Thesis (M. Div.)--St. Vladimir's Orthodox Theological Seminary, 1976. / Includes bibliographical references (leaves 147-149).

Thesis (M.A.)--University of Missouri-Columbia, 2004. / Typescript. Includes bibliographical references (leaves 150-155). Also available on the Internet.

Thesis (Ph. D.)--Rutgers University, 2007. / "Graduate Program in Comparative Literature." Includes bibliographical references (p. 224-231).

Thesis (M.A.)--University of Missouri-Columbia, 2004. / Typescript. Includes bibliographical references (leaves 150-155). Also available on the Internet.

Thesis (Ph. D.)--University of Chicago, Dept. of South Asian Languages and Civilizations, June 1997. / Includes bibliographical references. Also available on the Internet.

abstract: The focus of this study was the first Serbian opera, Na Uranku (At Dawn). It was written by Stanislav Binièki (1872-1942) and was first performed in 1903 at the National Theatre in Belgrade. There were two objectives of this project: (1) a live concert performance of the opera, which produced an audio recording that can be found as an appendix; and, (2) an accompanying document containing a history and an analysis of the work. While Binièki's opera is recognized as an extraordinary artistic achievement, and a new genre of musical enrichment for Serbian music, little had been previously written either about the composer or the work. At Dawn is a romantic opera in the verismo tradition with national elements. The significance of this opera is not only in its artistic expression but also in how it helped the music of Serbia evolve. Early opera settings in Serbia in the mid-nineteenth to early twentieth century did not have the same wealth of history upon which to draw as had existed in the rich operatic oeuvre in Western Europe and Russia. Similarly, conditions for performance were not satisfactory, as were no professional orchestras or singers. Furthermore, audiences were not accustomed to this type of art form. The opera served as an educational instrument for the audience, not only training them to a different type of music but also evolving its national consciousness. Binièki's opera was a foundation on which later generations of composers built. The artistic value of this opera is emphasized. The musical language includes an assimilation of various influences from Western Europe and Russia, properly incorporated into the Serbian musical core. Audience reaction is discussed, a positive affirmation that Binièki was moving in the right direction in establishing a path for the further development of the artistic field of Serbian musical culture. A synopsis of the work as well as the requisite performing forces is also included. / Dissertation/Thesis / Opera Na Uranku: Part I directed by Jana Minov / D.M.A. Music 2011

(in English) Our master's thesis deals with formal adaptation of Anglicisms and Germanisms in Czech and Serbian language. The focus of the thesis lies mainly on substantives and their orthographic and morphological adaptation. Moreover, it concentrates on the differences and specificities in both languages and the various ways of writing search terms. For this purpose, Czech and Serbian language corpora were used to serve both the search itself and the approximate indicator of the use of different variants of the writing of individual expressions.

(in English): Our master's thesis deals with errors that students do during the acquisition of Serbian language. We focused on the grammatical but also on the spelling aspects of the Serbian language. The data from students were collected in form of questionnaire, test and translation. These were filled in by fifty respondents whose mother tongue was mainly Czech and six respondents had Russian language as their mother tongue. Language proficiency of Serbian was between levels A1 and C2. However, native speakers of Serbian had Czech as their second mother tongue. Interlanguage and intralingual interference were also the matter of our error analysis. Because of that we were also interested in other Slavic languages that our respondents speak. The aim of our thesis is to find out what kind of errors students of Serbian language do. Through this we would like to help both the students in more efficient language learning and the teachers to overcome the errors made by students and thereby contribute to the improvement of their language skills.

Studies of Russian, Polish, and Lithuanian language learners converge on the finding that morphological features of nouns are first generalized to word clusters of high morpho-phonological similarities such as diminutives, that grammatical categorisation is are more easily applied to novel words that fall into these clusters. The present thesis explores whether the facilitating effect of diminutives on the acquisition of complex noun morphology can be extended to Serbian, a south Slavic language, morphologically similar to Russian and Polish. Specifically, the thesis explores the role of parameters responsible for the obtained diminutive advantage: high frequency of a particular cluster of words in child-directed speech (CDS) and morpho-phonological homogeneity within this cluster. A corpus analysis of the distribution of diminutives in Serbian CDS indicated a rather unexpected difference in frequency relative to Russian and Polish CDS, despite the high similarity of the diminutive derivation across these three Slavic languages. Out of the total number of nouns in Serbian CDS only 7% were diminutives, compared to 20-30% in Polish and 45% in Russian. Two experimental studies explored whether the low frequency of diminutives in Serbian CDS attenuates the diminutive advantage in morphology learning compared to Russian and Polish. In the first two experiments, Serbian children exhibited a strong diminutive advantage for both gender agreement and case marking in the same range as Russian children, indicating that morpho-phonological homogeneity within the cluster of diminutives may play as important a role as their frequency for grammatical categorisation of novel nouns. A third study investigated in more detail the effects of morpho-phonological homogeneity on the emergence of the diminutive advantage using a gender-agreement task with novel nouns in simplex and pseudo-diminutive form over four sessions with Serbian children. The results showed a pseudo-diminutive advantage for gender agreement by Session 2, suggesting that the categorisation of nouns into grammatical categories is based on morpho-phonological homogeneity of the word cluster, emerges relatively fast, and can occur despite the much lower frequency of diminutives in Serbian CDS. Finally, a series of neural network simulations designed to capture the pattern of results from the third experimental study was used to examine to what extent a simple associative learning mechanism, relying on morpho-phonological similarity of the noun endings, can explain the findings. The performance of three models, a whole-word feed-forward network, a Simple Recurrent Network (SRN) and a last-syllable feed-forward network, was compared to the experimental data. The superior fit of the SRN suggests that gender learning is based on a very fast sequential build-up of representations of the entire word, allowing the system to exploit the predictive power of word stems to anticipate regularised endings. Overall, the findings of this thesis contribute to our general understanding of mechanisms responsible for the acquisition of complex inflectional noun morphology in two ways. First, by extending experimental studies and neural network simulations to Serbian, the results underline the universality of the idea that noun morphology is learned and processed through a single-route associative mechanism based on the frequency and morpho-phonological structure of nouns. More specifically, the results from experimental studies and neural network simulations demonstrate that for diminutives, the low-level grammatical categorisation is based mainly on the morpho-phonological similarity of word endings, and can emerge after just a few exposures. And second, the neural network simulations suggest that during the process of categorisation of nouns into gender categories, learners rely not only on predictable information from the noun endings, but also on phonological regularities in the stems of nouns. Taken together, these findings contribute also to a better understanding of the facilitating role of CDS in morphology acquisition.

Short story cycle Magija Beograda (2008, The Magic of Belgrade, Czech anthology Belgrade, my magic love!, 2014) is one of the last works of Serbian author Momo Kapor. His subject matter is contemporary picture of Belgrade and characters in his work are people, who are emotionally bound to this city. The aim of this dissertation is to introduce a Czech translation of the short stories and their translatological commentary. This work deals with the theme of Belgrade work of Kapor, which the author engaged in throughout his whole life and wrote in this style for more than ten years. This area of his work still does not have a Czech literary translation. This dissertation also brings more coherent author's portrait. Pivotal part consists of two chapters, first one is devoted to the profile of the author and the second one to the translation and commentary.