This thesis probes the ways in which land-based and bodily violence inform contemporary North American Indigenous poetry. Since the “Oka Crisis” of 1990, English-speaking North American Indigenous writers have produced a substantial body of poetry that has significant implications in forwarding national sovereignty struggles. Gender violence enabled settler colonial land appropriation; resource exploitation also harmed Indigenous bodies. This project considers the ways in which Indigenous authors with diverse geographic, cultural and embodied experiences employ common strategies toward using poetry as an emancipatory tool. A poem is both whole, and a fragment of a larger body of work; engaging with the works of individual poets, and multi-authored anthologies allows for varied readings of the same poems and their engagements with the project’s key themes of homeland and embodiment. This paper is informed by the reading of many Indigenous theorists and poets, and aligns with an Indigenous-feminist critique that suggests that nationalist sovereignty struggles are meaningless as long as bodily violence against Indigenous women and Two-Spirit people is still prevalent. As such, contemporary struggles for reclaiming Indigenous lands must also be struggles toward a sovereign erotic, sovereignty over one’s sexuality and gender identity. / Thesis (Master, Gender Studies) -- Queen's University, 2012-09-12 03:07:52.957

In an age of unbridled global capitalism and caustic neocolonial relations to land and life, the question of the aims and approaches of doing counselling with young people, particularly those majoritarian youth who are inheriting the privileges and specters of capitalist and colonial conquest, is pertinent. This dissertation is a collection of three theoretical papers on critical counselling with majoritarian young people in the context of contemporary Empire. A critical lens drawn from decolonial analyses was applied to mainstream counselling practice and theory. By developing a map of how contemporary Empire functions as a permutation of settler colonialism and globalized capitalism, this work investigates the forms of power and discourse that structure contemporary counselling, particularly the bio-medical-industrial-complex of psychiatry and the pharmacology industry, societies of control and digital technology, affective labour, and coloniality. Practices of vulnerability, self-reflexivity, decolonization, accountability, and critique are weaved into a cartographic methodology to redefine counselling as an ethics-driven and politicized intervention in the reproduction of majoritarian subjectivity. In the 21st century, globalized capitalism and settler colonialism seek to push past material limits and appropriate the products of human relatedness—feelings, ideas, cultures, and creations. In resisting this affective extractivism, these papers explore what it might mean to position engagement, living encounter, and relationship in an ethics-based counselling paradigm of resistance and social justice. The challenge of a critical counselling praxis commensurate with such a paradigm is to find avenues to intervene in the majoritarian psyche’s capito-colonial grip on all forms of land and life. Counselling in an Age of Empire proposes that a politicized account of counselling with majoritarian subjects might prove to be a productive space for recrafting subjectivities. Through a careful critique of the majoritarian subject, in the roles of both counsellor and client, a praxis of counselling attentive to political context, based in living encounter, and grounded in a settler ethics of vulnerability and accountability is sketched out. Overall, the work is aimed at majoritarian students and counsellors, their teachers, and those interested in developing a counselling praxis grounded in settler ethics, critique, vulnerability, and the power of living encounter. / Graduate / 2019-09-30

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This project provides a coalitional reading of Chinese Canadian literature, film, and history based on an allegorical framework of Asian-Indigenous relationalities. It tracks how Chinese labour stories set during the period of Chinese exclusion can not only leverage national belonging for Chinese settlers but also be reread for a different sense of belonging that remains attentive to other exclusions made natural by settler colonial discourses and institutional structures, that is, the disavowal of Indigenous presence and claims to sovereignty and autochthony. It contributes to important discussions about the experiences of racism and oppression that typically privilege the relations and tensions of diasporic and Indigenous communities but hardly with each other. What is more, this study aligns with a recent surge of interest in investigating Asian-Indigenous relations in Asian Canadian, Asian American, and Asian diaspora studies. The political investments driving this project show a deep commitment to anti-racist and decolonial advocacy. By examining how Chinese cultural workers in Canada have tried to do justice to the Head Tax generation’s experiences of racial exclusion and intersectional oppressions in fiction, non-fiction, graphic non-fiction, and documentaries, it asks whether there are ways to ethically assert an excluded and marginalized Chinese presence in the context of the settler colonial state. By doing justice to the exclusion of Chinese settlers in the national imaginary, do Chinese cultural workers as a result perform an injustice to the originary presence of Indigenous peoples? This thesis re-examines the anti-racist imperative that frames Chinese labour stories set during the period of Chinese exclusion in Canada: by exploring whether social justice projects by racially marginalized communities can simultaneously re-assert an excluded racialized presence and honour their treaty rights and responsibilities, it works to apprehend the colonial positionality of the Chinese diaspora within the Canadian settler state. / Dissertation / Doctor of Philosophy (PhD) / This project examines representations of Chinese labour and Asian-Indigenous relations in Chinese Canadian literature and film. By focusing on how Chinese Canadian writers and artists honour and remember the nation-building contributions and sacrifices of Chinese labourers in stories set in Canada during the period of anti-Chinese legislation policies such as the Chinese Head Tax and the 1923 Chinese Immigration Act, this thesis provides a critical look at the values and ideologies that these narratives may draw upon. It asks whether it is possible for writers and artists to commemorate Chinese labour stories without also extending the colonization of Indigenous peoples, forgetting the history of Asian-Indigenous relationships, or promoting work ethic values that may hinder community building with Indigenous peoples and respecting Indigenous ways of living and working off the land. This study explores questions of history, memory, national belonging, social justice, decolonization, and relationship building.