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Brahms, Schenker and the rules of composition compositional and theoretical problems in the clarinet works /Foster, Peter. January 1994 (has links)
Thesis (doctoral)--University of Reading, 1994. / BLDSC reference no.: DX185824.
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The theories of Heinrich Schenker in perspectiveSlatin, Sonia, January 1967 (has links)
Thesis--Columbia University. / Includes bibliographical references (leaves 601-618).
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Drafts, page proofs, and revisions of Schenker's Der freie Satz the collection at the Austrian National Library and Schenker's generative process /Auerbach, Jennifer Sadoff. January 2009 (has links)
System requirements: Adobe Acrobat Reader. Includes bibliographical references (p. 234-238).
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Přeprava nebezpečného nákladu v podmínkách společnosti Schenker / Carriage of dangerous goods in SCHENKER spol. s r.o.Sarkisyan, Inna January 2009 (has links)
The diploma thesis deals with carriage of dangerous goods by road, defines and describes main activities connected with this kind of transportation as they are presented in European Agreement concerning the International Carriage of Dangerous Goods by Road. The theoretical findings are then applied to the activities of company SCHENKER spol. s r.o. concerning the carriage of dangerous goods by road.
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My Mother's Death; Generative Principles in Schenkerian Performance ExpressionNoh, H. Gerrey 23 September 2013 (has links)
No description available.
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Modal Prolongational Structure in Selected Sacred Choral Compositions by Gustav Holst and Ralph Vaughan WilliamsFrancis, Timothy, Francis, Timothy January 2012 (has links)
While some composers at the beginning of the twentieth century drifted away
from tonal hierarchical structures, Gustav Holst and Ralph Vaughan Williams sought
ways of integrating tonal ideas with new materials. By analyzing the music of Holst
and Vaughan Williams using a technique expressly designed for the analysis of tonal
musical structure—Schenkerian Analysis—this study looks at ways in which the
composers combined old and new techniques and what that means with regards to our
understanding of their music. To do this, the current study focuses on the sacred choral
repertory because it can form a stylistic bridge between nineteenth-century tonality and
the composers’ more experimental works. This repertory also provides an opportunity
for interpreting text-music connections that help us understand the music at a deeper
level.
In order to establish groundwork for the analytical methodology, I begin the
study with background information on the composers and previous research done on
their music, after which I summarize their most pertinent stylistic features (including
their use of diatonic modes and other pitch collections, their harmonic, melodic, and
contrapuntal techniques, and their formal structures). I then discuss how an analyst can determine prolongational structure in Holst’s and Vaughan Williams’s music by
establishing the tonic or pitch-class center, establishing the context for harmonic and
melodic stability, and following predictable formal patterns. Finally, I apply the
analytical methodology in detail to Vaughan Williams’s Benedicite and Holst’s The
Hymn of Jesus, two substantial single-movement choral works that represent both the
conservative (Benedicite) and experimental (The Hymn of Jesus) sides of the composers’
style. I also compare the analyses with the texts and show how the composers
portrayed religious ideas, even at deeper levels of the prolongational structure.
The modified Schenkerian analytical techniques used in these analyses show that
even though Holst and Vaughan Williams used a number of twentieth-century
compositional techniques, their prolongational structures still follow expected patterns
and closely resemble traditional structures.
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Hållbar utveckling : integrerade nyckeltal för hållbarhetsredovisning : utfört på uppdrag av Schenker ABJohansson, Helén January 2003 (has links)
No description available.
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Corporate Social Responsibility : A comparatative case study of Schenker and DHLLevén, Christian, Ingale, Dayabhai January 2012 (has links)
Corporate Social Responsibility (CSR) has been around for many years and one of the first definitions of this subject was created in the 1950s. The importance of CSR has increased over the years and today there are several different models and it is a wide spread tool that companies use to improve their business within the area’s economic-, legal- and ethical responsibilities. Companies can use this both as an advantage over competitors and as a way of attracting customers and employees. One of the major points in CSR is the environment and this part is becoming increasingly important in today’s society, where global warming due to CO2 emissions is an increasing concern. Also the interdependence between organizations and society is growing in significance, which also is a reason for the increased interest in CSR. This thesis focuses on what CSR is, to what purpose or goal companies engage in it and how the two chosen logistics companies, DHL and Schenker, work with CSR and what differences there are between them. This thesis is a cross case study of two logistics companies and to acquire the needed information, the authors have conducted document studies and interviews. These document studies and interviews have provided the thesis with a theoretical framework and a deeper understanding of how two of the largest logistics companies work with CSR. The results show that both companies are engaging in similar manner in the environmental responsibilities, but there are some major differences in how they deal with societal responsibilities. DHL uses its size and global presence to aid societies in need and help communities with educating their children. DB Schenker on the other hand focuses on cooperation’s with universities and also donates funds to schools and non-governmental organizations.
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Das musikanthropologische Denken von Viktor Zuckerkandl /Lipp, Gerhard. January 2002 (has links)
Diss.--Philosophie--Graz, 2001--Univ. für Musik und darstellende Kunst. / Contient : "Man, the musician" de V. Zuckerkandl. Bibliogr. p. 127-139.
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The cultural context of the theories of Heinrich Schenker.Whittle, Barbara. January 1993 (has links)
Thesis (Ph. D.)--Open University. BLDSC no. DX180682.
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