This thesis is an attempt to trace this evolution which led Sherman to be designated as the first modern general.

No description available.

No description available.

Thesis (M.A.)--Villanova University, 2008. / English Dept. Includes bibliographical references.

Thesis (M.A.)--University of Hong Kong, 2009. / Includes bibliographical references (p. 74-78).

Cindy Sherman’s photographic series, Untitled Film Stills, is an icon of postmodern art. The series is comprised of discrete single-frame narratives, which Sherman rendered in the visual vocabulary of mid-century cinematic publicity photography. One of the series’ most unifying features is its pervasive ambiguity, which Sherman has described as a conscious motivation behind the series. Despite the Stills’ continuous, international success, not every photograph in the series has merited uniform popularity, and some are largely absent from the greater circulation of popular and critical discourse. There is, in fact, significant variation in the circulation of individual Stills. I suggest that there is a spectrum of ambiguity in the photographs, and that this spectrum converges with the range of circulation. Within these spectra there are limits to the effectiveness of ambiguity. Therefore, the question that has governed my research is, “What is the threshold of ambiguity in Untitled Film Stills?” / text

No description available.

Thesis (Honors)--College of William and Mary, 2009. / Includes bibliographical references (leaves 91-100). Also available via the World Wide Web.

Zugl. Diss. Univ. Kassel, 2007.

Thesis (Ph. D.)--Georgia State University, 2008. / Title from file title page. Wendy Hamand Venet, committee chair; Timmothy Crimmins, Charles Steffen, committee members. Description based on contents viewed Sept. 22, 2009. Includes bibliographical references.