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cut.suction.remove.suction.sewCLAUSEN, LAURA January 2011 (has links)
This project is dealing with the human body and surgical modifications. I am wondering how to achieve the aim of provoking compassion, rejection and attraction in one collection. I would like to deeply move the sensation of your own body by showing deformed and reconstructed bodies.Cut off body parts and re-sew them somewhere else…I want to show something that is considered to be disgusting in a context where you would not expect to meet it.Furthermore, I would like to show that anything that looks normal disgusts you in an abnormal size or position.I want people to discover such elements at a second glance and I chose this theme also in order to provoke myself. I was wondering how it would affect my work by chosing a topic that irritates myself.The background for this project is built on a two year research and I am going to highlight the decisions along the way.I do relate my work strongly to Matthew Barneys way of creating and I got influenced by his aesthetics. But also the methods I used were significant for my end result which I am showing in form of clinical reports in which each character and its personal story is described.This report ends with a discussion part where I evaluate the result and my competence. / Program: Master Programme in Fashion Design
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smock x knit : Exploring the possibility of shape in knitwear by looking at theaesthetic properties of smocking, drawing inspiration from sportswear.Ljungdahl, Sarah January 2018 (has links)
Since late eighteenth century smocking has been a part of different fields of fashion. From agricultural clothing and swimsuits, and also inspiring architecture. The approach of smocking has always been to tighten the fabric against the body. This work will challenging this by exploring the possibility to build form with smocking on the body, placing it in the context of personas on a winter vacation. By extracting elements of the smocking and sketching directly in the knitting machine using different techniques and yarn with contrasting characteristics, the ambition has been to translate aesthetic aspects of smocking via volume, pattern, material and colour into knitted material, targeting a sporty silhouette and expression. The result show an alternative way to bout fabricate and view the smocking. By letting the technique build form, placing it in a sports context suggest that smocking no longer is a technique solely for romantic dresses.
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Smocked patterns : An exploration of jacquard woven patterns and smocking techniques for a spatial textile design contextLind, Malin January 2019 (has links)
This degree work relates to the textile design field where the aim is to design jacquard woven patterns for smocking techniques, in order to create three-dimensional pattern surfaces for a spatial textile design context. Smocking is a traditional embroidery technique where the stitches manipulate the fabric and create decorative areas. Jacquard woven patterns work as templates for the smocking stitches so the pattern shapes the fabric. Bindings and yarn colour combinations were explored in an industrial jacquard machine and tried out with different smocking variations made by hand. Experiments with scale and materials have been done. The result consists of three woven textile objects smocked with two variants of lozenge smocking. The work demonstrates examples of smocked three-dimensional surfaces in various scales and shapes, which can be further developed into interior products, for instance room dividers or sound absorbers. The primary motive was to update the traditional smocking technique with patterns and colours, with the intension to develop a contemporary expression. The smocking technique acts as a method to manipulate patterns and can work as a sketching tool in pattern design. The purpose is to inspire alternative ways of sketching with patterns.
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There Is Softness Hidden in Your Walls : A Material Exploration Uncovering the Textile Elements in Building ConstructionSalvall, Lisa January 2023 (has links)
A wall might appear as basic, a clean surface without an identity of its own, nothing but a clean slate upon which to leave any impression. Though the walls surrounding us are all but anonymous. They are built with a structure making them stand tall and strong. They are filled with insulation to keep us warm and sheltered. They are hard and they are soft. They can allow us to isolate ourselves from each other or they are fragile enough to let us know someone is on the other side. They cover the basic necessities of our houses, and we in return cover them to make our spaces less anonymous. There is softness hidden in your walls mainly aims to highlight the textile components of architecture which we usually never see. While we tend to view textiles mostly as decoration, they constantly perform in a lot of various ways all around us. In this project I have worked with prefabricated building materials that according to me have textile qualities, but they aren’t viewed as textile. Or I have tried to adapt textile techniques to non-textile materials to test them in new ways. The wall as the leading actor has first and foremost been used as a conversation partner for the material exploration and contextualization. The main material used is wool sheep insulation though many other materials have been put to the test throughout the process.
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Female Friendship: Strength Found Through SupportStater, Lydia M. 11 May 2018 (has links)
No description available.
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