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xvi, 330 p. : ill. (some col.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. / This dissertation focuses on an urban development project outside St. Petersburg, Russia, called the Baltic Pearl. Financed by a consortium of firms based in Shanghai, China, the Baltic Pearl signals several changes in contemporary Russia. At the scale of the region and the nation-state, the project reflects growing political cooperation between the Russian and Chinese governments; it also parallels an increase in economic partnership, including use of Chinese labor. However, social processes at the scale of the city may militate against the success of this project. City residents fearful of rumored Chinese migration feel alarm over the Baltic Pearl because they associate it with narratives of Chinatowns inhabited by labor migrants; other residents already resentful of being left behind in the economic transformation associate the project with the city administration's neglect of their needs. Thus, closer examination of the Baltic Pearl offers the opportunity to gauge commonalities in the causes behind xenophobia and claims of dispossession. Using a theoretical approach based on both humanist and critical geography, I develop an original reading of Henri Lefebvre's The Production of Space to which I give the term socio-spatial paradigm. This concept allows me to conduct an analysis of spatialities in statements of the vision and purpose of the Baltic Pearl made by various individuals and groups. I consider the negotiation over the project's form between Chinese and Russian officials, planners, and architects; local protest and support for the quarter as articulated in newspaper articles, blogs, a survey, and interviews; and individual narratives of spatial form in the city as recounted in a survey and interviews. The aim of the different analyses is to evaluate the capacity of St. Petersburg to adapt to global pressures related to economic restructuring and migration streams, and to become a truly "world city" in terms of cultural multiplicity as well as financial capacity. The conclusion discusses the commensurability of information gained at different scales, from interview narratives to government statements. The study asserts the need to develop better models for incorporating information gained at finer scales into our evaluation of state-to-state relations. / Advisers: Dr. Alexander B. Murphy; Dr. Susan W. Hardwick

ix, 67 p. / For centuries, Russian writers have stressed the important role the Caucasus played in the Russian Empire. In the last few decades, much attention has been directed at the Caucasians in literary works and movies as a result of the two Chechen wars. This thesis addresses the evolution of the Caucasian theme in Russian literature beginning from the 18th century with a focus on the contemporary representation of the peoples of Caucasus, mainly Chechens, in three works: a Soviet-era movie by Leonid Gaidai, <italic>Kidnapping, Caucasian Style</italic> (1966); Vladimir Makanin's story, <italic>Captive of the Caucasus</italic> (1994) and Viktor Pelevin's story, <italic>Papakhi na bashniakh</italic> (1995). The central research question is to what degree contemporary authors have transformed the image of the Caucasians compared to the Romantic period. Of particular interest is the issue of Russia's self-representation in these works. / Committee in charge: Dr. Susanna Soojung Lim, Chairperson; Dr. Katya Hokanson, Member

M.A. / The aim of this study is to determine the utilisation and effect of literature as instrument of patriotism in order to get the active support of the Soviet population for the war effort of the Soviet Union between 1941 and 1946. In the Soviet Union literature was well able to fulfil this role due to the fact that the Soviet leadership identified the propaganda value of literature, with the result that literature became the official expression of the government's policy. By making use of the different literary genres the inherent patriotism could be awakened and inspired. Literature was therefore mainly responsible for the change in the attitude of the Soviet population from indifference and uninterestedness to one of active support. It is, however, not possible to award to literature solely the responsibility for this change of attitude because other instruments were also used between 1941 and 1946. There is enough evidence that the reaction of the population was to a great extent influenced and determined by literature. Through literature the Soviet population wanted to act as the heroes of the literary works and save their Russian fatherland from the German onslaught.

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