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1	Semiosis & sign exchange design for a subjective situationism, including conceptual grounds of business information modeling / Wisse, Pieter, January 1900 (has links) Tevens proefschrift Universiteit van Amsterdam, 2002. / Met index, lit. opg. - Met samenvatting in het Nederlands. Bedrijfsinformatie. Semiotiek.
2	The evaluation of literary texts an experimental investigation into the rationalization of value judgments with reference to semiotics and esthetics of reception / Segers, Marinus Theodorus Maria, January 1978 (has links) Proefschrift Utrecht. / Auteursnaam op omslag: Rien T. Segers. Lit. opg.: p. l99-226. Met een samenvatting in het Nederlands.
3	Gestaltung in der Fotografie und ihre Bildwirkung Aspekte einer theoretisch und empirisch orientierten Fotosemiotik. Kluwe, Vincent, January 1982 (has links) Thesis (Doctoral)--Freie Universität Berlin, 1982.
4	Verbal and non-verbal communication in the theatre of Marguerite Duras a thematic and semiotic study / Johnson, Mary Greenwood. January 1900 (has links) Thesis (Ph. D.)--University of Wisconsin--Madison, 1987. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 225-231). Toneelstukken. Semiotiek. Frans.
5	The social cognitive actor a multi-actor simulation of organisations / Helmhout, Jan Martin. January 2006 (has links) Proefschrift Rijksuniversiteit Groningen. / Met lit.opg. - Met samenvatting in het Nederlands.
6	Zur Ideologie der Unfehlbarkeitsdiskussion eine semiotische Strukturanalyse zu Texten von Hans Küng und der römischen Glaubenskongregation / Schiwy, Günther. January 1975 (has links) Thesis--Frankfurt am Main. / Includes bibliographical references (p. 138-140).
7	The articulation of context and identity in U-Carmen eKhayelitsha / Susanna Isobella Viljoen Viljoen, Susanna Isobella January 2012 (has links) The primary focus of this qualitative research project is on the articulation of contexts and identity in operatic texts. In literature, postmodern appropriations and re-writings of classic nineteenth-century texts have changed perceptions about the ability of the marginalized Other’s identity to change. As a discursive phenomenon, opera helped to shape nineteenth-century perceptions of the exotic Other. This thesis argues that the appropriation of operatic texts to reflect various contexts induces the potential to shape alternative perceptions about identity. In U-Carmen eKhayelitsha (2005), a cinematic adaptation of Bizet’s Carmen (1873–74), director Mark Dornford-May revisits earlier versions of Carmen and uses semiotics and several other narrative strategies in order to articulate the identities of the African female Other within the context of a post-apartheid township. This thesis illustrates how the dialectic relationship between text, context and identity formation becomes evident in the analysis and comparison of Prosper Mérimée’s novella Carmen (1845), George Bizet’s eponymous opera and U-Carmen eKhayelitsha. / Thesis (PhD (Music))--North-West University, Potchefstroom Campus, 2013 Adaptations Context Exoticism Identity Narratology Narrative strategies Opera Postmodernism Semiotics Text Konteks Eksotisisme Identiteit Narratologie Narratiewe strategieë Postmodernisme Semiotiek Teks
8	The articulation of context and identity in U-Carmen eKhayelitsha / Susanna Isobella Viljoen Viljoen, Susanna Isobella January 2012 (has links) The primary focus of this qualitative research project is on the articulation of contexts and identity in operatic texts. In literature, postmodern appropriations and re-writings of classic nineteenth-century texts have changed perceptions about the ability of the marginalized Other’s identity to change. As a discursive phenomenon, opera helped to shape nineteenth-century perceptions of the exotic Other. This thesis argues that the appropriation of operatic texts to reflect various contexts induces the potential to shape alternative perceptions about identity. In U-Carmen eKhayelitsha (2005), a cinematic adaptation of Bizet’s Carmen (1873–74), director Mark Dornford-May revisits earlier versions of Carmen and uses semiotics and several other narrative strategies in order to articulate the identities of the African female Other within the context of a post-apartheid township. This thesis illustrates how the dialectic relationship between text, context and identity formation becomes evident in the analysis and comparison of Prosper Mérimée’s novella Carmen (1845), George Bizet’s eponymous opera and U-Carmen eKhayelitsha. / Thesis (PhD (Music))--North-West University, Potchefstroom Campus, 2013 Adaptations Context Exoticism Identity Narratology Narrative strategies Opera Postmodernism Semiotics Text Konteks Eksotisisme Identiteit Narratologie Narratiewe strategieë Postmodernisme Semiotiek Teks
9	Towards a semiotics of ideology Reis, Carlos António Alves dos. January 1993 (has links) Based on a section of the author's Thesis (doctoral--University of Coimbra). / Includes bibliographical references (p. [151]-158) and index.
10	Towards a semiotics of ideology Reis, Carlos António Alves dos. January 1993 (has links) Based on a section of the author's Thesis (doctoral--University of Coimbra). / Includes bibliographical references (p. [151]-158) and index.

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