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The Making of a General : William Tecumseh Sherman and the Art of WarVetter, Charles E. 01 1900 (has links)
This thesis is an attempt to trace this evolution which led Sherman to be designated as the first modern general.
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A Rhetorical Analysis of Six Selected Speeches Delivered by Sherman AdamsBanninga, Jerald January 1959 (has links)
No description available.
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A Rhetorical Analysis of Six Selected Speeches Delivered by Sherman AdamsBanninga, Jerald January 1959 (has links)
No description available.
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Breaking down the reservation fence a postmodern Native American cultural discourse featuring Philip J. Deloria and Sherman Alexie /Schaffer, Jaime Lynn. January 2008 (has links)
Thesis (M.A.)--Villanova University, 2008. / English Dept. Includes bibliographical references.
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The ritual staging of the self comparing Post-1980s contemporary photography from China and the photographic imagery of Cindy Sherman /Yip, Wai-ka, Olivia. January 2009 (has links)
Thesis (M.A.)--University of Hong Kong, 2009. / Includes bibliographical references (p. 74-78).
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The threshold of ambiguity in Cindy Sherman's Unititled film stillsDolan, Kimberly Kathleen 17 February 2012 (has links)
Cindy Sherman’s photographic series, Untitled Film Stills, is an icon of postmodern art. The series is comprised of discrete single-frame narratives, which Sherman rendered in the visual vocabulary of mid-century cinematic publicity photography. One of the series’ most unifying features is its pervasive ambiguity, which Sherman has described as a conscious motivation behind the series. Despite the Stills’ continuous, international success, not every photograph in the series has merited uniform popularity, and some are largely absent from the greater circulation of popular and critical discourse. There is, in fact, significant variation in the circulation of individual Stills. I suggest that there is a spectrum of ambiguity in the photographs, and that this spectrum converges with the range of circulation. Within these spectra there are limits to the effectiveness of ambiguity. Therefore, the question that has governed my research is, “What is the threshold of ambiguity in Untitled Film Stills?” / text
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Stuart Sherman; his consistency and some of his battlesClarke, Sarah Mason, 1901- January 1939 (has links)
No description available.
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Body language : the presence and absence of Cindy Sherman, Sherrie Levine and Barbara Kruger /Bowlen, Joan Elizabeth. Zimmerman, Peter Motgomery. January 1900 (has links)
Thesis (Honors)--College of William and Mary, 2009. / Includes bibliographical references (leaves 91-100). Also available via the World Wide Web.
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October-Revolutionen in der amerikanischen Kunstkritik /Geilert, Gerald. January 2009 (has links)
Zugl. Diss. Univ. Kassel, 2007.
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Demon of the Lost Cause General William Tecumseh Sherman and the writing of Civil War history /Moody, John Wesley. January 2008 (has links)
Thesis (Ph. D.)--Georgia State University, 2008. / Title from file title page. Wendy Hamand Venet, committee chair; Timmothy Crimmins, Charles Steffen, committee members. Description based on contents viewed Sept. 22, 2009. Includes bibliographical references.
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