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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 5 of 5 (0.045 seconds)Spelling suggestions: "subject:"disc hockey"" "subject:"disc ishockey""
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The Life and Career of Pete “Mad Daddy” MyersOlszewski, Michael Frank 11 August 2009 (has links)
No description available.
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Direito de proteção à diversidade cultural musical: a música eletrônica e o DJMartignago, Gisella 30 October 2014 (has links)
Made available in DSpace on 2016-04-26T20:23:21Z (GMT). No. of bitstreams: 1
Gisella Martignago.pdf: 2090581 bytes, checksum: 4ecec7a365587475bcf25c2ef6141aed (MD5)
Previous issue date: 2014-10-30 / Law and music are topics of great richness and complexity. However, the
relationship between these two fields of human knowledge and culture is not
usually explored by scientific researchers of both universes. This thesis aims to
analyze the electronic music DJ and work from the perspective of Cultural
Rights. Moreover describe that meets our legal system is flawed as the
understanding and regulation of the activity and creations of artists DJs Proof of
this position lies in the impossibility of this hold the record of his musical work
nor their work is regulated by labor laws. At the moment we accept and regulate
this artistic activity, freedom of musical expression and musical cultural
diversity will be strengthened / Direito e música são temas de grande riqueza e complexidade. No entanto, a
relação entre estes dois campos do conhecimento e da cultura humanos costuma
não ser explorada pelos pesquisadores de ambos universos científicos. A
presente tese tem como objetivo analisar a música eletrônica e o trabalho do DJ
dentro da perspectiva dos Direitos Culturais. Ademais cumpre descrever que
nosso ordenamento jurídico é falho quanto à compreensão e regulamentação das
criações e da atividade dos artistas DJs. Prova de tal postura encontra-se na
impossibilidade deste realizar o registro de sua obra musical tampouco seu
trabalho ser regulamentado pelas leis trabalhistas. No momento em que se
acolher e regulamentar esta atividade artística, a liberdade de expressão musical
e a diversidade cultural musical estarão fortalecidas
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“Jive That Anybody Can Dig :” Lavada “Dr. Hepcat” Durst and the desegregation of radio in Central Texas, 1948-1963Weiss, Peter Okie 07 November 2014 (has links)
Lavada “Dr. Hepcat” Durst was the first African American popular music disc jockey in Texas. His radio program The Rosewood Ramble was broadcast on Austin station KVET-1300 AM from 1948 until 1963. KVET’s white owners, who included future Texas politicians John Connally and J. J. “Jake” Pickle, were not outspoken advocates for the rights of African Americans under Jim Crow, but they hired Durst in a concentrated effort to expand KVET’s African American listening audience. The Rosewood Ramble became a cultural, economic, and psychological resource for black radio listeners in segregated central Texas while also becoming the region’s most popular radio show among white listeners. This paper uses a mixture of oral history and archival sources to argue that Durst’s fifteen-year career at KVET was only the best-known part of a lifetime spent as an information broker to Austin’s embattled black community. / text
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Multiculturalism and the De-politicization of Blackness in Canada: the case of FLOW 93.5 FMMcKenzie, Kisrene 11 December 2009 (has links)
This thesis presents a case study of Canada’s first Black owned radio station, FLOW 93.5 FM, to demonstrate how official multiculturalism, in its formulation and implementation, negates Canada’s history of slavery and racial inequality. As a response to diversity, multiculturalism shifts the focus away from racial inequality to cultural difference. Consequently, Black self-determination is unauthorized. By investigating FLOW’s radio license applications, programming and advertisements, this thesis reveals just how the vision of a Black focus radio station dissolved in order to fit the practical and ideological framework of multiculturalism so that Blackness could be easily commodified. This thesis concludes that FLOW is not a Black radio station but instead is a multicultural radio station – one that specifically markets a de-politicized Blackness. As a result, multiculturalism poses serious consequences for imagining and engaging with Blackness as a politics that may address the needs of Black communities in Canada.
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Multiculturalism and the De-politicization of Blackness in Canada: the case of FLOW 93.5 FMMcKenzie, Kisrene 11 December 2009 (has links)
This thesis presents a case study of Canada’s first Black owned radio station, FLOW 93.5 FM, to demonstrate how official multiculturalism, in its formulation and implementation, negates Canada’s history of slavery and racial inequality. As a response to diversity, multiculturalism shifts the focus away from racial inequality to cultural difference. Consequently, Black self-determination is unauthorized. By investigating FLOW’s radio license applications, programming and advertisements, this thesis reveals just how the vision of a Black focus radio station dissolved in order to fit the practical and ideological framework of multiculturalism so that Blackness could be easily commodified. This thesis concludes that FLOW is not a Black radio station but instead is a multicultural radio station – one that specifically markets a de-politicized Blackness. As a result, multiculturalism poses serious consequences for imagining and engaging with Blackness as a politics that may address the needs of Black communities in Canada.
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