is set in the same year of the Brown vs. Board of Education decision, it is also a coming of age story of a new social consciousness. Part II is a non-fiction recounting of an integration incident from my own teen years which serves as a fictional element later in Mickey's story when she is a teenager. class sex race rhythm and blues
2	“Jive That Anybody Can Dig :” Lavada “Dr. Hepcat” Durst and the desegregation of radio in Central Texas, 1948-1963 Weiss, Peter Okie 07 November 2014 (has links) Lavada “Dr. Hepcat” Durst was the first African American popular music disc jockey in Texas. His radio program The Rosewood Ramble was broadcast on Austin station KVET-1300 AM from 1948 until 1963. KVET’s white owners, who included future Texas politicians John Connally and J. J. “Jake” Pickle, were not outspoken advocates for the rights of African Americans under Jim Crow, but they hired Durst in a concentrated effort to expand KVET’s African American listening audience. The Rosewood Ramble became a cultural, economic, and psychological resource for black radio listeners in segregated central Texas while also becoming the region’s most popular radio show among white listeners. This paper uses a mixture of oral history and archival sources to argue that Durst’s fifteen-year career at KVET was only the best-known part of a lifetime spent as an information broker to Austin’s embattled black community. / text Lavada Durst Hepcat Austin Texas Radio African American Black Kvet John Connally J.J.Pickle Jake Pickle Jive Chitlin circuit Civil rights History Music Blues Jazz Rhythm and blues Soul Rock n' roll Disc jockey Deejay Gentrification Urban Business World War II
3	Československé beatové festivaly (1967, 1968 a 1971) pod vlivem britských a amerických hudebních vzorů / Czechoslovak Beat Festivals (1967, 1968 and 1971) Under the Influence of British and American Musical Models Šindelková, Markéta January 2016 (has links) This thesis deals with Czechoslovak Beat Festivals which were held in the years 1967, 1968 and 1971. The work presents a musical atmosphere which prevailed in Czechoslovakia in the days of their birth and depicts the conditions in which our musicians built their first bands and started with their own music production. Emphasis is placed on Western musical models whose influence on Czechoslovak artists and authors is undeniable. The paper is processed using oral history on the basis of which interviews with co- organizers, journalists, musicians and spectators were recorded. Their findings and impressions are integrated into the information drawn from historical materials and literature. Therefore, they serve as a supplement to known information and bring a new and sometimes unexpected view of events nearly fifty years ago. Key words Czechoslovak Beat Festival, beat and "big beat", Anglo-American music, The Beatles, rhythm & blues, oral history.
4	The American Blues: Men, Myths, and Motifs Lower, Jonathan Scott 17 August 2012 (has links) No description available. American History Blues. African-American History Rhythm and Blues Country Blues Folklore African Black Music. Southern Culture American Culture African Music African-American Music Jazz Country griot African-American folklore Folk

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